Name: I will find the smile of the betrayed woman by Shandor Chury
Duration: 2 min 59 s
Description: Le projet le plus cher pour mon coeur. Loleness est un surnom de mon binôme et ami Laurent Gineston qui est le chanteur, le guitariste et l'auteur-compositeur de tous les morceaux. C'était vraiment incroyable de pouvoir créer l'orchestration et faire la production et mixage de ces tracks. Malgré plusieurs tentatives, notre duo ne s'est jamais reformé et la vie a pris dessus.

Order the Ltd. Edition 10"/DL (out September 22) here:
http://www.erasedtapes.com/store/index/ERATP063

"If I knew I were alive, I could do so much better. If I knew what I had, then I could use it more wisely. If only I’d known before then I’d be in a better place already. If only."
London-based singer-songwriter Douglas Dare releases new EP, following on from his debut album Whelm. Named after album track Caroline and new track If I Knew I Were Alive, it also features remixes by fellow label mate Ryan Lee West aka Rival Consoles and Houndstooth’s own electronic producer Ross Tones aka Throwing Snow.

Caroline has always been a precious track for Douglas, one of the first tracks he recorded and a story in which he imagines his grandfather is writing to a loved one during the war. As the only song on his debut album that is stripped down to just his voice and piano playing, and it being a favourite amongst fans at his concerts, it was a natural choice as a first single.

The new track If I Knew I Were Alive Douglas wrote by creating beats, looping them and recording parts live. Dancing around to the beats in his room, he started singing melodies and coming up with ideas that he wouldn’t usually have, sitting at the piano. The idea that we can do a lot more if only we appreciated our own ability and opportunity encouraged Douglas to not take the track to anyone else to re-record it, but to work with what he had created himself.

“The recording has this demo quality, which I really enjoy. I love how revealing a demo can be. It seems to expose the fundamental ideas the songwriter had and the basic quality of the recording is very revealing. One of my favourite records is PJ Harvey’s ‘4 Track Demos’, where the songs are so stripped back that you can appreciate the finest details.” – Douglas Dare

Ryan Lee West, who crafted the Rival Consoles remix of album track Swim explains, “the track existed in a minimal state for a while, and I kept thinking something was missing. There's always something missing! And then out of casual chance, I was sorting through my portable recorder files, and I came across a recording of an installation that I did, which included four motors hitting glockenspiel or xylophone notes at random. I chopped it up in a few seconds and it worked perfectly. It adds texture and movement to the remix. But what's important about these sounds is that they are not in time. I think this remix creates sense of space, subtlety and physicality.” 

"The original is so well put together, and the vocal so unique that it was a hard one to approach. I set out to reflect the beauty of the vocal in the intro, so that I could build it into something darker later on. This also mirrors the meaning of the vocal. The last sections are meant to evoke feelings of being washed away by a torrent” – Ross Tones about his Throwing Snow remix of Nile.

The cover photograph was taken by Douglas Dare himself; printed on silver card, so that the seawater shimmers against the light.

Douglas Dare and Rival Consoles will both perform a special in-store show at Rough Trade, presenting their respective EP releases, before embarking on an Erased Tapes U.S. West Coast tour and Douglas accompanying Fink throughout 13 countries in North America and Europe from September to November as their special guest.

TICKETS: http://www.erasedtapes.com/artists/events/22/Douglas+Dare

TRACK LISTING:

A1. Caroline
A2. If I Knew I Were Alive
B1. Swim (Rival Consoles Remix)
B2. Nile (Throwing Snow Remix)

MORE INFO: douglasdare.com · erasedtapes.com

Caroline/If Only

Nile (Throwing Snow Remix)

Buy 10"/DL

Douglas Dare – Nile (Throwing Snow Remix)

Swim (Rival Consoles Remix)

Douglas Dare – Swim (Rival Consoles Remix)

Le projet le plus cher pour mon coeur. Loleness est un surnom de mon binôme et ami Laurent Gineston qui est le chanteur, le guitariste et l'auteur-compositeur de tous les morceaux. C'était vraiment incroyable de pouvoir créer l'orchestration et faire la production et mixage de ces tracks. Malgré plusieurs tentatives, notre duo ne s'est jamais reformé et la vie a pris dessus.

Nordic Days

I will find the smile of the betrayed woman

'Entanglement' is out on Erased Tapes.
Order the album on CD/LP/DL: http://www.erasedtapes.com/store/index/ERATP067
Or via iTunes: http://geni.us/entanglementitunes

“No click tracks, no headphones, and no film. Just the spontaneity of performance and the sound of musicians hearing, connecting and responding.” 

