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fr. JPLA b2b Reka Zalan @Fusion Tanzwüste 2024

"Wenn Reka Zalan und fr. JPLA fusionieren, wird's auf der Tanzwüste ganz schön staubig werden. Alles ganz unter dem Motto "we're on vinyl". Kein bumsiger Techhouse, kein Pop, einfach: Techno. Bisschen mental, bisschen groovy, bisschen tooly, bisschen spooky: Zündung und lezzz go!"

Da wir zu Beginn unseres Sets vercheckert haben, die Aufnahmetaste zu drücken, können wir nicht das komplette Set sharen, aber immerhin 2/3 davon 🤪. Njoy the trip 💕

____



"When Reka Zalan and fr. JPLA are fusioning, it's gettin' pretty dusty at Tanzwüste. Everything under the motto "we're on vinyl". No bouncy tech house, no pop, just techno. A bit mental, a bit groovy, a bit tooly, a bit spooky: ignition and lezzz go!"

Since we forgot to press the record button at the beginning of our set, we can't share the complete recording, but at least 2/3 of it 🤪. Njoy the trip 💕.

#vinylset #techno #fusionfestival2024 #tanzwueste2024

fr. JPLA b2b Reka Zalan - live @Fusion Tanzwueste 2024

006 - ESSHAR

(interview & english version below)
In unserer sechsten Ausgabe unseres Podcats präsentieren wir euch Esshar. Esshars Sets erinnern an eine kosmische Reise, geprägt von dunklen Synthesizern, verspulten Atmosphären, ekstatischer Momente, gebrochenen Beats und treibenden Rhythmen - subtil und zugleich energetisch. Mit diesem Set eröffnete Esshar am 17.08.24 vor Joel Mull den Südpol.

INTERVIEW
Wie bist du zur elektronischen Musik und insbesondere zum Techno gekommen? 

Den ersten technoiden Impact bekam ich 1997 als 8 jähriges Kind mit dem Track 20Hz von Capricorn. Beim Herumfahren mit meiner Oma im Auto holte sie die Single CD raus, ein Spontankauf, ab dem Moment war der Grundstein gelegt. Im gleichen Jahr kaufte ich mir mein erstes Album, Scooter - Age of Love, ab da wusste ich, dass elektronische Musik für mich funktioniert und began sie zu genießen und zu erforschen. 20hz beeinflusst mich noch heute und umfasst alle Ecken und Kanten meines heutigen Stils. Sphärische Synthesizer, non-konforme Rhythmen, Verspultheit und ein Hauch vom sich Treiben lassen.

 Du gibst FLINTA*-DJ Workshops in Hamburg. Was für Erfahrungen hast du dort gesammelt und wie versuchst du dein Wissen weiterzugeben? 

Da ich einen technischen Background durch meine Ausbildung in der Veranstaltungstechnik habe, liegt mein Fokus in den DJ-Workshops auf die Vermittlung der Grundlagen in der Tontechnik und deren Hardware. Das Interesse an den Workshops ist unglaublich hoch. Es freut mich riesig zu sehen wie groß die Begeisterung der Teilnehmenden nach den Workshops ist und welche Talente dort bisher geweckt wurden. Für mehr FLINTA* an den Decks!

Du bist Resident-DJ im Südpol, was macht das Auflegen im dort für dich besonders?

Der Südpol ist ein Ort des Ausprobieren und Wachsen für mich. Ohne den Support und das Vertrauen in meinen musikalischen Output hätte ich wohl kaum meinen heutigen Stil finden und ausarbeiten können. Die Möglichkeit im Nebel zu pulsierendem gedimmten Licht das Publikum mit auf eine Reise zu nehmen macht für mich den Ort mehr als besonders.

______
(english)
In our sixth edition of our podcast, we present Esshar. Esshar's sets are reminiscent of a cosmic journey, characterized by dark synthesizers, twisted atmospheres, ecstatic moments, broken beats and driving rhythms - subtle and energetic at the same time. With this set, Esshar opened for Joel Mull at Südpol on August 17, 2024.

INTERVIEW
How did you get into electronic music and especially techno?

I got my first technoid impact in 1997 as an 8-year-old child with the track 20Hz by Capricorn. While driving around in the car with my grandma, she pulled out the single CD, an impulse buy, and from that moment on the foundation was laid. In the same year I bought my first album, Scooter - Age of Love, from then on I knew that electronic music worked for me and started to enjoy and explore it. 20hz still influences me today and encompasses all the nooks and crannies of my current style. Spherical synthesizers, non-conformist rhythms, a sense of being unhinged and drifting.

You give FLINTA DJ workshops in Hamburg. What experiences have you had there, and how do you pass on your knowledge?

Since I have a technical background through my training in event technology, my focus in the DJ workshops is on teaching the basics of sound engineering and hardware. The interest in the workshops is incredibly high. It makes me really happy to see the enthusiasm of the participants after the workshops and to witness the talents that have been awakened. Here's to more FLINTA* on the decks!

