This section is quite powerful. Don't know what those tree spirits have in mind. But if they're mad about all the dogs, we're in trouble. :D

Three nice pieces, the lasts is different like a track for some grotesque theater play.

Dear Nadir, our inspirations derive from events in our life ... what is miraculous is the way in which our mind and our heart transform the things of life ... and you did it very well !! Your ability to orchestrate and musically build a real screenplay of an event is phenomenal !!

it's been a long time since I've heard a music like this.. enjoying every moment 🌸🍃

aww this part is lovely! journey to a fairy-land haha! lovely 

yaaaa the level of intensity here woah!   AMAZING!!! 

One of your most beautiful compositions, great, bravo !

Wonderful modern track my dear Nadir, well done !!

@tom-guder: Yes... This is true... :))) Thank you very much Tom!

Sometimes my plays have a very specific background. A month ago I walked along the street late in the evening. At one of the entrances stood a group of women neighbors quietly talking about something. Ten paces from them, a little further, in the wrong light of the lanterns, I noticed another woman. She seemed to me somewhat larger than it could be in reality. I thought that she must be suffering from gigantism. She was silent and dignified. There was something powerful and proud, something detachedly independent in her figure. When I got closer to her, I almost screamed - it was a mutilated tree trunk! And I realized that, deceived by my poor eyesight and twilight, I saw for a moment the soul of this tree ... I do not like mysticism, but this play of my imagination was amazing. As soon as I moved another twenty steps away from this tree, this melody (theme of the first part) immediately, as it is, sounded in my head. All I had to do was get to the house and hastily put it into sheet music...

«DRIADS». Op.127.

My Yearning and Longing (Fantasy for Violoncello and String Orchestra)

Copyright Nat Daniels / Colé 2020
Written by Nat Daniels & Colé
Performed and Produced by Nat Daniels

Lyrics:

Will I be Remembered - By Nat Daniels and Colê

Another 10 yrs has gone by
And I still haven’t written that book
Took some time to look up a friend
And see who still cares

It’s day after day with a mortgage to pay
it’s grind in itself to get by
I’m still holding on to the dream inside
And I wonder if time will be kind

Chorus:

Or will time leave me forgotten
Like a ball of used up cotton?
Am I still somewhere in someone’s mind?
Or a remnant of the days behind?
Will I be remembered for my deeds
And the love I left behind?
Will I be remembered....  
Oh remembered 

The Mirror keeps changing on me
Showing lines ain’t seen before
My eyes sees a child with a grin in her eyes
Who had dreams that could never be sold

And looking back on the life I had
I should count my blessings more
And I’ve many scars to show,
But strength to go on…

Chorus:
Or will time leave me forgotten
Like a ball of used up cotton?
Am I still somewhere in someone’s mind?
Or a remnant of the days behind?
Will I be remembered for my deeds
And the love I left behind?
Will I be remembered.... oh remembered
Remembered.

Will I Be Remembered

It's All Going To Break In The End

Funny Kind of Sad

I heard the call, so I packed my brushes 'n basses and boarded Spaceship X

Bill Boethius https://soundcloud.com/bill-boethius, electric, slide and acoustic guitars, theremin, bass, drum machine, FX
Original Composed, produced & arranged by Bill Boethius
https://soundcloud.com/bill-boethius/thursounds
Dbl Bass, ExDrums and additions are my fault.

Thursounds (Thru Midnight Friday) By Bill Boethius

New Plan

Lunatics 33 Joerxworx&Ratzzz

Lunatics 33/ Dubby Times/ 🌴Joerxworx&Ratzzz

Panam

wave

Rafael Serrano - Sinfonía No. 2 - MEDITERRÁNEO - III Mov. - Parte B - “Constantinopla”.

English
We are in Constantinople in the year 1453, when it still belonged to the Byzantine Empire and very close to its subsequent fall at the hands of the Ottomans.
The music begins with a western orchestral style that alternates and blends with different Arab modes as events unfold, until it ends in the conquest of the city by the Turks. The end is conceived as a transition between two cultures, where the spiccatos of the strings show the imminent entry of the enemy troops followed by an atmosphere of great sadness in its inhabitants for the loss of the city, which also marked the end of the Roman and Middle Ages, thus beginning the Modern age.

Español
Nos encontramos en Constantinopla en el año 1453, cuando aún pertenecía al imperio bizantino y muy cerca de su posterior caída a manos de los otomanos.
La música comienza con un estilo orquestal occidental que se va alternando y fundiendo con distintos modos árabes a medida que van sucediendo acontecimientos, hasta desembocar en la conquista de la ciudad por los turcos. El final, está concebido como una transición entre dos culturas, donde los spiccatos de la cuerda muestran la inminente entrada de la tropas enemigas seguidos de un ambiente de gran tristeza en sus habitantes por la pérdida de la ciudad, que también marcó el final del imperio romano y de la Edad Media, comenzando así la edad Moderna.

Mediterráneo

Sinfonía No. 2 - MEDITERRÁNEO - III Mov. - Parte B - “Constantinopla”

Sinf. 2 - III - B - Constantinopla

You can hear my previous works by going to my old page in Sound Cloud: https://soundcloud.com/shamukhamedov-nadir
Due to the expiration of the limit on publications in this profile, the following works will be posted at the following link:
https://soundcloud.com/nadir-zaghid

«DRIADS». Op.127.

Nadir (later version :)

Recent comments

Nadir (later version :)

CminMaj7

ApproachToSilence [²]

Bachianer

Related tracks