Playing music at the ocean, an infinite mirror curls upward towards you. Picturesque and perverse, cracked enamel castings sit in lazy but unsettled sands. Something is just right, having once stirred beneath the surface it now hovers misting at eye level. You can put your hand through it; pushing humidity around like a furry catkins flake in a tepid wind.

BAD LSD TRIPS is a collaboration between artists Domingo Castillo and doris dana. Working through the process of developing sounds during the pandemic, the duo amassed large swaths of recordings on a weekly basis from 2020 and 2021 in Miami, Florida. The debut recording of "bad LSD trips" for the ENXPL series is documentation of improvising and honing a sonic vocabulary that is rooted in the tradition of early industrial, dark ambient and tape music. The backdrop of the recorded effort is a geographical conundrum of a city worn threadbare by candied advertising, tourism, and aesthetics. BAD LSD TRIPS inverts the spectacle of their locale with psychedelic meditations searching for, and occasionally digging inside of, a place of ease.

BAD LSD TRIPS is a collaboration between artists Domingo Castillo and doris dana. Working through the process of developing sounds during the pandemic, the duo amassed large swaths of recordings on a weekly basis from 2020 and 2021 in Miami, Florida.


Limited 125 copies
Copper foil print on recycled paper
Recycled cassette shells and cases 
credits
releases March 29, 2022

Recorded by Domingo Castillo and doris dana
LAZY HIDEAWAY contains elements of Zabelle Panosian - Groung
Audio finalized by Glyn Maier
Source material for design from 'Smiley Face Om'
Design by RJM Vanderheyden

BAD LSD TRIPS

HARD COPY PURCHA$E

ENXPL12 - BAD LSD TRIPS - A1. CONSCIOUSNESS BURNOUT

Shahin Souri was born and raised in Tehran.
Working in the field of ambient/minimal, these compositions explore the balance between electronics and environmental sounds, utilising processed acoustic and electronic sources and field recordings.

_______________________

All music by Shahin Souri 
Artwork by Oda Ebrahimpour 
Mastered by Futuregrapher

This Is What We Were Building Yesterday

Beyond The Horizons

Limited to 100 copies in a cover letterpressed by Typotopia in Malmö. Vinyl pressed in Hamburg by Ramona Vinyl.

This is two new pieces by Swedish trio Organ of Corti. Tape loops by Dan Johansson of Sewer Election/Enhet för Fri Musik etc and Mattias Gustafsson of Altar of Flies. Synths and mixing by Joachim Nordwall.

released April 4, 2024

ORGAN OF CORTI - MUTATIO (iDEAL255 7")

OOPS

Italian producer and master synthesist Guido Zen has mesmerised my mind with his incredibly rich tapestry of sound since he appeared on the scene as Abul Mogard. He's got a particular sonic aesthetic that I tried [and failed] at replicating - something soft and slow-burning is rising and evolving into a velvety, faint and fuzzy vibration, perfectly sculpted to hold it all in one place. If there were just a bit too much reverb it all would be blurry, and if not enough, it would be just dry. And yet, in the hands of Guido, the frequency spectrum is dense and alive, "shaking kosmische synth fantasies into post-industrial ambience and blissful shoegaze memories." His most recent release with Rafael Anton Irisarri, for which I premiered "Place of Forever", was a fantastic example of all of the above, plus an amazing showcase of what a collaborative production may bring to the fans, combining Raf's distorted layers of bowed guitar with a myriad of perfectly saturated effects. On June 21st, Guido returns with yet another collaboration, this time with Berlin-based Dutch-Italian composer and sound designer Aimée Portioli, known as Grand River. Released via Caterina Barbieri's light-years imprint, this new work, which Guido admitted to me has taken him into new territories, is indeed yet another captivating dimension of a multi-faceted composition that truly unites both artists as one. Here, we are gifted with Aimée's strong sense of sensual organic soundscapes that develop into nearly overpowering tide crests, static washes, and serene expense, all carried by the widescreen cinematic tension and resolve in the hands of the fictitious synth factory worker. A truly enjoyable journey, which I hope you'll explore. I recommend turning up the volume a bit beyond your usual setting...

In uno spazio immenso

Sulle barcane

TRACK PREMIERE : Grand River And Abul Mogard - Sulle Barcane

Sometime in 2016, I came upon the California-based electronic musician, releasing his organic, evolving and highly textural synthesized compositions as r beny. I followed and watched many of his YouTube videos, where he showcased his modular skiff and various digital synthesizers (I particularly enjoyed watching the Novation Peak ambient showcase, which inspired me to purchase that synth). Throughout the years, I've been enchanted (as I'm sure some of you also have) with his particular aesthetic in creating warm, lush, and melancholic pads that stretch out their fingers and brush the worry away. When, in 2018, he got noticed by Dauw imprint, I reached out to premiere a track from his Saudade album. Since then, Austin Cairns' creations have continued to sell out - you can still buy digital copies of eistla (2018), echo's verse (2019), and natural fiction (2020) via his Bandcamp. By now, he has established a solid following, so it isn't easy to be useful with my words on HC. I can also say the same about the UK-based quiet details imprint, which has amassed a gathering of my all-time favourite ambient artists and relentlessly releases an amazing album every single month. This is almost a community now of all like-minded musicians sharing the label's aesthetic in creating pieces as an interpretation of the platform's name. I cannot keep up and cover every single album on there, so you might as well follow along on your own, and I promise that you won't be disappointed [for example, I failed to give my buddy James Murray proper coverage of his latest album, Weeds, thinking that, yeah, okay, you must already know that it's amazing]. Today, I'm dipping my toe back into the myriad of sonic seas and atmospheres with a track premiere from Cairns' upcoming album, discerned in the fugue of streams, because I think that it is very special.

Read more on Headphone Commute:
https://headphonecommute.com/2024/10/16/r-beny-fir-sweet-and-mossed/

discerned in the fugue of streams

fir-sweet and mossed

TRACK PREMIERE : r-beny - fir-sweet and mossed

The Game of Life w/ Misuta Go (28.04.2025)

The final Forwind release of 2019 sees the Swedish multi-instrumentalist Erik Levander join the roster with a dynamic speaker filling five tracker. 

The album title 'Inåt', translating 'Inwards', refers to the introspectiveness of the compositions, drawing inspiration from personal struggles in everyday life. The track titles and music cycles point to another layer of context with the ongoing pattern in politics, and of people turning inward, being somewhat inescapable. 

A more synth heavy release than 2018's 'Couesnon', Inåt still features a vibrant blend of digital, analog and acoustic sounds. The clarinet is present at times, but also traces of other acoustic sources, all put through their paces with everything from guitar pedals to digital processing utilised, as Erik twists them into some wonderful tones, trails and timbres.

Erik's powerful sound of deconstructed and digitised clarinets, pianos and guitars will appeal to fans of big atmospherics with some real artistry and serious bite.

Digipak and digital available to pre-order:
https://forwind.bandcamp.com/album/in-t

Beyond The Horizons

Rhonchus

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