Factory Floor
"How You Say"

Factory Floor Tour Dates
4/7: Vancouver, BC @ Fortune Sound Club
4/8: Seattle, WA @ Barboza
4/9: Portland, OR @ Doug Fir Lounge
4/13: Indio, CA @ Coachella
4/16: San Francisco, CA @ The Independent
4/17: Los Angeles, CA @ Echo
4/20: Indio, CA @ Coachella
4/22: Montreal, QC @ Le Belmont
4/23: Brooklyn, NY @ Music Hall of Williamsburg
4/24: Washington, DC @ U Street Music Hall
4/26: Asheville, NC @ Moogfest
7/18-7/20: Chicago, IL @ Pitchfork Music Festival

Factory Floor - How You Say

Raga - Yaman- Flute, Santoor and possibly the rudra veena

Niladri Kumar - Depth in Earth (Raga Mian Ki Todi)

"Nathoo Khan was arguably the best sarangi nawaz in the subcontinent in his time. I do not know his antecedents and lineage, but he was one of the artistes brought over to Radio Pakistan, Karachi, from All India Radio, by the Grand Old Man of Broadcasting, Z. A. Bukhari. Nathoo Khan was a malang, and his performances would reflect the must in his spirit. He would twitch and jerk along with every turn of musical phrase, creating a unity of body, soul and instrument"

http://qaul.blogspot.com/2008/06/ustad-nathoo-khan-sarangi-maestro.html

Ustad Nathu Khan - Tilak Kamod

Fire Walker

Sitar Instrumental - Man Tarpat Hari Darshan Ko Aaj

Raag of the Night, Depicting Eternal Longing.

Bandish :
ae ri aali piyaa bin
Sakhi aeri aali piyaa bin
sakhi kal na parat mohe
ik ghari pal chhin
ae ri aali piyaa bin
Sakhi ae ri aali piyaa bin
jabse piyaa pardes gaye morey
ratiyaan katat mori taare gin gin
ae ri aali piyaa bin
Sakhi aeri aali piyaa bin

Video - https://www.youtube.com/watch?v=JKZhsbFh7vs

RagaLabs : Versatile and aesthetically pleasing, Raag Yaman is boundless in creative pursuit. The attempt in this piece has been to creatively showcase, in a short time-span, the various components of a Hindustani music presentation. It starts off with a soothing alaap that draws one into the depth of the raag while touching upon all the notes that define it. The actual bandish is then presented - a basic version first, followed by experimentation with several variations in the mukhda and antara. Aakar and swar taans are generously interspersed as ornamental interludes. The piece ends with each singer signing off in their own unique way and harmoniously concluding on the homecoming note of ‘Sa’ !

Ae ri Aali  Piya Bin (Raag Yaman)

Prahlad Tipanya Sings 'Kahaan Se Aaya Kahaan Jaaoge' - USA Tour, 2003

Prahlad Tipanya Sings 'Thaara Rang Mahal Mein' - USA Tour, 2003

Anoushka Shankar plays 'Pancham Se Gara

Osho Music - Open Window  Rainbow

08 Shankar Mahadevan [Raag Darbari]

Paas rahtaa hai duur rahtaa hai
Koi dil main zaruur rahtaa hai

Near and far, somebody lives
somebody do lives in my heart.

Jab se dekhaa hai unkii ankhon ko
halkaa halkaa suruur rahtaa hai

From the time I have seen her eyes
I remain mildly intoxicated.

Aise rehte hain vo mere dil main
Jaise zulmat main nuur rahtaa hai

My beloved lives in my heart, like
light lives in darkness.

ab Adam kaa vo haal hai har waqt
mast rahtaa hai chuur rahtaa hai

Adam is of such a disposition that at every step
he remains intoxicated and ecstatic.

ye jo halkaa halkaa suruur hai
ye terii nazar kaa qusuur hai
ke sharaab piina sikha diyaa

This mild intoxication
is because of your eyes,
that taught me drinking.


08 Shankar Mahadevan [Raag Darbari]

Shambhalaluz

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