The 030-Files

Let Yourself Go

The Munich label QEONE, known for its complex, polyrhythmic sounds, is back with a new EP from Pianeti Sintetici, the Primal Code's Davide Perrone alias. Bioma is a four-track exploration of driving rhythms and hypnotic synth textures.
Pianeti Sintetici, Italian for "synthetic planets," is a new project inspired by Douglas Adams' Magrathea, a planet where artificial worlds are built to order. "This idea has always fascinated me," says Davide. "I wanted to create a sonic vision of hypothetical future planets, imagining the sounds of creatures in distant solar systems. It's an ongoing experiment in exploring these ideas through sound."
Today, we premiere "Vulcano Island," the third track from the EP. With its steady, engine-like groove layered with tribal percussion and intergalactic synths, "Vulcano Island" is a powerful track that unleashes its true potential when played on a powerful sound system. 
Bioma EP is scheduled for release on August 22.

https://soundcloud.com/pianetisintetici
https://www.instagram.com/pianetisintetici/

@qeone
www.instagram.com/qeone.rec/

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PREMIERE: Pianeti Sintetici - Vulcano Island  [QEONE]

Indefinite Pitch PREMIERES. Edition 708

Diffused Signal - Khas

Lumorae EP
[ACCENTEP009 | Accents Records (^^^)]

Production | Diffused Signal
Mastering | Sub Accent at S. A. S. Studio
Artwork | Johan Bonnefoy

Released by Accents Records (^^^) from France
Release Date: September 21, 2024

Diffused Signal

https://www.soundcloud.com/diffusedsignal
https://www.facebook.com/diffusedsignal
https://www.instagram.com/diffused.signal
https://fr.ra.co/dj/diffusedsignal

Accents Records (^^^)

https://soundcloud.com/accentsrecords
https://www.facebook.com/accentsrecords
https://www.instagram.com/accentsrecords

Indefinite Pitch. Yantai

https://www.indefinitepitch.com

Lumorae EP

Buy & Support

Indefinite Pitch PREMIERES. Diffused Signal - Khas [Accents]

BETA 06
Track 1: Artefakt - Undercurrent
Track 2: DJ MARIA. - Purple
Track 3: Tasoko - SENKIN DUB
Track 4: YUTA/O-MA - Electro Dawn

Mastered by Tobias Freund at Non Standard Studios, Berlin.
Artwork by Qotaroo

Label: Liquid Drop Groove
Catalog: LDG029
Release: 2024.10.29

//ENG// 
The third release of the year is a collection of tracks that are linked to a party. The line-up includes Artefakt, an artist on the prestigious Amsterdam label Delsin. DJ MARIA who is now a techno icon in Japan. Tasoko who has had a huge musical influence on LDG. And a debut track by YUTA's new project with the outstandingly talented O-MA.

Break techno with ambient elements by Artefakt. A masterpiece with floating synths, elegant kick and bass, and a remarkable sense of balance between each part.

A energetic groove dropped into mid-tempo, DJ MARIA. opens new doors and updates the track.

Using effects on the main riff to create the structure of the track, this downtempo track shows Tasoko's playfulness and craftsmanship.

YUTA/O-MA's track, an accidental product of their sessions, is structured in two parts, the first half being break techno and the second half changing to four beats, making it one of the most innovative pieces of listening tunes in LDG's catalogue.

Offered mastering to Tobias for listening comfort and absolute sound quality. BETA 06, released 29 October.
ㅤ　
//JPN// 
今年のリリース第三弾は、パーティと連動した作品集。アムステルダムの名門レーベルDelsinのアーティストArtefaktを筆頭に、今や日本のテクノアイコンとなったDJ MARIA.、音楽面でLDGに多大な影響をもたらしたTasokoと、LDG主宰のYUTAとO-MAによるデビュートラックがラインナップ！

Artefaktによるアンビエント要素が散りばめられたブレイクテクノ。フローティングな上音と、上品なキックとベース、各パーツの抜き差しのバランス感など、匠技が際立った名曲。

DJ MARIA.の代名詞であるフロアライクでエネルギッシュなグルーブをミッドテンポに落とし込む、新たな扉を開いた彼女のアップデートが著しい楽曲。

メインリフの質感とエフェクトで楽曲の構成を創る、Tasokoの遊び心が存分に発揮された職人芸と言えようダウンテンポトラック。

二人のセッションから偶発的に生み出されるYUTA/O-MAの楽曲は、前半がブレイクテクノ、後半から四つ打ちに変わる二部構成、LDG作品の中でも斬新なリスニングチューン。

