kavacha

Mama Mana Mandire

A spiffy rendition of Vedic Hare Krsna chant, accompanied with Srila Prabhupada's masterly commentary on the meaning, purpose, effect & goal of this chanting. I bet you, you'll play it in loops!
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Awesome Chanting With Description : HH Maha-Vishnu Swami (@CONGO)

Powerfull Narasimha Kavacham नसह कवच

Was praying and meditating in my room on Waheguru and Ik Onkar 
Really helps relax my mind. #feelgood 
(Recorded from iPhone 4)

Ik Onkar - Harshdeep Kaur (Cover by Manuka)

4 Darshana Arati At ISKCON Bangalore

“THAT kirtan

You have good kirtans, you have great kirtans, you have amazing kirtans, you have extraordinary kirtans.. and finally every now and then everyone gets to experience what you would consider as the mammoth of all Kirtans; the incomparable, the unmatchable, the best ever kirtan: THAT kirtan.
…
From the first few seconds you can already get the feeling this is special. Badahari Prabhu so expertly sets the mood with the most extraordinary of melodies, with the instruments & devotees so perfectly assisting him in making this an unmatchable offering to the Lord. The first 30 minutes are sweeter than honey.. and then comes that 33rd minute at the end of which the kirtan moves from the sphere of extraordinary to the sphere of matchless and out of this material world. From this point onwards I can assure you your body will react in various mesmerizing ways to the purity of the singing and the quality of kirtan. My hair stood on end like never before and tears of joy to simply hear the Holy Name, to REALLY hear the Holy Name, invaded my eyes. And like this all the way until the end of this hour and half long Kirtan you can't help but to simply feel privileged to be listening to such glorification in the form of the Maha Mantra. It just gets better and better every minute despite the fact you do not see how it could. And although you do not want this to stop you can't help but accept that the end of the recording is simply perfect.”

- Manu Prabhuji, Radhadesh Mellows

ps: Radhadesh Mellows 2014 Album available from the 25th of July at radhadeshmellows.com/recordings

10 Badahari Prabhuji RM2014

Gracefully Sung by HG Rangaraja Prabhu and Family. Credits also go to HG Shabda Hari Prabhu for making this recording. This recording was made during the early days of ISKCON Jagannath Mandir, Bengaluru. Other tracks that I have are available on my profile, Yhs

For The Wellbeing of His Holiness Jayapataka Swami.

narasimha-kavacham vakshye
prahladenoditam pura
sarva-raksha-karam punyam
sarvopadrava-nashanam

sarva-sampat-karam chaiva
svarga-moksha-pradayakam
dhyatva narasimham devesham
hema-simhasana-sthitam

vivrtasyam tri-nayanam
sharad-indu-sama-prabham
lakshmyalingita-vamangam
vibhutibhir upashritam

catur-bhujam komalangam
svarna-kundala-shobhitam
saroja-shobitoraskam
ratna-keyura-mudritam

tapta-kancana-sankasham
pita-nirmala-vasasam
indradi-sura-maulishthah
sphuran manikya-diptibhih

virajita-pada-dvandvam
shankha-chakradi-hetibhih
garutmata cha vinayat
stuyamanam mudanvitam

sva-hrt-kamala-samvasam
krtva tu kavacham pathet
nrsimho me shirah patu
loka-rakshartha-sambhavah

sarvago ’pi stambha-vasah
phalam me rakshatu dhvanim
nrsimho me drshau patu
soma-suryagni-lochanah

smrtam me patu naraharih
muni-varya-stuti-priyah
nasam me simha-nashas tu
mukham lakshmi-mukha-priyah

sarva-vidyadhipah patu
nrsimho rasanam mama
vaktram patv indu-vadanam
sada prahlada-vanditah

narasimhah patu me kantham
skandhau bhu-bhrd ananta-krt
divyastra-shobhita-bhujah
narasimhah patu me bhujau

karau me deva-varado
narasimhah patu sarvatah
hrdayam yogi-sadhyash cha
nivasam patu me harih

madhyam patu hiranyaksha-
vakshah-kukshi-vidaranah
nabhim me patu naraharih
sva-nabhi-brahma-samstutah

brahmanda-kotayah katyam
yasyasau patu me katim
guhyam me patu guhyanam
mantranam guhya-rupa-drk

uru manobhavah patu
januni nara-rupa-drk
janghe patu dhara-bhara-
harta yo ’sau nr-keshari

sura-rajya-pradah patu
padau me nrharishvarah
sahasra-shirsha-purushah
patu me sarvashas tanum

manograh purvatah patu
maha-viragrajo ’gnitah
maha-vishnur dakshine tu
maha-jvalas tu nairrtah

pashchime patu sarvesho
dishi me sarvatomukhah
narasimhah patu vayavyam
saumyam bhushana-vigrahah

