A soundtrack I made for my Unity Demo Reel.

'Tanks!' 8-Bit Chiptune Soundtrack - Unity Demo Reel 2021

The soundtrack I made for the Action RPG Game.

Action RPG Soundtrack - Uplifting Battle Music

BOOM! Guys, the long wait is over! For all you house/tech lovers out there, give this a listen. This is a completely new style of what you are used to hearing from me! Special thanks to Marlon Perez,  a German DJ, who helped in the creation and production of this song, check out his SoundCloud:
https://soundcloud.com/marlon_perez
A lot of work went into this track, so like, share, and sub <3
Peace out!


<a href='https://theartistunion.com/tracks/4e6451'>Download for free on The Artist Union</a>

Gold Digger (Produced By M.Perez)

Sinister is a 2012 British-American supernatural horror film directed by Scott Derrickson and written by Derrickson and C. Robert Cargill. I wrote this for a particular scene in the movie that didnt have any music in it, so I thought Id just write something for it. I hope you enjoy this, and maybe even get a little scared ;) 
For music in sync with the movie scene: https://www.youtube.com/watch?v=xgzY1_FEvYw

Sinister - Scary Soundtrack

I composed this suspenseful chase scene for a scene in “No Country for Old Men.” This composition employs mainly synth generated sounds to establish a frightful and adrenaline-charged, evocative scene. On top of this texturally lush wall of sound, I added percussive support in the form of rich Tom-Tom drums, as well as a Taiko ensemble, topped with female humming in the background. 
Enjoy!
For the video with music:
https://www.youtube.com/watch?v=e5T59rNvAFQ

"No Country for Old Men" - Chase Scene Soundtrack

Just a short fragment of an idea I had for the fantasy video-game "Shadow of the Colossus". To see an interactive clip of my sound design and the rest of the soundtrack, follow the link below. Enjoy!

https://www.youtube.com/watch?v=JzJn6h4RitI

"Shadow of the Colossus" - Soundtrack Main Theme Idea

To create nostalgia for everyone, here's my take on Tom & Jerry music, with the original theme song orchestrated in the beginning as well. To watch a few snippets of the episode "The Flying Cat" (1952) with the music, follow me on https://www.facebook.com/SheilasFilmMusic/
Enjoy!

Pastiche Tom and Jerry (Work for Wind Ensemble)

A sample of music I wrote to be used for an eerie, scary, video game set in an alternate universe. I've tagged the different parts, tell me what you think!
Youtube:https://www.youtube.com/watch?v=s6POuvWk9IA

Eerie, Atmospheric Videogame Music Sample

Scary, intense, ambient, suspenseful, dark horror music (background instrumental).

For this piece, I focused on building an eerie mood through synthesizers and timbral qualities using textural layers of sounds. I wanted it to possess a developing quality - with the synthesizers gradually moulding into various textures as the song progresses.

Today's painting 'The Anguished Man', an oil painting, is known to be one of the most haunted objects in the world alongside the Annabelle doll and the Dybbuk Box. According to legend, The Anguished Man was created by an unknown artist, who mixed the paint with his own blood. Shortly, after his work was completed, the artist committed suicide. 

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I hope you find this piece scary!

Nightmare Zone Music

Ambient Horror Music - Nuclear Winter

Additional Information - ‘Under the Skin’

	For openers, it was essential to understand the films intention. ‘Under the Skin’ is about a strange woman who seduces men into a terminal mating dance. Most of the movie appears 'real,' with scenes of her driving around Glasgow and encouraging men to step into her car. The men are ordinary; clever, shy, flirtatious, sometimes witty. Reality takes a leap when the men join the woman into her abandoned residence. All accompany her through a pitch black doorway that seems as if it were a gateway into another dimension. They enter a dark, ominous world where nothing but the woman and her prey exist. She backs away from the men, slowly, whilst they follow, not noticing that they are sinking into a black pool. 

	My intention was, consequently, to enhance this feeling of otherworldliness in the scene, by doing just what the picture does to reach this-by adding contrast. Whilst the film builds contrast visually and aesthetically, I contrasted from the film's use of tranquillity and quietness. Instead of going with this still approach of the film, I utilised a full bodied jazz-fusion POP song. 

	Another reason for this approach, is because for this victim, the woman encountered him in a nightclub. It feels as if they never left the dance floor. Instead, the man appears so focused on the woman, that he does not even notice the transition in the scenery.

	I split the piece up into two parts. The first begins with a sensual introduction atop a rich guitar solo. I wanted the music to imply the sexual tension of the scene, as well as the man's viewpoint of the situation. The second part of the piece is where panic sets in. I wanted the man's sense of fear to additionally possess a hint of cluelessness, claustrophobia and (weirdly enough) tranquillity. Due to the alien climate, the man is floating in, he seems to be only somewhat alarmed. It is only when he touches the other man's hand (and witnesses him being murdered in a rather disturbing manner) that he truly panics. This is when the music further builds. Since I use a POP song-like structure and character, one could call this a different approach to what a buildup to the drop would be. 

	Furthermore, I aimed to provide vague structure to the scene as it is somewhat slow paced. Moreover, from underwater onwards, it is slightly hard to follow the plot and what's happening. For example, it took me a few times to notice that there were two men floating around instead of just one, and who the second man even was. The music assists this as it provides a consistent pulse, and signifies when something new occurs. This makes happenings more clear whilst at the same time enhancing the otherworldliness that the scene is aiming to portray. 

	This piece could practically be considered an entity in itself and gives the scene a music video vibe. The reason I find this supports the scene is that it further highlights how otherworldly the scene is. It further distinguishes this sensual, art-like death scene from the ‘real’ happenings of the ‘real world’ when the woman leaves the room. By adding contrast not only visually but also musically to distinguish from both worlds, it helps to intensify the audiences experience.

	By using contrast musically to help differentiate the ‘real’ from the ‘unreal’ world of the given scene, I reached my aim of creating a piece that would support the ethereal world as well as enhance the meaning of the given scene.

'Under the Skin' - Electronic/Jazz Infusion Film Music

A simple looping track I made for my Wwise Demo using the Wwise Adventure Game. This is the music that plays in in the Dungeon.

Mystical Dungeon Wizard Music - Wwise Demo

A podcast about the 'Future of Audio Entertainment'.

Podcast, Vol 1 ❘ The Future Of Audio Entertainment

Slick

Composer & Sound Designer for TV & Games


Contact me via: bugalsheila@gmail.com

Sheila Bugal

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