"The Angel Peri" by Chiaki Yamazaki:
This piece was composed for a 7-minute ballet about the Persian angel Péri. The story begins with her sadness over the conflicts and suffering of humanity. Determined to bring peace, Péri decides to teach the world how to live in harmony. Though humans are initially uncertain, they eventually embrace her teachings and find happiness. The world celebrates her and thanks her for the peace she has brought, before Péri returns to heaven.

この曲は、7分のバレエのために作曲しました。物語は、イランの天使ペリが人間の争いや苦しみに悲しむところから始まります。そして彼女は世界に平和を教えることを決意します。最初は不安な人々も、やがて彼女の教えを受け入れ、幸せを感じるようになります。最後に、ペリは人々の感謝を受けて、天に帰ります。

Violincello:Evelyn Aguirre-Araya
Harp:Lukaš Dobrodinský
 
 #バレエ #天使の物語 #平和 #ペリ #イランの天使 #音楽作曲 #クラシック音楽 #新曲 #調和 #平和な世界 #ダンス音楽 #芸術表現 #サウンドトラック

[Angel Peri for Violoncello and Harp]日本語タイトル「天使ペリ」

Tango von Isaac Albeniz. Rainer Schwander (Saxophon), Uwe Schachner (Cello), Bernhard von der Goltz (Gitarre).

08 Tango

From Four Venezuelan Waltzes - II. Andréina & III. Natalia  
Composer Antonio Lauro  

Performed by Plínio Fernandes 
Recorded live at Riverbank Arts Centre, Newbridge, Kildare on Saturday 5th April 2025.

Part of a Music Network tour. 
5 - 13 April 2025, toured to Kildare, Dublin, Galway, Clare, Wexford and Waterford.

Recorded, Edited & Mixed by Donncha Moynihan (The Rise Studio | Cork) 

From Four Venezuelan Waltzes - II. Andréina & III. Natalia - Composer Antonio Lauro

Piano played by Sasha Su Chuang
Violin Played by Sasha Su Chuang

Stariways to Heaven

Sometimes a melody appears out of nowhere, as if someone were guiding their fingers by drawing a line that ends up being beautiful, without having put in any intention, any previous idea, any structure and, obviously, no architecture. It flows and emerges. It happens to me often and I don't know how to explain it. It is an easy air. It lets go and fills the environment. If sound is vibration in the air, I can find no other explanation than feeling that the air facilitates the vibration having its echo. The air accompanies this composition-improvisation. And the air structures it. And the air amplifies it. And that's how it is and that's how it flows.
A voltes una melodia apareix del no res, com si algú guiés els dits dibuixant una línia que acaba sent bonica, sense que hagi posat cap intenció, cap idea prèvia, cap estructura i, evidentment, cap arquitectura.  Flueix i sorgeix. Em passa sovint i no sé explicar-ho. És un aire fàcil. Es deixa anar i omple l'ambient. Si el so és vibració en l'aire no trobo més explicació que el sentir que l'aire facilita que la vibració tingui el seu eco. L'aire acompanya aquesta composició-improvisació. I l'aire l'estructura. I l'aire l'amplifica. I així és i així flueix.
A veces una melodía aparece de la nada, como si alguien guiara los dedos dibujando una línea que acaba siendo bonita, sin que haya puesto ninguna intención, ninguna idea previa, ninguna estructura y, evidentemente, ninguna arquitectura. Fluye y surge. Me pasa a menudo y no sé explicarlo. Es un aire fácil.  Se deja ir y llena el ambiente. Si el sonido es vibración en el aire no encuentro ninguna explicación más que el sentir que el aire facilita que esa vibración tenga su eco. El aire acompaña esta composición-improvisación. Y el aire la estructura. El aire la amplifica. Y así es y así fluye.

Les airs faciles

"Intermezzo," 1969, by Jeraldine Saunders Herbison, b. 1941, USA, Piece No. 13 from Music by Black Composers, Flute Volume 1.

Created in partnership with the National Flute Association. (https://www.nfaonline.org/)

Music by Black Composers is a project of the Rachel Barton Pine Foundation. For more information, please visit www.musicbyblackcomposers.org/ and www.rbpfoundation.org/.

Dr. Paula Gudmundson, flute
Dr. Diana Shapiro, piano

Donald Schraugnagel, post-session producer and engineer

MBC Flute 1-13, Herbison - "Intermezzo" (FLUTE AND PIANO)

03 Yellow Einstein

Aurora Introitus

'I AM THE DREAM' is a piano journey that follows the self-actualization of Philip Bythrow. Throughout this album he feels the pain of heartbreak, the comfort of routine, the guilt of depression, the hope of dreams, the freedom in letting go, the reality of being tethered to this physical body, uncertainty, and declarative resolution. Please enjoy with patience and reverence.

03 Yellow Einstein

Shawn E. Okpebholo

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