p*dis sampler 2018.11

● CD01_SPLIT : Humbros / R​.​I​.​P. ●

❊ Composé et mixé par Humbros
❊ Masterisé par Ernest Bergez (Sourdure)
❊ Artwork par Josué Confort ©
❊ Sortie le 9 juillet 2021
❊ Cassette, 80 exemplaires, papier recyclé

→ champdoner.bandcamp.com/album/cd01-split-humbros-r-i-p

Sumac

A1 - Humbros - Sumac

Bobby Would - STYX
Messing around with Greek gods can be dangerous. It might cause curses far beyond the physics. Bobby Would choose “STYX” as the title of his latest album. It links to a swampy zone in Greek mythology, where STYX is a heavenliness, and a river, that forms the boundary between Earth and the Underworld. Bobby Would says, “Time is only currency”. STYX is the place, where no currency exists. It absorbs all living, while creating new. Bobby Would, whose emotive Low Company releases distributed unfussy, magnetic, yet melodic serenades, that injected lo-fi guitar pop new drama orbs, created two 13-minute-long tape sides under the “STYX” guidance, that work against time while creating some. Like a lullaby, that loops in your dreams forever, each side features short, yet endless songs, stranded in a zone, where light and darkness form a bizarre union, that glooms eternally. Driven by guitar melodies of delicate beauty, that drift fluently from silky weeping pop to otherworldly psychedelics, he croons monotone poetry, that floats river-like into the unconscious of its receiver, just to create a muddy zone for new utopias. A short new vital sign full of miraculous powers by the Vienna based artist, that welcomes all into a twilight zone of drone punk, garage wave, velvet surf-riffs, and all that dusty rock ‘n’ roll fuzz. Ferryman netherworld music, made for those need the curse of a new mythological sign.

Bobby Would - WORKING AGAINST TIME

Tape Me Home

Princess Of Darkness [ FREE HORROR CINEMATIC MUSIC ]

Sebastien BACCI is a multifaceted producer, offering you his cinematic music.

Stream his music on:

Spotify: https://open.spotify.com/intl-fr/artist/5dot5RyygOmiY0UIWbfLHK
Deezer: https://www.deezer.com/en/artist/123141582
Apple Music: https://music.apple.com/us/artist/sebastien-bacci/1553257912
YouTube Music: https://music.youtube.com/channel/UCxKSgqkupODo2WDH--TNk-g
☕ Buy me a Coffee ☕
Support me by buying me a coffee 😉
Buy me a coffee: https://www.buymeacoffee.com/baccisebasg


Terms of Use
This title is royalty-free, produced by BaboO Recording.
You can download and use it for your audiovisual, musical, theatrical, and radio productions.
Please take into account the terms of use: https://www.musiqueslibrededroit.fr/conditions-dutilisation/

#HorrorMusic
#FreeRoyaltyMusic
#CinematicHorror
#HorrorSoundtrack
#ScaryMusic
#HorrorBeats
#FreeHorrorMusic
#RoyaltyFreeHorror
#HorrorAmbience
#DarkMusic
#CreepyMusic
#SpookySounds
#HorrorScore
#FreeMusicForVideos
#HorrorTheme
#HauntedMusic
#AtmosphericHorror
#HorrorInstrumental
#EerieMusic
#SuspenseMusic
#ThrillerMusic
#HalloweenMusic
#FreeMusic
#CreepyBeats
#HorrorBackgroundMusic
#HorrorTracks
#ScaryBeats
#TerrifyingTunes
#FreeSoundtrack
#DarkAmbient

☕ Buy me a Coffee ☕

Princess Of Darkness [ FREE HORROR CINEMATIC MUSIC ]

Lens Mozer - All My Friends

Felicia Atkinson & Jefre Cantu-Ledesma
Limpid as the Solitudes
Out on Nov. 9, 2018 on Shelter Press
SP101 — LP / DL

Preorder: https://shelterpress.bandcamp.com/album/limpid-as-the-solitudes

Distribution: Boomkat EU / UK / ROW
Distribution: Forced Exposure USA

Limpid as the Solitudes

INDEFATIGABLE PURPLE

FELICIA ATKINSON & JEFRE CANTU-LEDESMA 'INDEFATIGABLE PURPLE' (SP101)

*

Cloud Cover from the album Beauty Data Pollution by Perfume.

Melbourne, June 2018.

