Taken from the album 'Quixotism' released as CD and Download.

Oren Ambarchi 'Quixotism Part 5' (eMEGO 202)

Track from Pavilion. LP out now and available from Immune Recordings:
http://immunerecordings.net/catalog/pavilion/

Regent

Mind Fusion X is originally a mix I created for my Youtube / Soundcloud and consists mostly of remixes of older tracks. However they became so different, that I also decided to release them as an album. 

You can find it here: 

Youtube: https://youtu.be/RaqjrirOQ1s?si=wBAu8yNdTG97xoxt
Soundcloud: https://soundcloud.com/spoqmusic/mind-fusion-vol-10
Bandcamp: https://spoq.bandcamp.com/album/mind-fusion-vol-10

The album is out now on Diventa Music and available from all good streaming services and music shops: 

Spotify: https://open.spotify.com/intl-de/album/5VlnU8OQ9htv4xvtQAyXP5
Deezer: https://www.deezer.com/de/album/550810342
Tidal: https://tidal.com/browse/album/346697883
Juno: https://www.junodownload.com/products/spoq-mind-fusion-x/6512078-02/
Apple Music: https://music.apple.com/ch/album/mind-fusion-x/1732261719
Amazon: https://www.amazon.de/music/player/albums/B0CW3LW8ZP
Traxsource: https://www.traxsource.com/title/2207802/mind-fusion-x
Soundcloud: https://soundcloud.com/spoqmusic/sets/mind-fusion-x

Release notes: 

Spoq's latest creation, "Mind Fusion X" is a beautiful album with 14 carefully crafted Chill Out tracks. 
Since its inception in 2023, the "Mind Fusion" mix series has enraptured audiences with its unique blend of sonic tapestries and emotive explorations. Now, with its milestone tenth installment, Spoq invites listeners to embark on a sonic journey, that transcend conventional genres, offering a chilled yet thought-provoking trip into the depths of sound.
Drawing from an eclectic array of influences spanning Triphop, Ambient, IDM, Psychill, and Psybient, "Mind Fusion X" is a chilled yet thought-provoking odyssey. Each track is full of layers and details, combining intricate layers of texture and melody to creating a unique auditory experience.
Spoq's distinctive style shines throughout the album, as glitchy experimental sounds intermingle with warm chords and ethereal synthesizers. The music ebbs and flows, shifting seamlessly between intimate moments of introspection and expansiveness, inviting listeners to lose themselves in its captivating embrace.
From the gentle whispers of distant melodies to the pulsating rhythms of distant stars, "Mind Fusion X" invites you to surrender to its enchanting allure and explore the boundless possibilities of sound. Available now on all major streaming platforms, this album showcases best Spoq's fresh approach to electronic chill out music, pushing the boundaries of creativity and innovation with each captivating composition.
So close your eyes, let the music wash over you, and prepare to be taken through the vast soundscapes of "Mind Fusion X".

#idm #triphop #ambient #psychill #psybient #downtempo #glitch #electronic #music #meditate #chillout #chill #420

Mind Fusion X

Cracked Air (Refracted)

Elements Chord Mode

From the very first Empty Editions release, Eli Keszler's Last Signs of Speed. Releasing November 17nth!

Eli Keszler - Last Signs of Speed
Format: 2xLP / DIGITAL
Cat.No: EE001
Cut & Mastered by Rashad Becker
Release Date: 17 November 2016

Purchase:
Vinyl: http://bit.ly/2kvaxBM
Bandcamp: http://bit.ly/2jTI75w

Empty Editions is proud to present Eli Keszler’s Last Signs of Speed as our inaugural release. This release, our first vinyl record, has represented a labor of love for both Eli and ourselves.
 
Last Signs is Eli’s first solo release since 2012’s Catching Net (PAN Records) and explores a very different side of his unique acoustic universe. One in which the macrocosmic percussive collisions of his earlier work give way to a gradual unfolding of dub-influenced rhythmic constellations. Eli has described Last Signs as his response to playing in club environments over the last few years; an attempt to negotiate a delicate balance between the materiality of his acoustic instrument and the hyper-mediated sonic ecosystem of the club sound system. Coming off like an inspired synthesis between Scientist and Xenakis, Last Signs of Speed is a truly unique work by an artist at the height of his powers.

