na minha parede eu tenho um rifle e algumas cruzes

Fill The Rooms With Dust

Sawyer Dust - fill the rooms with dust

Walked to the church in the rain
to look at the spires
everything seems like a metaphor when it’s grey

I saw your face
your apparition appeared 
can’t trust my brain 
when I’m feeling like this

Because you’d be here in the flesh 
if I’d sorted my shit
I miss you I guess
and don’t know where to put it

Cleaned the bathroom again 
counting tiles counting hours
doing anything domestic
to get out of my head

This would be easier if I wasn’t such a sceptic
hollow air, holy windows 
you wet in my bathrobe 
everything’s reminding me of when

You were here in the flesh
when I showed you my best
so scared to express 
every part of it

You’d be here in the flesh 
if I’d sorted my shit
I miss you I guess
and don’t know where to put it

in the flesh

you're a mess in public

Por um tempo não vão me ver, por um tempo não vão me ouvir, mas, por um tempo serei tomado apenas por pensamentos que posso apenas tirar proveito de alguma forma.
Eu vou mas volto, só não sei quando.

Antes do circo pegar fogo te presenteio com um breve adeus.

Antes do circo pegar fogo: breve adeus.

um salve pro vitao da bh repositor nato do hortifruti estrela dalva
bhang khane ke nuksan
tamo junto czar Nguyễn Chí Thanh, Nguyễn Hữu Thọ



letra:

esse tiro na cabeça me faz sentir novo
eu racho esse cranio só pra poder rachar de novo
tudo que é meu tá guardado no degrau debaixo
só não me diz que meu pressagio foi insensato 

meu dever não é entender 
todo esse peso no meu peito
semblante suspeito
não me importa qual o seu desejo
carcaça de lobo jogada pela rua
vira lata consome entranhas pelas unhas

eu consumo tudo que eu vejo
ce me olha e só sente o desejo
de poder voltar no eixo 
a trincheira tem o seu peso
voce cava o seu trecho
vagabundas querem seguir
o exemplo de um morcego

beija esse terço na minha mao
vadias choram no caixao
só não olha pro meu rosto
vadias buscam eternamente aprovação
meu desprezo é seu sermão
o seu sangue é tão fosco

FOSCO

criado na lama
eu carrego a nancy
ela te coloca em coma
apostando muito, perdi tudo em oklahoma
parei num grupo de apoio por causa da grana
bebado e quebrado por semanas
antes de entrar na tua casa eu to estudando a planta
e ja que eu mencionei a planta
eu enrolo essa merda com tabaco e com anthrax

eu sou corredor mas que diabos é a porra de um pace?
sou meio relapso eu nem sei que dia que é do mês
imprudentemente manuseando armas
girando uma motoserra eu me sinto leatherface
uma máscara branca de pano cobre minha face
let them face
quero te matar mas dizer isso alto é muito rude
eu guardo Projétis de bala desde 2006
to usando arma de efeito moral dentro do club 

to usando arma de efeito moral dentro do club
seus manos são falsos, deveriam estar em hollywood
querida n me pergunte qual que é o problema
por favor me traga minha garrafa e apague as luzes
sempre me lembrando que eu sou somente carne e osso 
eu acordo e penso "hoje talvez é o dia que eu morro"
perguntei pra Deus se eu sou bom mas ele é sigiloso
na minha parede eu tenho um rifle e algumas cruzes

AMPOLAS 1000

prodgraulv

@graulv
@sherman44


veja bem

TNT W/sherman44

elli - skin (ghost orchard cover)

sawyer dust- score (demo)

seconds

Pre-order Mia Gargaret by Gia Margaret: http://smarturl.it/miagargaret

Mia Gargaret is an ambient, (mostly) instrumental album by Chicago, IL singer, songwriter, multi-instrumentalist & producer Gia Margaret.

Mia Gargaret was not the follow-up album that Gia intended to release after the critical success of her 2018 debut, There’s Always Glimmer. But after she suddenly found herself without use of her primary instrument, she had to rethink her methods, at least temporarily.

Gia explains:

“After having to cancel tours because of illness, I was unable to sing for nearly half of the year. This left me feeling like a shell of myself, so I turned to my synthesizer for comfort. These compositions helped me hold onto my identity as a music maker. At times this music helped soothe my anxiety more than therapy or anything else could.”

Without singing or lyrics to steal the focus, the instrumental tracks on Mia Gargaret shine a light on Gia Margaret’s skills as a musician, composer & producer. Spare but immersive arrangements of synthesizer, piano & acoustic guitar simultaneously ache & soothe, building emotional landscapes that rise & recede like scenery through a train window.

“I wanted to make something that sounded hopeful, which is a little ironic because I felt essentially hopeless during the entire process. I was making music to self-soothe. I had synth loops going while I walked around my apartment, forming my own daily soundtrack.”

Mia Gargaret documents Gia Margaret’s self-healing. Album opener “apathy” includes an excerpt from her actual vocal therapy exercises. “body” samples a lecture from British philosopher Alan Watts, a continuous source of comfort & perspective for Gia in times of confusion. (Permission to use the sample was personally granted by Mark Watts, son of the late lecturer, in exchange for the use of “body” in his documentary film about his father.) Other tracks feature the sounds of footsteps, church bells, crackling fires, lake waves & other field recordings from Gia’s day-to-day.

“I wanted to capture the feeling of a truly strange time in my life, even though I would prefer to forget it altogether. This process helped me understand something about myself, & hopefully it can help others, too.”

Mia Gargaret ends with “lesson,” the album’s only track to feature Gia’s singing voice. The short song teases at what we can expect from the next Gia Margaret album, a return to more traditional forms of songwriting, due in 2021. In the meantime, Mia Gargaret stands as a gorgeous experiment & a memorable meditation on the healing power of music.

Mia Gargaret was composed, performed & recorded at home by Gia Margaret during the summer & fall of 2019, with guest performances by Emily Cross (clarinet on “ash”), Stephen Steinbrink (vocals, organ & guitar on “lesson”) & There’s Always Glimmer collaborator Doug Saltzman (electronic drum production to on “body” & “lesson”).

AMPOLAS 1000

sherman44

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