サウンドテクスチャーに合わせて、マスタリングはTobias.にオファー、聴き心地とクオリティを追求したBETA 06。

https://liquiddropgroove.bandcamp.com/album/beta-06

BETA 06

Artefakt - Undercurrent

Tra Vento e Oscurità Remixes

Bandcamp

Tra Vento E Oscurità - Katatonic Silentio Remix

08_Orphx_The Moon Was In My Heart(Clip)

Two years after releasing the acclaimed Crash Recoil, Anthony Child aka Surgeon returns to Tresor with new LP, Shell~Wave. Retaining the minimal equipment list and studio-version-of-live-show-sets approach of the previous album in order to focus on the work itself, Shell~Wave is a deeply personal document of both where Surgeon is and has been, converging three decades of experience with a continued curiosity in the untested.

"To make this project, I had to dig really deep in terms of what my relationship was to techno; I've been involved with it for a really long time and there's a lot about it I feel dislocated from, so I had to really think hard about what techno is to me. I often get asked "what is techno to you?" but I can't answer that with words; this album is the answer."

From the complex, twisting track Infinite Eye to the caustic Soul Fire, the eight tracks that make up the body of the album are single-take explorations of the vast, hard yet minimal techno Child is synonymous with. 

Neatly dividing the record in two, the emotional centre of the record comes in the form of Dying, a vibrating, beatless piece that with a mantra-like vocal loop steeped in reverberating effects.

Further echoes of dub production appear throughout the record as tracks like Divine Shadow, and Empty Cloud have an almost ever-present mist of reverberation, driven by the appearance of a new delay unit in the equipment list; while much of the philosophy of Crash Recoil's creation is present, the process and the instruments have changed as Child again switches up his approach to studio work.

This insistence on trying novel techniques doesn't preclude returning to old ones, as this use of modern digital machines with live, hands-on takes that are as inspired by 60s producer Joe Meek and 70s reggae as they are by this year's synthesiser expos.

"For me, it's an interesting experience returning to old techniques again after 30 years. [I'm] always exploring and finding myself back at the beginning. Connecting the present with the past."

This philosophy of 'time travel' is inherent to the music itself as the synchronised loops repeat while the delay and effects branch out, forming unique eddies; distinct quantum moments within the circular whole; the future leaking through the spaces between the sounds. All of the concepts on the album are perfectly communicated through the painting by Taiwanese artist Jazz Szu-Ying Chen which suggests the movement of water, sound waves, and the chitinous shells of sea creatures.

BANDCAMP

Surgeon - Infinite Eye

The word hypnosis gets thrown around a lot. We don’t use it lightly.

The well seasoned Tokyoite presents 6 originals in this list that tick all the boxes for an altered state of consciousness: long interlocking grooves, suspended in mercurial harmony as seen in “Varuna” and “Interplanetary”, heightened focus and concentration in the broken, escalating rhythm of “Orcus” and the low-pH levels of “Quaoar”. Ultimately seen off by the elegant mesmerism of “Edgeworth’s” cascading snares and looping vocal chant, and the ever shifting balance of “Albion” and it’s unnerving ambience.

A release deeply invested in spatial exploration, but is it the milky way, or a deep neural network we’re looking at?

DJ Sodeyama - Edgeworth [SNG056D] (Snippets)

Pensa Poetico

https://soustraitance-sstr.bandcamp.com/album/catartsis-les-mati-res-errantes

Somewhere between memory sediment and subconscious drift, “Les matières errantes” marks the second solo expedition of the Sous Traitance timeline, this time led by Catarsis (aka Mathieu Bonnafous).

This new EP from the Parisian producer gathers four elusive productions, each one forged in a different temporal layer across a period of seven years. Oscillating between states, they reveal a raw urge to blur genre borders, where bass-heavy architectures bend into murky techno spirals, breakbeat fragments dissolve into dubstep low-frequency voids, and drum & bass pulses flirt with collapse. There’s no linear path here, only shifting zones and unstable rhythms, moving like tectonic plates beneath the surface of club logic.

A disjointed archive, a driftwork of forms—"Les matières errantes” doesn’t narrate a story so much as it exposes its own erosion. It’s a confrontation of industrial and natural environments for an unique, organic sound, making Catartsis a key figure in the renewal of the French Techno scene.

PREVIEWS : Catartsis - Les matières errantes [SSTR06]

A remix of two fantastic tracks by 808TSIE, Energetic until the end

Let Yourself Go

Shed

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