I was expecting the AAAAAY replace but not this

yeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee

You are a terrible person. Im proud of you

seriously @slushiimusic why did you like this

@slushiimusic: I can't believe you liked this

This song needed its own playlist

The Beatles - Octopus's Garden
x
Avril Lavigne - Complicated

A Complicated Garden

Green Day - 21 Guns
x
Doki Doki Literature Club! - My Confession

21 Confessions

DragonFonsi - Through The Flames, Slowly

A&E's Soundcloud Intervention

2007 Youtube Meets Anime

(Nov. 27, 2011)
since ΩRAS is out, I thought this'd be relevant to put here
https://www.youtube.com/watch?v=g-2cJ_JTkXs

Everyday I'm Shufflin' Through Tall Grass

made until 4am

extended: https://soundcloud.com/thirdkrow/extended-v?si=41667ca3381c4ec09463a67d995d72cb&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

real mashup at faceless dawn

Although fully-fledged flying buttresses only developed in the Gothic period, they are described in the Bible in the Book of Ezekiel, chapter 41, verses 6 and 7, as part of the detailed design of a new temple, and architectural precursors can be found in Byzantine architecture and in some Romanesque buildings, such as Durham Cathedral, where quadrant arches were used to carry the lateral thrust of the stone vault over the aisles. However these arches were hidden under the gallery roof and only transmitted the forces to the massive outer walls. By the 1160s, architects in the Île-de-France were employing similar systems but with longer and finer arches running from the outer surface of the clerestory wall, over the roof of the side aisles (and hence visible from the outside) to meet a heavy vertical buttress rising above the level of the outer wall.[2] The main advantage of such systems is that the outer walls no longer need to be heavy and massive enough to resist the lateral thrusts of the vault. Instead the wall surface could be reduced (allowing larger windows filled with stained glass), with the vertical mass concentrated into external buttresses. Early flying buttresses tended to be far heavier than is required for the static loads involved, as for example at Chartres (c. 1210) and around the apse of the Basilica of St Remi in Reims, which is thought to be among the earliest examples still surviving in its original form (dating from around 1170).[3] Later architects progressively refined these designs and slimmed down the flyers until typically they were constructed from no more than one thickness of voussoir with a capping stone above it (see for example the cathedrals of Amiens, Le Mans and Beauvais.

8====D ~ A Sick Rap Beat For You Rappers (feat. mr krabs and the anal penetrators...))

λ is a binding operator, just like backwards E ("∃") or upside down A ("∀"). Consequently, it always binds something (a variable), taking scope over some expression that (usually) contains occurrences of the bound variable. More practically, λ always occurs in the following configuration:

(λ var body)

Here, "var" is the variable bound by the lambda operator, and "body" is the constituent that the lambda operator has scope over.
For instance:

(λ x (* (+ 3 x) (- x 4)))

Here "x" is the variable (the one immediately after the binding operator), and the body is "(* (+ 3 x) (- x 4))". The body contains two occurrences of "x", and both are bound by the λ operator; any variable token that is not bound is free.
(λ x (* (+ y x) (- x z)))

In this form, the tokens of "y" and of "z" are both free.
Freedom is always relative to a particular expression. If the preceding expression is embedded within a larger one, the free variables can come to be bound:

(∃ y (λ x (* (+ y x) (- x z))))

In this case, the "y" has been bound, and only the "z" remains free.

put it through a wood chipper and bring some KU$H

FAT REFUND (Stamper + Egoraptor + Marc M. + Ricepirate)

NO IT AIN'T OVER 
YOU JUST GOT NAE-NAE'D™

It's Over, Isn't It, Guys?

Eh, sort of a bad title...

Also, I know there's a lack of cussing. The acapella of Feel Good Inc. that I found didn't have it lmao.




...and now I have people complaining that they think the bass is midi slapped. Fuck.

Feel Bad Inc.

im running out of cover images and im too lazy to get more

here's a midislap i thought sounded nice

Careless Wii Shop

Baby I'm Harder Better Faster Stronger

funny a

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If you want to know where i got the sword banner i made it in paint i made it like a pixel art.

A&E's Soundcloud Intervention

ShitFunnel

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