‘Entanglement’, the debut album by Michael Price fulfils his long-term desire to explore new musical territories, featuring Michael on the piano, with the addition of cello, soprano voice, string orchestra, modular synth, tape effects and electronics.

Throughout the record you will hear street sounds from 'Budapest' captured and processed on Michael’s mobile phone, as well as chamber music recorded direct to tape with vintage microphones in single takes. Album track ‘The Attachment’ was partly recorded onto a 1940s magnetic disc recorder, which immediately connected the piece back to a pre-digital musical age.

The cello and soprano vocal parts throughout the album were written specifically and directly for cellist Peter Gregson and vocalist Ashley Knight, whose expressive voice features on tracks ‘Maitri‘ and ‘The Uncertainly Principle‘. The lyrics for both songs are Japanese poetry sung in English, dealing with age, loss and the inevitable fading of beauty.

‘Entanglement’ was written over a period of two years on paper and by hand with Michael exploring oldest and newest technology at Abbey Road Studios and Snap Studios in London, before most of the recording and mixing took place at Vox-Ton in Berlin.

“I wanted to make an album that sounded like a dark, Berlin record store discovery from the 30s. Something that had timeless emotive power, and pre-digital rawness. Something that I hope would make a deeper connection in superficially networked times. I think there is a duty for artists to be honest, and vulnerable. Because then there is a possibility of real connection. Entanglement is both honest and vulnerable and to go through the two year process of writing, refining and recording an album has been more intense and more beautiful than I could have possibly imagined.

Entanglement is a very personal expression of my obsessions: music, love, physics and the inter-connectedness of things. There is structure and freedom, chaos and control, and the beauty of ancient instruments set against impassive machines." – Michael Price

ABOUT THE ARTWORK: Resembling the inter-connecting parts, the cover art for ‘Entanglement’ was created by South London artist Supermundane, with the packaging’s layout done by long-term Erased Tapes-collaborator Torsten Posselt at FELD in Berlin.

TRACK LISTING:

1. Tape Overture 2. Easter  3. Little Warm Thing 4. Budapest  5. The Attachment  6. Maitri  7. Digital Birds  8. The Uncertainty Principle 9. Entanglement

erasedtapes.com · michaelpricemusic.com

Entanglement

Easter

Buy LP/CD/DL

Michael Price – Easter

The Attachment

Michael Price – The Attachment

Taken from the album 'Dysnomia', released worldwide on June 1, 2015 through Erased Tapes.

Order it on 2x LP, CD and Download here:
http://www.erasedtapes.com/store/index/ERATP068
or from iTunes here: http://snip.ftpromo.net/dawnofmidi

With Dysnomia, the Brooklyn-based group Dawn of Midi made up of double bass player Aakaash Israni, pianist Amino Belyamani and drummer Qasim Naqvi abandon improvisation in favour of composition, utilising sophisticated rhythmic structures from North and West African folk traditions to weave a sonic tapestry of trance-inducing grooves. From close up one may see only dots, but when stepping back an undulating image reveals itself. “We didn’t want to create anything cerebral,” says Belyamani, “we wanted something visceral, something that would awaken our instinctive dance impulses.” 

“We wanted to make a record that sounded both musically futuristic and sonically vintage,” explains Israni, “and since the album never saw a proper international release, it is very exciting to see what might happen when more people are exposed to it. And to be aligned with Erased Tapes, whose enthusiasm for the music they release has done a lot for exposing unique instrumental and electronic music, makes it that much more interesting.”

TRACKLIST / CREDITS:

1. Io 2. Sinope  3. Atlas 4. Nix  5. Moon 6. Ymir  7. Ijiraq  8. Algol 9. Dysnomia
Written by Amino Belyamani and Aakaash Israni.

