Ferris nxt DeepMix - part 2

Hamadryas Amphinome

2 Hamadryas Amphinome

In 003 Ryft delivers organic rhythms and intricate sound design. Deep natural sound waves transport you to a different state of consciousness, creating a sense of primal energy.

linktr.ee/gifkikker

Youtube: www.youtube.com/channel/UCu2MFFR2ShHK0X6HoIJzUwg
Instagram: www.instagram.com/gifkikker_bxl/
Bandcamp: gifkikker.bandcamp.com/music

Downloads of our tracks are available on Bandcamp
-------------------------------------------------------------------------------------------------
GIFKIKKER is a Brussels based collective and label that fuses roughness and bite with depth- and clarity. Inspired by the sounds of the rustling leaves, flowing rivers and industrial soundscapes, our aim is to create genre-fluid music that blast the listeners into a wall of sound. Experimentation is key, where there are no boundaries.

w/ Ryft, WhenWeVanish, Mordio

ARTWORK : NINA LAUREYSSEN/JORNE LEURS
MASTERING : NEEL / DELUSIONAL CIRCUITS / STAN VUYLSTEKE

Ryft - Alice In April [GIFKIKKER003]

KHIDI launches KHIDI Digital devoted to cross-genre orientated electronic music.

Club KHIDI's passion for electronic music is about to reach a new level with its launch of KHIDI Digital.
Alongside peak-time oriented techno, the new digital platform will include cross-genre productions that resonate with a rapidly changing world and cultural environment. The main goal with the label is to bring techno and avant-garde electronic music closer together that will contribute to a cultural awakening and critique of current aesthetic conventions.

The first one is from Lemna, a Japanese composer, producer and sound designer. Lemna's rich musical background from different genres has led to a natural progression into cross-genre productions with a rhythmically experimental approach that balances ambient with techno.

Written and produced by Maiko Okimoto
Mastered by Luminescent Mastering
Artwork photography by Sani

@lemnamusic

Nodes

Lemna - Nodes EP [KHIDIDG001] (Previews)

Buy/stream: https://kompakt.fm/releases/agartha_lp_dl

‘Where is Agartha? What is the specific region in which it lies? Along what road, through what civilizations, must one walk in order to reach it?.’ Saint-Yves d’Alveydre in 1886

Agartha, the debut full-length album by Japanese producer Wata Igarashi, is a mysterious, divine thing. Named for the mythical secret kingdom, understood as a complex maze of underground tunnels, perhaps designed by Martians who colonised the Earth tens of thousands of years ago, it’s a similarly mystical, perhaps even cosmic trip – but this time, exploring an inner, deeply personal cosmos. Beautifully detailed and bustling with rich incident, it takes Igarashi’s music to new places, which still retaining his unique sonic imprimatur; in this respect, it’s perfectly at home with Kompakt, a label that’s always encouraged artists to make the visionary music they need to create, to take risks and make sideways steps into uncharted territory.

An eloquent producer and DJ, Igarashi has been releasing techno for eleven years now, appearing on such imprints as The Bunker NY, Delsin, Midgar, and Time To Express; he has also self-released his productions via his WIP net label. Throughout, Igarashi has consistently explored his unique approach to techno and electronic music, one that’s eloquent and poised, even when it shifts into more psychedelic terrain; he’s a master at balancing the sensual and the functional, and he has an unerring ear for the right texture, the right tone, at the right time. He brings all of this into Agartha, his most thorough-going expression of self to date.

For Agartha, Igarashi had a strong concept he wanted to explore. Visualising specific scenes from an imaginary film based on the titular secret kingdom, he created soundtracks for those scenes, spending time during the pandemic in his studio, working away carefully at the ten tracks here. Given his background in creating music for television and advertisements, Igarashi is well-placed to explore the marriage of the sonic and the visual in such intimate ways, but freed from commercial concerns, he let his imagination run riot. He also drew on a rich palette of musical influences – techno is in there, of course, but you can also hear the smoky, improvised jazz of the likes of Miles Davis (to whom the album’s title is an indirect nod), and the minimalism and systems music of Steve Reich.

The latter is particularly pronounced on the gorgeous, beatless drift of “Floating Against Time”, where an arpeggiated sequence lingers, lovingly, around your ears for nine blissful minutes, coasting across swooning drones and waves of ambient noise. “Ceremony Of The Dead”, originally composed as part of a Sony 360 Reality Audio spatial sound concert, is a deep pass into systems composition, with various patterns overlaid and interlocking, before a wordless vocal rises from the depths, a gorgeous counterpoint to the swarming textures that gather across the track. On the other hand, tracks like “Burning” and “Subterranean Life” nudge toward Fourth World territory, painting deluxe dreamscapes of uncertain provenance; the title cut is an abstract drift-world, Igarashi painting an alien tableau dotted by shape-shifting creatures.

Agartha’s conceptual framework means that everything on the album sits perfectly together; listening to it in one sitting is a dizzying, lush experience. Its imaginings of inner landscapes recall, in some respects, the nautical, aqueous mythologies of the Drexciyan universe, though from different perspectives. But the result is Igarashi’s own creation, a deluxe, enchanting trip through the visionary Agartha of this unique producer’s cinematic mind’s-eye.

Agartha

Wata Igarashi - Subterranean Life

5.- Andy Martin - Teoria Sintergica

Äon (Part of Dekmantel Ten: A Decade of Dekmantel Festival - UFO I)

Äon

Across SENSE002, First Order Approximation and @Alan-Backdrop weave four dense thickets of hazy melody and hypnotic rhythms. Each track represents a different take on a rolling 4x4 kickdrum, with plenty of room for introspection through a dubbed-out sensibility.

Find the full read here: https://www.minimalcollective.digital/editorial/premiere-first-order-approximation---obsessive-behaviour-sense002

Obsessive Behaviour will be out on October 25th 2024. Pre-order a copy  via https://sensecode.bandcamp.com/album/sense002

Premiere: First Order Approximation - Obsessive Behaviour [SENSE002]

Taken from Monoxide Leak Variety World’s self-titled debut LP, out November 22.

More: www.orbmag.com/music

@monoxideleak_varietyworld
@hasvat-informant
@aliasing_visible

Er1761

Shed

Related tracks