live experimental ceremonial ambient  - set at The Glad cafe in Glasgow, Scotland in collaboration with Sound Thought. 

live performance: 13 April 2023

Antonia Kattou X Sound Thought : experimental ceremonial ambient

DJ FRESH aka @https://soundcloud.com/djfreshfkaertaale
Release Date: 29th of January
Title Track: Kick back (Instrumental)
Pre Order Link: https://solenoidrecords.bandcamp.com


Social Link:
https://www.discogs.com/label/1174795-Solenoid-Records
https://soundcloud.com/solenoid_records
https://www.instagram.com/solenoid_records

Premiere: DJ FRESH - Kick Back (Instrumental) [Solenoid Records]

ᴘʀᴇᴍɪᴇʀᴇ

Track name: Microcosmic
Artist: Solma
Release name: Ether Drift
Catalog Code: [CRSCNT18]
Mastering: Mattias Fridell
Release Date: 22 Feb

Buy Link: https://crescentlondon.bandcamp.com/album/ether-drift-crscnt18

Solma:
▫️ SC: https://soundcloud.com/solmadj
▫️ IG: https://www.instagram.com/solma.als

Crescent London:
▫️ https://linktr.ee/crescent.london

Full Tracklist:
1. Solma - Hypocycloid [CRSCNT18]
2. Solma - Microcosmic [CRSCNT18]
3. Solma - Summoning The Wrong Demon [CRSCNT18]
4. Solma - Apoapsis [CRSCNT18]

Ether Drift

Bandcamp

PREMIERE: Solma - Microcosmic [CRSCNT18]

Artist: https://soundcloud.com/solmadj
Track: Hypocycloid
Label: https://soundcloud.com/crescent-london
Format: Digital, EP
Release date: 22/02/24
YouTube: https://youtu.be/hFdtl2WIA-w

Release name: Ether Drift
Artist: Solma
Catalog Code: [CRSCNT18]
Mastering: Mattias Fridell
Release Date: 22 Feb 2024

Buy Link: crescentlondon.bandcamp.com/album/ether…ft-crscnt18

Solma:
▫️ SC: @solmadj
▫️ IG: www.instagram.com/solma.als
▫️ FB: www.facebook.com/solmadj

Crescent London:
▫️ linktr.ee/crescent.london

Full Tracklist:
1. Solma - Hypocycloid [CRSCNT18]
2. Solma - Microcosmic [CRSCNT18]
3. Solma - Summoning The Wrong Demon [CRSCNT18]
4. Solma - Apoapsis [CRSCNT18]

PREMIERE | Solma - Hypocycloid [Crescent London] 2024

It's stereo 🍒

https://www.youtube.com/watch?v=3hQwIOVlGCw

Livewire 303 (Acid Trance Session)

o9_a7

fml_up

Kiefcore (283??)

The mastermind behind Basic Channel, Hard Wax and Rhythm & Sound doesn't do mixes. For RA.1000, he made an exception.

Trace Mark Ernestus's path, and you trace the evolution of electronic sound itself. The timeline of contemporary Berlin is unimaginable without him. At first, that meant Hard Wax, the crucial hub that shaped the early era of the city's techno revolution. Carl Craig once said it plainly: "Mark was ground zero."

From there, Ernestus never stopped. There's the birth of dub techno and the near-flawless catalogue that followed through Basic Channel and Rhythm & Sound. There's his immersion in Senegalese mbalax with Ndagga Rhythm Force. Lately, that means Open Ground the Wuppertal bunker that's letting people hear music as never before.

As part three of RA.1000, Ernestus has kindly supplied his first studio DJ mix. As you might expect, it's technically immaculate, but more than that, it feels like a substantial and generous conduit to one of the world's most vital genres.

Amapiano remains underexplored in music media. Publications like our own are still learning to keep pace with the South African sound's global pull, animating millions across the globe. 

You'll hear the range and richness of the genre across the near two-hour mix, from the gothic, percussive stomp of Caltetonic's "Bambela"  to the devotional glow of GemValleyMusiq's "Something Spiritual."

Through all of this, Ernestus has remained understated. He lets the music speak for him, with a quiet honesty that lies in decades of opening doors—creating the conditions for new sounds and scenes to flourish and carry the culture forward.

@opengroundclub @hardwax 

Find the tracklist and interview at ra.co/podcast/1011. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Mark Ernestus

Grateful for participating of this edition of Som da laje party in Porto - Portugal. Thank you for all of you who showed support and the event organizers who made it possible.

Lorac @ Som Da Laje - Porto, Portugal - 17.08.2025

Yasuyuki Uesugi create minimal, hypnotic, and raw techno sets that focus on flow, texture, and emotional resonance. Each mix is crafted to evoke deep immersion through sound.

His approach emphasizes intention and restraint, aiming to connect with listeners beyond trends or spectacle. His work has been reaching audiences worldwide, resonating especially with listeners who seek depth and subtlety in techno.

UNDERGROUND STRUCTURES #1

Weird tones on the way to their mission

**************************************
04.12.2025
Neue Zukunft

20.09.2025
Drugstore (Rockhaus)

08.06.2025
BMS54 (Crack Bellmer)

31.05.2025
Flux Noise Rave (TuD Berlin)

02.05.2025
HB55 (Sellerie Weekend)

08.03.2025
BMS48 Neulant

30.04.2024 21:00
Crack Belmer

12.08.2023 19:45
Funkwerke Open Air ⚡️ Techno Tanz Konzert

04.06.2023 21:10
Funkwerke Vol.3

10.09.2022
Neukölln

14.08.2022 00:00
Neulewin

21.06.2022
Schlesisches Tor

My musical journey began in a castle, somewhere between bohemian dreams and raw concrete.
As an unnamed duo of art students, we spent our nights in the adjoining 40-square-meter bunker from World War II - no mobile phones, no internet, just cold stone, tangled power cables, and torn-up grunge riffs.
After that band ended in 1995, a whole new world of electronic sounds opened up for me:
The DrumTraks by Sequential Circuits was my gateway; soon came a DX-7, an Atari ST, and endless loops spun through sleepless nights.

I was completely cut off from the outside world of the pre-internet era - lost in my own cosmos. 
Then came Berlin, and with it, new possibilities.
There’s this saying: "If you remember the ’90s, you weren’t really there."

At some point, I drifted into other things and put music aside for a while.
Until that memorable week in the park, just before COVID: I met a philosophy professor from New York, touring Europe, who tried to numb his post-op pain with red wine and oxycodone. He kept talking about his dream of recording a song. So I took him in, got some microphones and an interface, and after a week, we had produced his love song—radio-ready and brimming with magic.

That spark led me back to my own path: In search of new and inspiring sounds, I discovered the Elements by Mutable Instruments and dove headfirst into the world of modular synthesis. Ever since, I’ve been stuck deep in the rabbit hole - when it comes to choosing between new shoes and a new VCA, music usually wins.

Then, in 2022: a roadside, a spontaneous party, everything I owned that could run on 9 volts in my bag. 
My first live performance - improvised, raw, honest.
What’s grown and evolved from there, I call:

"Weird tones on the way to their mission."

Livewire 303 (Acid Trance Session)

Shellbeat

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