Deep J Jazz

Tachibana

Dead Letter

East Plants

Kaze

Earth Mother

Dinner Party

"the vintage" ML 7*
this is the only jazz standard i have memorized and kind of practice playing over. in HS my band teacher gave me a lesson on improvisation and gave me a backing track of this one cassette.  I was kind of intimidated back, and didn't know who Wayne Shorter was. But then but 25+ years later, the tune has stuck with me and I see why he would give this to me as a kid to play over. This is for you, Mr T

I used this backing track: https://www.youtube.com/watch?v=1ugjsyNpPRI

Footprints 10292025

The Karaoke Channel - In the style of Aretha Franklin - Vol. 2

I Never Loved A Man (The Way I Love You) (Karaoke Version)  (In The Style Of Aretha Franklin)

Blood On Satan's Claw

Return From The Graveyard (2)

Order on vinyl / CD or digital formats: https://bbemusic.lnk.to/J-Jazz
In the years following World War Two, Japan developed one of the most insatiable, dynamic and diverse markets for jazz. For a crucial period of little over a decade – from the late 1960s to the early 1980s – Japanese jazz culture progressed at an astonishing rate, producing an extraordinary array of artists, recordings and record labels that created some of the most forward thinking and impressive jazz to be committed to tape. This amazing journey is explored on ‘J Jazz’.
This compilation from BBE uncovers some of the most sought after and rare material from this period and pulls together key artists who shaped the post-war modern jazz scene in Japan.

‘J Jazz’ includes obscure and sought after rarities like the bass-driven power jazz of Koichi Matsukaze’s ‘Earth Mother’, the holy grail rarity of Aizawa Tohru Quartet’s ‘Dead Letter’ and the loping majesty of Takeo Moriyama’s ‘North Wind’. This collection takes the listener into deep spiritual jazz, post-modal impressionism and fierce dance-floor fusion with material from artists and composers whose names are generally only known to committed collectors of Japanese jazz. Fumio Karashima, Mitsuaki Katayama, Takeo Moriyama and Kiyoshi Sugimoto are among the names featured on an album aiming to shed a little light on the shadowy world of Japanese jazz clubs, tucked away in the neon backstreets. This music demands a wider audience and BBE are excited to deliver a landmark compilation, lifting the veil on this wonderful and mysterious area of the global jazz catalogue.

None of the tracks featured on ‘J Jazz’ have ever received an official release outside Japan before. The albums the tracks are taken from are extremely hard to find and often fetch huge sums on the collector’s circuit. Originally pressed in small numbers on independent and private labels such as Union, Johnny’s Disk, Whynot, ALM and VAP, these tracks are now available for everyone to enjoy.

Compiled by Tony Higgins and Mike Peden, both long-time collectors of Japanese jazz, ’J Jazz’ brings together the very best in modern jazz from Japan, recorded during a critical period of musical and cultural transition that saw composers and musicians not only assert a new artistic identity but also create a lasting musical legacy.

Eiji Nakayama – Aya’s Samba

One of the underground's hardest-working young producers, Oddisee has built a thorough body of work with a steady stream of albums, mixtapes, collaborations, and instrumental projects. On Rock Creek Park, he breaks us off with 10 joints that are universally chill, loaded with jazz-drenched loops offering wispy flutes, funked-out bass lines, breezy guitar licks, soft horns, and earthy pianos. “Closed After Dark," "Beach Dr.," and the vibraphone-and-ride-cymbal-laced "Mattered Much" are standouts, though the ‘80s-influenced "Uptown Cabaret" and yU collabo "Still Doing It" are also impressive. Though many of the tracks are similar on the low-BPM head-nod tip, they all sound great and make an ideal soundtrack for just keeping it mellow. 


A Blind Man

Shintaro Quintet

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