Full album available at:  https://perfume.bandcamp.com/album/beauty-data-pollution

*

Cloud Cover

Anne Lovett’s stunning new release for 1631 is a departure from her beautiful previous solo piano album Beyond (and below). Without loosing any of the startling beauty of the preceding album, in The Eleventh Hour, Anne Lovett revels in a new sonic world. Joined by the London Contemporary Orchestra , UK’s most innovative and respected ensemble routinely heard alongside such luminaries as Radiohead or Johnny Greenwood, and later in duo with phenomenal cellist and composer Oliver Coates, Anne Lovett also introduces subtle electronics interwoven carefully alongside layered melodic piano lines.

The main narrative for the album was conceived shortly after a new addition was brought in to Anne’s studio, a plantation chair which sat opposite her Grotrian-Steinweg grand piano. It led to intense hours of rethinking around the instrument itself and more generally about the seismic shifts that were taking place in society. The album is an attempt to reconcile the flaws of time. 

Best described by the Japanese concept of Kintsugi or “broken beauty”, The Eleventh Hour is a heartbreakingly beautiful contribution to the modern “indie” classical genre. The thirteen tracks all meticulously crafted and ringing out with a dark luminosity, like an elegy to our troubled times. 

It will appeal to fans of Dustin O’Halloran, Nils Frahm, Max Richter, Philipp Glass, Jóhann Jóhannson who will find many reasons to love this album .

www.1631recordings.bandcamp.com/album/the-eleventh-hour

The Eleventh Hour

Anne Lovett - The Eleventh Hour

Pre-order Fallen Trees on LP/CD/DL: http://radi.al/MelnykFallenTrees

Continuous Music pioneer and literal force of nature Lubomyr Melnyk releases his new album 'Fallen Trees' on December 7th. Known as ‘the prophet of the piano’ due to his lifelong devotion to his instrument, the new album coincides with Melnyk's 70th birthday. 

Cascades of notes, canyons and rivers of sound: there’s something about Lubomyr Melnyk's music that channels the natural world at its most awe-inspiring. In Fallen Trees the connection with the environment continues, taking its cue from a long rail journey Melnyk made through Europe. Glancing out of the window as the train passed through a dark forest, he was struck by the sight of trees that had recently been felled. “They were glorious,” he says. “Even though they’d been killed, they weren’t dead. There was something sorrowful there, but also hopeful.” That sense of sadness touched by optimism infuses the album, too: rarely has Melnyk made music so shot through with melancholy and regret, but which sounds so rapt, even radiant.

The five-part, 20-minute Fallen Trees is one of the most ambitious and demanding pieces he has ever created. Though the music is – as ever – Melnyk’s own, Fallen Trees once again features a number of Erased Tapes artists. Japanese vocal artist Hatis Noit, whose first EP Illogical Dance came out to much acclaim earlier this year, lends ethereal vocals, floating mysteriously above the surface of Melnyk’s eddying piano lines before diving far beneath. Other contributors include Berlin-based cellist Anne Müller, a sometime collaborator with Nils Frahm, and American singer David Allred, the most recent addition to the label family. “More than any of the albums that I’ve done, it’s a real collaboration,” Melnyk insists, emphasising how much he owes to his producer, Erased Tapes founder Robert Raths.

It is true to say that there is nothing quite like Melnyk’s work: a unique musical pioneer, he has defiantly carved his own path. “I don’t say to people I’m a composer,” he declares. “I don’t know what I am.”

Melnyk composes, as he plays, at the piano, feeling out lines and individual rhythmic cells that bubble, undulate and gradually expand into vast, interlinked frameworks. Asked to describe what it’s like to live inside his music, he says “my whole body is transformed as I play, it honestly feels like that. My fingers feel like the winds of the world; it feels like you’re physically transcending dimensions.”

Despite the autumnal hint in its title, there’s little suggestion of Melnyk slowing down. Having received critical acclaim and co-headlining the prestigious Royal Festival Hall as part of the Erased Tapes 10th anniversary celebrations, after many years his audience is now both global and growing. The composer is finally gaining a momentum in his career that matches the vibrant, highly active energy of his playing.