Last Signs Of Speed

The Immense Endless Belt of Faces

Suzanne Ciani
Fish Music
FKSP011 (Finders Keepers Records)
7" | MP3

As the first and only dedicated label to liberate the private, non-commercial artefacts from Suzanne Ciani’s groundbreaking Ciani Musica studio vault, Finders Keepers Records presents an incredible cryogenically suspended slice of precious precocious immersive fledgling synthesis for this ultra limited RSD 2107 title.Ironically well removed from the intension of phonographic application in its original inception, this anti-pop wash of marine biology modular synth sound design was originally proposed by a very young Ciani for exclusive infinite loop airings in a giant mid-American shopping mall aquarium in 1977.
Potentially conjuring ambient scenes from the consumerist satirical Dawn Of The Dead while sonically ushering a genuine desire for total musical science reevaluation/revolution via a decidedly mainstream portal, the Fish Music project is a striking eerie example of how Ciani’s “Subversion With A Smile” approach led to a long career breaking boundaries in formal music technology, film scoring, the advertising industry and gender equality – all of which has continued to fuel her passion and channel her life lust and artistic appetite much to the benefit of future ambitious trajectories of music.
Owing much to the memory of genuine synthesiser maverick Don Buchla this conceptual release is very much the product of artistic America at its progressive halcyon but, with its illustrious and idiosyncratic composition, communicates subtle undertones of Suzanne’s feminine Italian origins which seldom reside outside of the efforts of Roman library composers like Casa, Tomassi, Raskovich and siblings Antonioni and Maria Teresa Luciani. Presented here as an isolated one-sided pressing on aquatic clear vinyl and including the original press release and a press cutting this limited release proceeds a wider series of unreleased Ciani work for 2017. File under… water.

A RECORD STORE DAY 2017 EXCLUSIVE

www.finderskeepersrecords.com
https://finderskeepersrecords.bandcamp.com/album/fish-music

Fish Music

Suzanne Ciani - Fish Music

ATN037 - Radiante Pourpre - I

From the album Entanglement by Jessica Moss

Jessica Moss
Entanglement
180gLP/CD/DL
CST138

cstrecords.com/cst138

Entanglement

Jessica Moss • "Particles (Edit)"

Moon Wheel — རྡོ་རྗེ་རྣལ་འབྱོར་མ་

Lino Capra Vaccina - 06 - Antico Adagio

PREORDER/ https://shelterpress.bandcamp.com/album/the-flower-and-the-vessel-2

Félicia Atkinson  'The Flower & The Vessel '
Shelter Press / SP110

French poet and ASMR auteur Félicia Atkinson has frequently fixated on the elusive interwoven relationship between microcosms and macrocosms – how even the quietest creative act ripples outward in unforeseen ways, a whisper with no fixed meaning. Her latest work pursues this notion in a more literal and lasting fashion, as it was crafted while pregnant on tour, in impersonal hotel rooms in foreign cities. She describes it as “a record not about being pregnant but a record made with pregnancy.” Each day and night, finding herself far from home, she asked herself “What am I doing here? How can I connect myself to the world?” The answer gradually revealed itself: “With small gestures: recording my voice, recording birds, a simple melody.”

In truth there is nothing simple about The Flower & The Vessel. The album’s 11 songs span a vast pantheon of whispering textures, opaque moods, and surreal spoken word, leading the listener through a mirrored hall of beguiling mirages. Atkinson cites a trio of French classical compositions from her childhood as formative influences on this particular collection: Maurice Ravel’s “L'enfant et les sortilèges” (“a scary opera for kids”), Debussy’s “La Mer” (for its union of narration and music) and Erik Satie’s “Gymnopédies” (as an exercise in negative space, irony without cynicism, and “melody with doubt”). There’s certainly a shade of classicism woven within these tracks, however veiled, abstracted, or unorthodox. Melancholic piano motifs repeat then retreat into a radiant frost of shivering frequencies; processed voices recite cut-up poems and interviews over delay-refracted Rhodes and Wurlitzer; iPad gamelan patterns flutter from meditative to melancholic and back again, offset by pointillist patches of delicate software synesthesia.

Although much of Atkinson’s past discography is shaped by speech and the lyricism of language, The Flower & The Vessel ventures farther into silence, absence, and voiceless wilderness. Among her sources of inspiration were “women who wonder, dream, and create vacant spaces in their art,” as well as Ikebana flower arrangements, which reflect her own relationship with listening: “structure combined with everyday noises, selecting them to make a sparse music bouquet.” Field recordings from Tasmania and the Mojave Desert murmur beneath hushed reverberations of gong, vibraphone, marimba, softly processed into an elegant emptiness, alternately eerie and serene.
 
Her mode of minimalism has long been one of reduction, riddles, and curation, but here Atkinson’s synergy feels close to apotheosis, emotive but ambivalent, a ceremony of expectation and invisible forces. The 19-minute closing collaboration with SUNN O))) guitarist Stephen O’Malley, “Des Pierres,” is one of the album’s few pieces tracked in a proper studio (Music Unit in Montreuil, France) but it broods and burns with the same subliminal majesty as the rest of The Flower & The Vessel: an ember in amber, seeds planted in shifting sands. Atkinson’s voice flickers like a flame, framed by slabs of shadowy feedback. Her process may be personal is but its impact ripples to the edges of existence: “How does the act of creation connect us, not only to history, but to the cosmic? It’s a process of taking, and then giving back. It makes us belong to the world.”

The Flower and the Vessel

Shirley to Shirley

FELICIA ATKINSON — Shirley To Shirley (SP110)

HTTP://SHELTER-PRESS.COM
—
Shelter Press is a record label and publishing platform founded in 2012 by publisher Bartolomé Sanson and artist Félicia Atkinson building up dialogues between contemporary art, poetry and experimental music through printed publications and records.
Shelter Press is also carrying and collaborating on the releases of the Ideologic Organ, Recollection GRM and Portraits GRM labels.

FELICIA ATKINSON — Shirley To Shirley (SP110)

SHELTER PRESS

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