Hoping you gonna talk to her
She is dreaming
Chasing shadows
So if she's passing your way don't scare her
Her road has been hard
So give her a gentle touch

She is walking by your side, but you can't see her
But if you do she passes your way
This mystical girl ain't like all the others


Please come back
Come back to me
I see you in my dreams tonight
Please come back and dance for me
Dance for all eternity


Now she is on her own somewhere
You can't find her in her own secret place
Her own little world she is keeping for herself
Like the tiny flower she holds in her hand

I finally saw her today
She looked kind of pale
Sometimes you came to me
In daylight I see you


Please come back
Come back to me
I see you in my dreams tonight
Please come back and dance for me
Dance for all eternity


(SOLO)


Please come back
Come back to me
I see you in my dreams tonight
Please come back and dance for me
Dance for all eternity


When my thoughts go to you, I can feel that you're coming closer

Chasing Shadows

casi murió

A soundtrack inspired by sci-fi movies and the feeling of being alone in the vastness of space.

Colony on a lonely planet

Cranium was written by Marianne H. Permezel and Jane Cottrill with the band Arcane from Melbourne, Australia.

1 Distant

This song is based on a mystic sounding riff that plays almost whole song (with only two breaks). Again, over 6 minutes track, containing 6 different rhythms, one already mentioned mystic riff, one bass riff, one extra melody (played twice in first half), and simple guitar chords (playing from about half to the end). 

Rhythms span from very slow, chilled, to middle tempo, normal techno, and then fast metal rhythm. The whole concept of transformation (on this transformational journey) is the progression of those rhythms from slower to faster, creating nice progression culminating into hard/heavy and experimental sound. Which is always my objective - crazy and new combinations of good things from the past. 

The picture is made in Canva (as always). I chose a train as a representative of journey and lots of happy colours and balloons to suggest that this ride will be heavy enjoyable. So enjoy, and leave a comment. See you next time.

Transformational journey

Original version "Subwaves" 2017 made with IOS Garage band, now remixed and mastered in Logic and Ozone.

Aquator 2024 (part 2)

Cast of characters:
Ross Smithe -- @ross-smithe – foundational piano, synth, arrangement, lead vocals, first vocal harmony, and production.
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, drums, and high vocal harmony
TexMex Shaman– @texmex-shaman –Stephen– mastering
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four-string fretless bass, rhythm guitar, lead guitar, lowest harmony in the vocal break, and mix

This grateful Dead song has been a favorite of Josh's for most of his life. So, when he and Ross were tossing around ideas for a Dead song to cover, they landed on this one. Ross, being the superb musician that he is, laid down a skeleton for the whole song on his piano, and added his vocals, as well as some synth that you hear at the very beginning. 
  Once we had a solid foundation to work from, Ken added his raucous main drums. Then, to get the effect of two drummers, like the Dead, JJ added some simpler, back-up drums, too. Once the drums were there, Josh added his four string fretless bass to the stew. Now that the rhythm section was done, JJ added his Brent-like electric piano, sprinkling magic throughout. Then it was time for Josh to go to work with the 6-strings. First, he added a rhythm guitar, trying to do justice to Bob Weir. Once that was completed, Josh also got to lay down Jerry's lead part, which he enjoyed immensely.
  After the music was complete, JJ added his high harmony throughout the song. Josh also added the lowest harmony in the a cappella vocal break. Since all the pieces were now in place, it was time for a mix. Ross generously did a preliminary mix, including some automation. However, the main mix was done by Josh on this one, in a rare show of his mixing vision. However, we did ask Stephen to master the whole thing for us, too, which he did expertly. 
  Our real goal with this one was to have a song we could show our deadhead friends with pride. We hope we did the Dead, their fans, and their music a service by keeping their amazing music alive. We hope you enjoy listening to this as much as we enjoyed making it. 
  Please remember to share it, if you dig it!

The Wheel by the Grateful Dead (The Eclectic Collective with Ross Smithe)

And we ride
And we ride

Where are you
I don't see
Where are you
Where are you
I don't see
Where are you
Where are you
When I'm screaming your name
Where are you
When I'm bleeding your shame

Ride
We ride

casi murió

she hacked you

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