Name: LAPS - Who Me (Shamos Remix) by SHAMOS in Excusing Me
Duration: 5 min 19 s
Description: Remix of "Who Me" by https://soundcloud.com/ladies-as-pimps from their MIC record - https://musicinspireschange.bandcamp.com/album/who-me

My favourite version of this track :) fucking crazy shit.

Excusing Me

TR160 - Joachim Nordwall - 'FORMS OF ECSTASY'

Greetings from dead man eurythmics Sauve Qui Peut La Vie Générique Gabriel Yared Aït Meslayene Yémma  «I can't sing...» Bernard Bonnier Sten Hanson revolution/Tututoto Ngroungrou DJ FinalE Even When U Sleep (Seth Price Deconstrukto Edit) SOS Band Jive Baby On A Saturday Night Jellies Perdido En El Universo instrumental, Falcons Chiemi Manabe うんととおく Krystol Nobody's Gonna Get This Lovin' But You + Nasty Lady Whodini, Agadir Abdou El Omari / Martin Rev Temptation, Tyndall Echowellen Alessandro Brugnolini giuggi Xavier Jouvelet Oeuf en clock

GREETINGS FROM A DEAD MAN

https://www.nts.live/shows/early-bird-show-maria-somerville/episodes/early-bird-show-maria-somerville-22nd-march-2022

The Early Bird Show w/ Maria Somerville - 220322

Made this track for a creative challenge set up by @yukumusic using samples from their Bom Klakk sample pack (https://yukumusic.bandcamp.com/album/bom-klakk-yukus-supersick-sample-pack-free)

Leading single for my upcoming EP release.


YUKU – Bom Klakk Creative Challenge (RCMZ Entry) – 808

Sequência Estadunidense 02

Funk 016 (Instrumental)

Bandcamp!

♫ Read More ♫:
http://www.deephouseamsterdam.com/london/premiere-ara-koufax-test-dream-original-mix

"Cin Cin 008: Statue/Ara Koufax" is available 14 July on Cin Cin

https://soundcloud.com/ara-koufax
https://soundcloud.com/cin-cin-303122974

♫ MORE ♫

Premiere: Ara Koufax - Test Dream (Original Mix)

Telfort - Soon I Will Embark On A Journey [TLFT003] out 28 July 2017 via Rubadub Distribution.

http://www.rubadub.co.uk/records/telfort-soon-i-will-embark-on-a-journey

https://www.piccadillyrecords.com/counter/product.php?pid=115967

Until Now (Julius Steinhoff Version) [TLFT003]

Remix of "Who Me" by https://soundcloud.com/ladies-as-pimps from their MIC record - https://musicinspireschange.bandcamp.com/album/who-me

LAPS - Who Me (Shamos Remix)

Follow Bonnye Beat on Soundcloud:
https://soundcloud.com/bonnye-beat

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https://www.facebook.com/bonnye92/
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luca.bonnye@gmail.com
Bonnye Beat 
Music Producer

Women'secrets

Real Life

Real Life (Acoustic)

Anne Imhof - Faust
Format: 2xLP / CD / Digital
Cat.No: PAN 98
Release Date: 13 September 2019
Purchase: bit.ly/2NCegzC / bit.ly/2zo1bRY

Deriving from the acclaimed performance and exhibition—staged by Anne Imhof at the 57th International Art Exhibition of La Biennale di Venezia and awarded the Golden Lion for Best National Participation— the album Faust is part documentation and part elaboration, the sonic capture and extrapolation of the gestures, intensities, and durations of the live event.
Serving as the dramatic backbone of a several-hour long performance seen by thousands over the course of the Biennial, the soundtrack was a product of the collective and its individuals, animating and organising the performers while immersing the audience in the potent images of power and paradise. The music for Faust was written in a band-like process by Imhof and her close collaborators Billy Bultheel, Eliza Douglas, and Franziska Aigner during the months leading up to its premiere at the opening of the German Pavilion in Venice. From the chaos of the performative, the album is constructed out of live recordings and original arrangements, teasing out the most potent strands and weaving them into a new composition of brutal feeling and baroque intricacy, each track a testament to the energy that brought it into being.

Faust is anchored around three pieces—Medusa’s Song, O.W.E.N., and Queen Song—written and sung by performers Eliza Douglas and Franziska Aigner, whose sonorous and elegiac voices imbue the work as a whole with their crushing depths and dolorous moods. Between these urgent vocal interventions march and twist the winding fugues and electronic abstractions of Billy Bultheel, who has dismantled and reassembled the sonic landscapes of the pavilion, crafting new arrangements that couple the forcefulness of the physical encounter with the artifice of the studio. Throughout the album and culminating in its closing act—the brutal chorus of Douglas’ Faust’s Last Song, a pulsing canon of looped and layered voice pierced by black metal screams—the record admits the listener into the inner space of Imhof’s dramatic vision of power, complicity, and vulnerability.