ishanyam patu bhadro me
sarva-mangala-dayakah
samsara-bhayatah patu
mrtyor mrtyur nr-keshari

idam narasimha-kavacham
prahlada-mukha-manditam
bhaktiman yah pathenaityam
sarva-papaih pramucyate

putravan dhanavan loke
dirghayur upajayate
yam yam kamayate kamam
tam tam prapnoty asamshayam

sarvatra jayam apnoti
sarvatra vijayi bhavet
bhumy antariksha-divyanam
grahanam vinivaranam

vrshchikoraga-sambhuta-
vishapaharanam param
brahma-rakshasa-yakshanam
durotsarana-karanam

bhuje va tala-patre va
kavacam likhitam shubham
kara-mule dhrtam yena
sidhyeyuh karma-siddhayah

devasura-manushyeshu
svam svam eva jayam labhet
eka-sandhyam tri-sandhyam va
yah pathen niyato narah

sarva-mangala-mangalyam
bhuktim muktim cha vindati
dva-trimshati-sahasrani
pathet shuddhatmanam nrnam

kavachasyasya mantrasya
mantra-siddhih prajayate
anena mantra-rajena
krtva bhasmabhir mantranam

tilakam bibhriyad yas tu
tasya graha-bhayam haret
tri-varam japamanas tu
dattam varyabhimantrya ca

prasayed yo naro mantram
narasimha-dhyanam acharet
tasya rogah pranashyanti
ye cha syuh kukshi-sambhavah

kimatra bahunoktena
narasimha sadrsho bhavet
manasa chintitam yattu 
sa tacchapnotya samshayam

garjantam garjayantam nija-bhuja-patalam sphotayantam hatantam
dipyantam tapayantam divi bhuvi ditijam kshepayantam kshipantam
krandantam roshayantam dishi dishi satatam samharantam bharantam
vikshantam purnayantam kara-nikara-shatair divya-simham namami

iti shri-brahmanda-purane prahladoktam shri-narasimha-kavacam sampurnam

Sri Narasimha Kavacha Stotra

Dedicated to everyone that has lost someone that they love deeply...

🎸 Ghost in My Pulse (Acoustic Version)

Verse 1
She left mid-sentence,
no warning, no sound.
Now I sit with the silence,
and it’s louder than the crowd.
I replay her laughter
in the chords I strum—
but the echo’s fading,
and my hands feel numb.

Chorus
She’s a ghost in my pulse,
a shadow in my song.
I sing to remember,
but she’s been gone too long.
No closure, no trace,
just rhythm and regret—
I dance with her memory,
but she’s not dancing yet.

Verse 2
I built a temple
from our midnight texts.
Lit candles in the verses,
but they won’t resurrect.
My angel, uko wapi?
I whisper to the wind—
but the breeze just answers
with where love ends.

Bridge
I’m not angry,
just hollow and slow.
She’s the silence
in every note I throw.

Outro
She’s not coming back,
but I still play her name.
Ghost in my pulse—
and I’m still in the game.


Ghost in my Pulse

Ghost in My Pulse (Acoustic Version)

A song rebutting psychobabble about how I “showed up“ or failed to and what true friendship actually requires.

How I “Showed Up” V3

Ceili in Braj! (Hari Haraye)- Like a river to the sea - Jahanvi Harrison

Jaya Sri-Krishna-Chaitanya
prabhu Nityananda
sri-Advaita Gadadhara
Srivasadi-Gaura-bhakta-vrinda 

Chant Hare Krishna and Be Happy:

Hare Krishna Hare Krishna 
Krishna Krishna Hare Hare
Hare Rama Hare Rama
Rama Rama Hare Hare



Sweet Kirtan reservoir:
http://musicofyoga.com/music/ 

Kishori Mohan das & Sudevi Dasi - Hare Krishna Mahamantra

Namami Nanda-Nandana 

Sucaru vaktra mandalam sukarna ratna kundalam
Sucarcitanga candanam namami nanda nandana

Vrajangana sunayakam sada sukha pradayakam
Jaganmanah pralobhanam namami nanda nandanam 

from "Sri Nanda-nandanastakam " 

1) sucaru-vaktra-mandalam sukarna-ratna-kundalam sucarcitanga-candanam namami nanda-nandanam 
2) sudirgha netra-pankajam sikhi-sikhanda-murdhajam ananga-koti-mohanam namami nanda-nandanam 
3) sunasikagra-mauktikam svacchanda danta-panktikam navambudanga-cikkanam namami nanda-nandanam 
4) karena venu-ranjitam gati-karindra-ganjitam dukula-pita sobhanam namami nanda-nandanam 
5) tri-bhanga-deha-sundaram nakha-dyuti-sudhakaram amulya ratna-bhusanam namami nanda-nandanam 
6) sugandha-anga-saurabham-uroviraji-kaustubham sphuracchri-vatsalanchanam namami nanda-nandanam 
7) vrndavana-sunagaram vilasanuga-vasasam surendra-garva-mocanam namami nanda-nandanam 
8) vrajangana-sunayakam sada sukha-pradayakam jagan-manah pralobhanam namami nanda-nandanam 
9) sri-nanda-nandanastakam pathed ya sraddhayanvitah tared-bhavabdhim dustaram labhet tadanghri-yugmakam 

TRANSLATION: 

1) I offer pranama to Nandanandana, whose face is extremely delightful, in whose beautiful ears hang jeweled earrings and whose entire body is anointed with fragrant candana. 

