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4AM NYC is truly a force to be reckoned with. Their set from Good Room late last year, (opening for Detroit's finest Omar S,) is indicative of their passionate, all-or-nothing approach to djing: how they take care of a dancefloor from the critical opening stages of a night, up and over euphoric peaks, and always leave dancers wanting more. "Now more than ever, I show up to play every party like it's my last night on earth. There is no other way - you have to give it your all. No regrets!"

You can follow 4AM NYC @4am-nyc

4AM NYC - Live at Good Room - 12.17.21

The sequel to the mix which started it all, and Wax’o Paradiso Recordings’ first release on cassette. Presenting WPT001: Wax’o Balearico Vol. II.

Selected and mixed by Edd Fisher and Simon TK, recorded at Motom Studios, designed by Milly Davison.

Cassette available now via bandcamp.
https://waxoparadiso.bandcamp.com/album/waxo-balearico-vol-ii

Wax'o Balearico Vol.II

Wax'o Balearico Vol. II

O duo de DJs/festa sem fins lucrativos/selo Heels & Souls, aka Ben e Pat, intensifica os ares da atmosfera altercaster, com uma mistura que apresenta todos os tipos de sonoridades - baleárico, reggae, street soul, hip-hop, boogie, material de gravadora a ser lançado, uma viagem sonora precisa! @heelsandsouls para os pedidos de faixas, aproveitem 🏄‍♀️🏄‍♂️

DJ duo, not-for-profit party and reissue label Heels & Souls, aka Ben and Pat, step up this week for the podcast. The mix features all sorts - balearic, reggae, street soul, hip-hop, boogie, forthcoming label material and even a cheeky H&S edit! @heelsandsouls for the ID requests, enjoy 🏄‍♀️🏄‍♂️

Heels & Souls - Alter Disco Podcast 117

“My friends Russ, Phil and I have been collecting lots of dub, roots, lovers and dancehall records for our Tuff Shed parties. Sometimes it feels like all of those styles are kinda the same thing, and sometimes it feels like they are all drastically different — like how a Chihuahua an Airedale and a St. Bernard are all dogs. With this mix, I wanted to avoid fixating on the stylistic differences, and string them all together in a way that made sense. Its like a reggae dog park. Side note, I also wanted to finally put this “Voices of the Loon” record to use.

Recorded January 09, 2022 at Bean.la HQ. Hope you enjoy!” @danieltmusic

B.P.T. Radio 043: Daniel T

“The result of an afternoon spent selecting music and sipping natural wine, pretending to understand something of both. An hour + of beautiful and rambling music to enjoy while waiting for the sun :)” - @eternalloveyt

B.P.T. Radio 046: Eternal Love

https://soundcloud.com/buffmate returns by his lonesome, bringing some chill.

Dj Buffmate - Space’d Guest 029

One of our absolute fave local DJs "Evie" rolls out an hour of blissful selects wading deep into downtempo, leftfield pop and beyond both known and unknown for mix 40 in the series and one the best trips yet.

ID Requests ~ @evieweily

1800 triiip - Evie - Mix 040

Something peaceful for spring > no mixing > just fixing...x

You Were The Place

PLASTIC FANTASTIC is very pleased to be relaunching the series with an exclusive guest-mix from Sanky Was Here.

For the uninitiated, would you please tell us a little bit about yourself?

‘Hola, my name is Sanky, I can't seem to shake a childhood nickname at 52..! Anyway, I grew up in Newcastle amongst some nerdy soul and jazz types which was kind of my first and probably last love. I live in Mexico currently’.

Can you provide some insights to your mix, its inspiration, location of recording, or perhaps a few words about some of the records you’ve included?

‘As I don’t have an address here, I spend a while building up (my record collection) either back in the UK or in NYC, and a few times a year I’ll rip them all. So the mixes take a while, but I like that it’s another ‘edit’ to what I really like longterm. I think this mix is genre-free and focused on mood. I do think of it as a mix of two halves, really focused around what’s in the bag for the summer, and with a few places I’m playing in mind. Just trying to send out some love and emotional connection. There's a couple of new discoveries and weird rarities, alongside some all-time winners that I just feel are good for a summer kick-off. Mama Milk (the 2nd track on the mix) just reminds me of some hazy Ibiza afternoons, and who would’ve thought there’s ANOTHER William Pitt record worth a late night dance too!’

Are there any upcoming projects you have in the pipeline which you would like to share?

‘Well, good question. Covid got me fiddling with Ableton and learning (failing!) to play some keyboards. I made a few sketches which I have told myself I should finish this year. It’s about as close to naive pop as you can get. I played some to a couple of people and they were more enthusiastic than myself about them for sure!
Other than that, playing a couple of festivals, the mighty Love International in Tisno/Croatia in July, and the We Out Here Festival in August.’

A big thanks to Sanky Was Here for providing this awesome mix for The Sunrise Mixtapes, and for taking time out to speak to us

Track ID requests @soundcloud.com/sankywashere 

Artwork courtesy of sankywashere.wtf

Sanky Was Here (Love International)

Sebastian Grätz, based in Hamburg, Germany, and known professionally as Basso, is the man behind Growing Bin Records.
Growing Bin was set up in 2007 as a music blog before evolving into an online record store in 2012, with the offshoot micro-label Growing Bin Records launching the following year. The blog initially existed to catalogue Basso's broad musical tastes, today Growing Bin is very much in the business of selling records; From the ultra-rare and special interests to generally curious finds.

A core appeal of Growing Bin is that the material is handpicked according to, and solely for one man's esoteric tastes. There is no chasing of trends; If Basso likes it, he'll sell it. Another of the shop's unique traits is its copywriting; Growing Bin's website is a marvel with musical categories including Cocktails By The Pool, Cheap Magic and Dancing For Mental Health, breaking down into subcategories such as Embarrassing Mindblowingness, Never Leave The Bag and many more.

Anyway, over to the mix. As expected, Basso has delivered a wonderfully eclectic selection of records. 
We'd like to mention a few of his inclusions; 'La Bimini' by Spunk, a breezy P-funk monster if ever there was one, off their 1981 LP Tighten It Up, tight as f**k indeed! Remaining in Jazz-funk territory, Underground Canopy & Paloma Paloma's deep and soulful 'Même Heure Même Endroit', B-side of a 7" single from 2023, is just sublime. The HaHa Sounds Collective version of Marker Starling's 'Silk Rock', as championed by Gilles Peterson on his Worldwide FM radio show, is an absolutely stellar piece of music and arguably one of the strongest releases of 2020. Taken from her 1976 LP Più, Ornella Vanoni's moody 'Tu Chi Sei?' (underscored by a beat suspiciously reminiscent of a certain Paul Simon record) is another timeless inclusion here. 
A big thanks to Basso for taking the time to record this fantastic mix for the series.

Track ID requests @soundcloud.com/growingbinrecords

Artwork by A.r.t. Wilson, from A.r.t. 
Wilson's Overworld LP (Growing Bin Records)

growingbinrecords.com

Basso (Growing Bin Records)

Special extended Version of our radioshow on @rocketradiolive !  
Phuk Hugh, besides the questionable pronunciation of his name, delivered almost 3 hours of lovely music. 
Long trip from 80’s library, jazz and fusion beatsssss. 
As usual we made a 40 mins warm up :))
Enjoyyyy
00- 0.40 us
0.40 - 3.30 @phuk-hugh

chillerz

Shane Carty