Shifting hypnotically between times and spaces, between cries and calls, between polyphonic antiquity and polyrhythmic complexity, Faust is the record of a lost event and the promise of a new creation. The release of Faust illustrates the centrality of music to Imhof’s artistic practice. Her musical collaborations with Bultheel began in 2013, and this generative constellation expanded to include the contributions of Douglas and Aigner, together scoring Imhof’s Angst (2016) and recently her performance trilogy Sex (2019).

The album comes with an expansive booklet of photography by Nadine Fraczkowski, another long-standing collaborator of Imhof and a prolific photographer, whose images of the performance and portraits of its cast offer intimate views of the work far beyond documentation.

It was mixed by Nanni Johansson at Hansa Studios and Ville Haimala, mastered by Rashad Becker at Dubplates & Mastering, and designed by Zak Group featuring artwork conceived by Imhof together with Douglas and Fraczkowski. Co-published with German Pavilion 2017 and Galerie Buchholz, Berlin / Cologne / New York.

http://p-a-n.org

Faust 

Billy Bultheel - Red Scape (PAN 98)

Sea Urchin - Natal Uranus, Il Corpo Sotto La Sabbia (Single Edit)
From Commend 005: Sea Urchin and Aki Goto's Shirotento Orchestra - Natal Uranus, il corpo sotto la sabbia / Birthdays

Learn more here: https://smarturl.it/cmmnd005


Mastered by Jack Callahan.
Artwork by Aki Goto. 
Design by Will Work For Good.

Natal Uranus, il corpo sotto la sabbia / Birthdays

Sea Urchin - Natal Uranus, Il Corpo Sotto La Sabbia (Single Edit)

Daphne Oram is best known for her design of her Oramics system, and also for co-founding the BBC Radiophonic Workshop in 1958. At the time of writing, the only easily available piece of music by her on CD has been the 8 minute long ‘Four Aspects’. There was also a 7” EP from 1962 on HMV, released as part of the ‘Listen, Move and Dance’ series that was specifically designed to help children dance. Although the short pieces on this record are very basic it could be argued that this was the first ever electronic dance record! 
Now for the first time is a survey of nearly all the major pieces that she produced since her departure from the BBC in January 1959 until her final tape piece in 1977. During this time she worked independently in her home studio, and thanks to a grant from the Gulbenkian Foundation in 1962 she was able to persue her interest in developing her own electronic music. In Britain there were no state funded studios other than the Radiophonic Workshop which in its earliest times mainly existed at the behest of the drama studio and was not generally seen as a place to develop personal artistic ideas. There were also no university studios at this time, so it was necessary for British electronic composers to be self funded. Throughout this period she devoted her attention to developing her Oramics ‘drawn sound’ system, which consisted of a large machine that enabled patterns drawn on transparent 35mm film to be converted into sound. This system was eventually fully realised in the late 60’s and several pieces here incorporate its use.
The 2 and a half hours of music on this 2CD set covers the whole range of Oram’s post BBC output. All of the music is electronic with some occassional use of instruments, especially small percussion and piano frame. There is also some use of musique concrète techniques. The works fall roughly into the following catagories: works for TV and cinema advertising, film soundtracks, music for theatre productions, installations and exhibitions as well as concert pieces and several studio experiments. Also included are 4 mini compositions that resulted from an experimental music course given by Oram at a high school in Yorkshire in 1967.

Daphne Oram - Pulse Persephone (1965) from the 2CD Oramics, (Paradigm Discs, PD 21)

The voice is taken from Dominique Jackson speech at the 23rd Annual HRC National Dinner

You Will Respect Me

Aired 04.09.2020 at https://radiorelativa.eu

Mix by @al_llll + @rovanrovan
Kahn & Neek - Shimmer
Perila - Room Inside
Dasychira - Parabiotic Dream
Mikey Enwright - The Word
Little Artist - Cancel Copenhagen
DJ NJ DRONE - Collapse Syn
ShyGirl - Want More
333 Boyz - Glass Boat
Rat Race - Intentionally Cold
Lanark Artefax - Ferthenheap

Mix by @_aircode
Vitor Joaquim - Thinking Moments
Anna Caragnano & Donato Dozzy - Starcloud
Lauren Duffus - Stir Fry
Err Walou & Zero R - Nouveau Monde (Prod. etherrealitee)
Loreng - Abyssixsixsix
FITNESS - DÆ1R ft. DÆMON & SAJDAH
elissa suckdog - Dudes Try (Naughty White Label Bootleg feat. King Princess)
Yak - Showdown
Mucho Sueño - Bandera Falsa
nevrland - back when I was yours
Bliss Signal, Mumdance - Endless Rush
Justin Timberlake - LoveStoned/I Think That She Knows Interlude

LAPS - Who Me (Shamos Remix)

SHAMOS

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