NORTH AMERICAN PRESS:

“Stellar… at a loss for words” – Spin
“Something totally unprecedented” – Pitchfork
“Perverse in a good way” – The New York Times
“Brain-bending, seemingly impossible” – Rolling Stone 
“Moving and addictive...a feat of innovation” – Interview Magazine
“A mysterious, vital sound with a pull all its own” – L.A. Times

MORE INFO:
www.dawnofmidi.com · www.erasedtapes.com

Dysnomia

Buy 2xLP/CD/DL

Dawn of Midi - Nix

'Echo In' is taken from Dilate (2015):
https://vesselsband.bandcamp.com/album/dilate



@rivalconsoles @erasedtapes

Echo In (Rival Consoles Remix)

From Late Night Tales, for Record Store Day 2015. 

http://recordstoreday.co.uk/

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Buy vinyl

Jon Hopkins - I Remember (Nils Frahm Dub Interrupt Remix)

‘Apologues’ will be released by Erased Tapes on September 11, 2015 on LP/CD/DL and can be pre-ordered from www.erasedtapes.com/store/index/ERATP075
or via iTunes here: http://snip.ftpromo.net/apologues

Masayoshi Fujita, the Berlin-based Japanese vibraphone player, also known under his alias el fog came to the attention of label founder Robert Raths a few years ago. Not only because the vibraphone is an intriguing instrument, but also the way Masayoshi treats his instrument and draws ethereal and layered sounds, is what truly attracted him to Masayoshi’s work.

Having released more ambient-based/electronic recordings of the vibraphone under el fog, Masa became more interested in the sound of the vibraphone itself. He started to compose acoustic pieces and released the first solo album under his real name, titled ‘Stories’, in early 2013. ‘Apologues’ sees Masayoshi for the first time use an array of instruments besides his lead instrument – such as the violin, cello, flute, clarinet, French horn, accordion, piano and snare drum played by friends, but arranged by Masa himself.

In addition to the mallets, Masayoshi often plays the vibraphone with a violin or cello bow, like on ‘Tears of Unicorn’ and ‘Knight and Spirit of Lake’. He would also place bead strings on the vibraphone bars to create an ambient shimmer that can be heard on songs like ‘Moonlight’ and ‘Swallow Flies High in the May Sky’. The latter was composed to let the clarinet express its characteristics and tell its story, whilst the vibraphone takes a supporting role. “The clarinet sounds very warm and soft and very ‘spring’ to me”, says Masa.

“With this album the main idea was to evoke images, atmospheres, sceneries and stories in the listener, the images that have accumulated in myself. At the same time it was an exploration of the unexplored beauty of the vibraphone, and also a pursuit of the charm of the instrumentation and the music itself. Erased Tapes releases a lot of great stuff and naturally became my favourite label of late. And I thought it would fit well to my music.” – Masayoshi Fujita

OFFICIAL WEBSITES: masayoshifujita.com · erasedtapes.com

Apologues

Moonlight

Masayoshi Fujita – Moonlight

"This rework could be considered a joke. I sat at the piano in silence and worked from there. I listened and took in the atmosphere and this is what came out of it. Of course, it doesn’t do Cage justice, but it was more fun playing rather than sitting in silence."
- Nils Frahm

4'33" recorded exclusively for Late Night Tales.

LNT pre-order: http://po.st/nilsLNT
iTunes pre-order: http://po.st/nilsiTunes 

http://www.bbc.co.uk/programmes/b0616tr5

Nils Frahm - 4'33" - Mary Anne Hobbs BBC 6 Music World Exclusive

Hyperballad is written by Björk
Arranged by Luke Howard and Ben Abraham
Mixed by Hadyn Buxton
Mastered by Mandy Parnell

I love this song.

'Hyperballad' came out as a single 20 years ago today (Feb 12, 1996).

To celebrate the fact, I approached some talented friends to help me work on a cover — composer Luke Howard and producer Tim Shiel.

The collaboration resulted in two beautiful versions that I am very proud to be a part of.

Luke's string arrangement makes the song feel like it could be a hundred years old; a testament to Björk's timeless songwriting. Tim's version, with electronic sparseness that pays homage to the original, reminds me that the song could have come out yesterday and it would still be fresh and arresting, and like nothing I've heard.

The lyrics have also become a personal narration for the stage of life I find myself in. I suppose that's what compelled me to want to record it. The exhaling that comes with singing the line "to be safe up here with you" is one of the song's many gifts.

Songs like this feel alive to me.

It's daunting to interpret such a canonised work and the original certainly didn't need to be added to or taken away from.

So with the utmost respect, here are the efforts of three friends who live on the other side of the world from this remarkable artist, celebrating her work with work of our own.

You can listen to Tim's version here: https://soundcloud.com/benabraham/hyperballad-with-tim-shiel

Hyperballad with Luke Howard

Artistie multidisciplinaire avec la formation académique musicale en classe piano. Composition contemporaine, musique de film, pop, rock, electro, sound design.

I will find the smile of the betrayed woman

Shandor Chury

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