You are resident DJ at Südpol. What makes playing there special for you?

Südpol is a place for me to experiment and grow. Without the support and trust in my musical output, I probably wouldn’t have been able to find and refine my current style. The chance to take the audience on a journey, in the fog and under pulsing, dimmed lights, makes this place truly special for me.

Artwork by Janu Krohm

6D. Podcast 006 - Esshar

MWTG 375 | Keen Distress (@keendistress)

·

Keen Distress is an experimental electronic music project featuring Blazej Malinowski and Robert Matysiak. Their style blends dense, hypnotic sounds filled with dark and spacious tones. In September 2023, they released their debut album Overshadowed under the @innertension label. Tracks like 'Charged Works' and 'Persistence' highlight their approach to creating immersive soundscapes that evoke tension and introspection.

@keendistress
www.facebook.com/keendistress
www.instagram.com/keen_distress

@blazejmalinowskiofficial
www.facebook.com/malinowskiblazej
www.instagram.com/blazejmalinowski

@rtmts
www.facebook.com/rtmts.music
www.instagram.com/rtmts

MWTG 375: Keen Distress (Blazej Malinowski & RTMTS)

recording from the very last closing at beloved Tree House stage hosted by my SLAP family during LAS Festival 2024

MKO @ Tree House / LAS Festival 2024

'Andhera’, darkness in sanskrit.⁠ ⁠ ⁠ ⁠
⁠
Where there’s darkness, we will find light.⁠ ⁠ ⁠ ⁠
⁠
With every Full Moon or solar eclips I will present a new artist which I highly admire, respect and who emodies and understands the dark, ambient and hypnotic side of techno.⁠ ⁠ ⁠ ⁠
⁠
The Full Moon is a time of blossom and highlights.⁠
The Full Moon equals the spiritual and energetic culmination. ⁠
⁠
When the Full Moon has passed, the waning Moon phase begins.⁠ This is the time to let go what no longer serves you. ⁠ ⁠ ⁠ ⁠
⁠
Yesterday's Full Moon with a lunac eclipse combined was in the sign of Virgo.
⁠
A lunar eclipse gives an “ordinary” Full Moon just a little extra influence. Astrologers indicate that a lunar eclipse can make the intensity around these days even more intense. Special opportunities may come your way during a lunar eclipse. On the other hand, things may also be taken away from you. Be alert to such developments so you can act on them quickly. 

Virgo turns unclear fantasies into practical plans. This stems from the need for order that Virgo feels very strongly. She likes a neat living environment, but her projects are also orderly. And because Virgo is critical, she makes every effort to do her job well.

At the same time, the influence of the constellation Virgo can cause you to be critical, you are fed up with how your life looks, and you can also count on a hefty dose of self-criticism. It may finally cause you to take action to change the things you are so bummed about.
⁠
For this heavy and combined Full Moon, also called 'Worm Moon', I've invited none other than the Greek God of Atmospheres and driving rhythms @alexskyspirit to embody this month's Full Moon with an intense and captivating journey into the ethereal soundscapes.
⁠
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📸 Artwork by @la_varo⁠
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•⁠ ⁠
⁠•⁠
•⁠
#adjustyourmind⁠
•⁠
•⁠
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⁠

Andhera XXX w/ Alexskyspirit

live-recording of my morning vinyl-only set at Domestic Affairs in Berlin sept 20th 2024

Nadine Talakovics | @ Domestic Affairs | 20.09.24 | vinyl only

This is one of my most-requested live recordings in a while! For 4 days at Fusion, ~80,000 people grow a tail and run free in the German forest. It’s what happens when uncompromising art collides with anti-capitalistic freedom. I was invited to play on Saturday night from 2:30am-4:30am on Fusions biggest stage, Turmbühne. Soundtracked by heavy, intense psychedelia, this is a story of moving everybody from the darkest hour straight into sunrise. I wanted to push people’s limits, but I also wanted it to be fun. Thank you to those still standing and especially to the Fusion crew.

Dustin Zahn - Live @ Fusion Festival 2025 (Turmbühne Stage)

Support
https://k-lil1.bandcamp.com/track/aldehyde

Follow
@khalil-menidjah-814425476

PREMIERE: K-lil - Aldehyde

Applaundub-Return [Another Concept]

Auren Klyne-Vayen-(Mellon Place Records)

๛⎮ 𝖱𝖺𝗐⸱𝖣𝖾𝖾𝗉⸱𝖧𝗒𝗉𝗇𝗈𝗍𝗂𝖼⸱𝖳𝖾𝖼𝗁𝗇𝗈⎮𝖣𝗇𝖡⎮ ๛
⋅ ⋅ ⋅⋅ ⋅ ⋅⋅ ⋅ ⋅⋅ ⋅ ⋅⋅ ⋅ ⋅⋅ ⋅ ⋅⋅ ⋅ ⋅⋅ ⋅ ⋅⋅ ⋅ ⋅⋅ ⋅ 
⋅
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