Fallen Trees

Son of Parasol

Buy LP/CD/DL

Lubomyr Melnyk - Son of Parasol

Infinite Greyscale is pleased to release Damn Luei Lit  a new 10“ recording by Andi Toma, also known as one half of electronic music pioneers Mouse on Mars.  Following on from the band’s percussive masterclass, Lichter (also on Infinite Greyscale) and their ambitious 2018 album Dimensional People (Thrill Jockey), Damn Luei Lit sees Toma going it alone in an exploration of off-kilter rhythms and extraterrestrial sounds. From an opening of bird song an inorganic structure is assembled; and with the stage constructed, the performance begins. What follows is a deep and engrossing exploration of an alien ethnography. Within a frame of hypnotic rhythms Toma traverses sounds and rituals to reveal field recordings from another planet.

Damn Lieu Lit

1 March 2019

Andi Toma – Damn Luei Lit (excerpt)

"Figures / Ground" is a commission for the „Untraining the Ear“ series, produced in collaboration between @savvy-contemporary, @deutschlandfunkkultur and @ctm-festival. For the radio feature, the two parts are interspersed by a conversation in german with Jan Rohlf (Co-founder and artistic director of CTM / Disk agency).
Premiere on 29.03.2019, the piece is from now on available for free on-demand streaming under the following link:
https://www.deutschlandfunkkultur.de/klangkunst-abschied-von-den-hoergewohnheiten-figures-ground.3685.de.html?dram%3Aarticle_id=437789

Figures / Ground (extracts - link in text)

excerpt from Frnk Hurrican's Pymp World LP

Frank Hurricane excerpt

Ka Baird - Symanimagenic

RVNGNL57

Full album available October 25, 2019

smarturl.it/rvngnl61

Respires

Symanimagenic

Ka Baird - Symanimagenic

The music of Naarm/Melbourne composer Lisa Lerkenfeldt channels a unique wavelength of foreboding, interstitial electronics, incorporating strategies of musique concrete threaded with veiled currents of melody and hypnosis. Recent recordings for Vienna Press, Longform Editions and Aught Void have demonstrated different depths of process and finesse but her latest, Collagen, captures perhaps the most complete and complex manifestation of her craft to date.

Drawing on a disciplined palette of peach wood combs, contact microphones, piano, strings, and feedback, the album moves in low, looming arcs, ascending to strange purgatories of opaque atmosphere. Lerkenfeldt cites a core aspiration to “elevate the everyday,” transforming common objects into otherworldly sound sources, which colors Collagen with a beguiling tactility, like vibrations traced in sand. The tracks shift in frequency and feeling, alternately heady and bodily, acoustic and synthetic, isolated states of static, light, and undertow skirting the outer rings of ambient, noise, and modern composition.

Although each piece exists in its own rare air the composite panorama they present is striking in its sweep and subtlety. Lerkenfeldt's muse seems one of evasion as much as evocation, navigating negative spaces for their subliminal whispers of dread or beauty. It's an aesthetic both ascetic and exploratory, minimalist mirages of resonance, texture, and gravity skewed through the pensive glow of room tone.

But Lerkenfeldt is too versatile an artist for purist restraint, which Collagen demonstrates dramatically in its closing cut, “Champagne Smoke.” A quivering bowed eulogy ebbs under a flickering film of distortion, slowly swelling in sorrow until suddenly the screech goes silent, revealing a murmuring phantom haze hidden beneath the strings, like a specter lost in an abandoned house.

14 Gestures associated with this album will be performed in experimental film and online viewing room of graphic notation at 14gestures.com from 29th July to 29th October, 2020.

Collagen releases on Shelter Press in LP / DL format on August 21, 2020. LP mastered and cut by Kassian Troyer at D+M, designed by Bartolomé Sanson with art by Lisa Lerkenfeldt, housed in reverse-board inner and outersleeve, including a 16 pages limited edition score book.

LISA LERKENFELDT 'The Weight Of History'

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



HTTP://SHELTER-PRESS.COM
—
Shelter Press is a record label and publishing platform founded in 2012 by publisher Bartolomé Sanson and artist Félicia Atkinson building up dialogues between contemporary art, poetry and experimental music through printed publications and records.
Shelter Press is also carrying and collaborating on the releases of the Ideologic Organ, Recollection GRM and Portraits GRM labels.

FELICIA ATKINSON & JEFRE CANTU-LEDESMA 'INDEFATIGABLE PURPLE' (SP101)

SHELTER PRESS

Recent comments

4//lIGhT

Mark Valkner

Dendroid

The MadBeautiful!

Related tracks