2) I offer pranama to Nandanandana, whose eyes are more beautiful than the fully bloomed lotus, whose head is beautifully adorned with an arrangement of peacock feathers and who enchants millions of Cupids. 

3) I offer pranama to Nandanandana, from whose beautiful nose hangs an elephant-pearl, whose teeth are immensely effulgent, whose bodily complexion is more beautiful and lustrous than a fresh rain cloud. 

4) I offer pranama to Nandanandana, whose lotus hands hold the flute, whose lingering gait defeats even that of an impassioned elephant and whose dark limbs are beautified by a yellow shawl. 

5) I offer pranama to Nandanandana, whose threefold-bending posture is exquisitely elegant, the effulgence of whose toe-nails puts to shame even the moon, and who wears invaluable jewels and ornaments. 

6) I offer pranama to Nandanandana, whose body exudes an especially beautiful fragrance, and whose broad chest is adorned with the kaustubha jewel and the mark of srivatsa. 

7) I offer pranama to Nandanandana, the expert lover of Vrindavana who performs immaculate pastimes and who is attired in clothes which are suitable for those pastimes and who pulverized the pride of Indra. 

8) I offer pranama to Nandanandana, who as the lover of the Vraja gopis perpetually delights them and who enchants the minds of all living entities. 

9) Whoever regularly recites this (Sri Nanda-nandanastakam) will easily cross the seemingly insurmountable ocean of material existence and attain eternal residence at the lotus feet of Krsna. 

Side Notes on Namami Nanda-Nandana: Namami Nanda-Nandana is about Sri Krsna. It is a prayer to Krsna. Krsna is called Nanda-nandana in relationship with Nanda Maharaja, His foster father (as He appears as the son of Nanda Maharaja). When people said that He was born of Nanda Maharaja, He was called Nanda-Nandana. Nanda-Nandana is a loving way to say "Krsna". It is like saying "the darling son of Nanda Maharaja". 



Sri Nanda-Nandanastakam sung by Chakrini

One of favorite bhajans of Gunagrahi Maharaj. We dedicate this song to him.

Gaura feat. Amrita-gopi - GAURANGA KARUNA KORO

he Madhava

Govinda Damodara Madhaveti
Govinda Damodara Madhaveti

he krsna he yadava he sakheti, 
govinda damodara madhaveti

Govinda Damodara Madhaveti
Govinda Damodara Madhaveti

he krsna he yadava he sakheti, 
govinda damodara madhaveti


dari mathani dadhi me kisine, 
tabe dhyana ayo dadhi cora ka hi
gada gada kantha pukarati hai, 

govinda damodara madhaveti
govinda damodara madhaveti
govinda damodara madhaveti

(When going to churn milk for making butter, one mother in Vraja remembers Sri Krsna, the butter-thief, and in a choked voice cries out, “Hey Krsna! Hey Yadava! Hey my friend! Govinda! Damodara! Madhava!”)




he krsna he yadava he sakheti, 
govinda damodara madhaveti

he krsna he yadhava he sakheti, 
govinda damodara madhaveti


mata yashoda hari ko jagave 
jago utho mohana naina kholo
dvare khare gvala bula rahe hai, .

govinda damodara madhaveti
govinda damodara madhaveti
govinda damodara madhaveti

(In awakening Sri Hari, Mother Yashoda says, “Awaken! Get up, Mohana! Open Your eyes! Your friends are waiting for You at the door! Govinda! Damodara! Madhava!”)


he krsna he yadhava he sakheti, 
govinda damodara madhaveti





sA nIrajAkShIm avalokya rAdhAM
ruroda govinda-viyoga-khinnAm
sakhI praphullotpala-locanAbhyAM

govinda dAmodara mAdhaveti
govinda dAmodara mAdhaveti
govinda dAmodara mAdhaveti
govinda dAmodara mAdhaveti
govinda dAmodara mAdhaveti
govinda dAmodara mAdhaveti

(Seeing Shrimati Radharani crying from the pangs of separation from Govinda, the blooming lotus eyes of Radha's girlfriend is also filled with tears, and she too cried, "Govinda, Damodara, Madhava.")

Ceili in Braj! (Hari Haraye)- Like a river to the sea - Jahanvi Harrison

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