balbir kaur

Kavan Bani

Gurpreeet Kaur - Koee Aan Milaavai Meraa Preetham Pyaaraa (Monthly Somerset Prog - 19 May 2022)

Simro

Thakur Tum Sarnai Aaya

Getting too old too fast
(Mark Irving Anderson)
 
…The prettiest girl in the world
Never asked me to dance
Back in the days of our youth
We all had a chance
But old man time doesn’t tell you
Precious youth doesn’t last
That’s cause the old man knows
We’re getting too old too fast…
 
[Chorus] 
…Getting too old too fast for my liking
If I could complain
Yesterday’s chasing tomorrow
Like a run-away train
Spending more time looking back
Then looking ahead
Getting too old too fast
We’ll all end up dead…
 
XXXXXXXXXXXXXXXXXXXXXXX
 
...I remember the days
When money and love conquered all
I could run with the best
Never dreaming a stallion would fall
But there’s never enough of love
And money, well it just don’t last
If you don’t believe me then
Ask someone getting too old too fast…
 
[Chorus]
…Getting too old too fast for my liking
If I could complain
Yesterday’s chasing tomorrow
Like a run-away train
Spending more time looking back
Then looking ahead
Getting too old too fast
We’ll all end up dead…

Getting too old too fast
We’ll all end up dead…

Getting too old too fast

Trynna find the light

“Where My Feet Belong” marks the moment Echo Wiggins quietly returns to La Crosse not for the cameras, not for a campaign, not for anyone’s expectations, but because the wind itself calls him home.

He steps out of the limo without announcing his arrival.
No headlines.
No crowds.
Just twilight, gravel, memory, and a sudden, overwhelming sense of truth.

This is Echo’s first true Resonant awakening.
The moment his spirit recognizes what his mind has forgotten.
When the land, the river, the people even those behind closed curtains feel him return.

The watchers move here too, softly and unseen, stirring hearts as his foot touches the earth.

This song is the breath he’s been holding for years finally exhaled
a release, a recognition, and a reminder

Before the world shaped him,
before the politics claimed him,
before the noise drowned his voice
this is where he belonged.

And now, the journey home truly begins.

[Verse 1]

The limo door opened into twilight air,
And the hush of home caught me standing there.
I didn’t call ahead, didn’t say a word
Just followed a feeling too deep to be heard.

My foot touched gravel, the old porch light’s glow,
And something inside me softened slow.
No speeches now, no crowds, no throngs
Just earth whispering, “This is where you belong.”

[Chorus]

And I breathed… for the first time in so long.
Felt the weight drop off where the road went wrong.
Every echo inside me grew steady and strong
Here in the quiet,
Here in the fading dawn,
I finally stood
Where my feet belong.

[Verse 2]

No one knew I was coming home
But somehow the town didn’t feel alone.
A light flicked on, a curtain drawn
As if hearts stirred when my feet touched the lawn.

The evening sky turned a dusky blue,
A color I swear I somehow knew.
Like childhood prayers or an old-time song
A memory humming, “You’ve been gone too long.”

[Chorus]

And I breathed… for the first time in so long.
Felt the weight drop off where the road went wrong.
Every echo inside me grew steady and strong…
Here in the stillness,
Here in the twilight’s calm,
I finally knew
Where my feet belong.

[Bridge – Whisper-soft]

The wind said nothing I could name,
But I felt its hands just the same.
And somewhere close, though I walked alone
Hearts awakened
the moment I came home.

[Final Chorus]

And I breathed… God, I breathed so deep,
Like waking up from a years-long sleep.
No limos, no titles, no right-or-wrong
Just the land saying softly,
“You were home all along.”

And I stood in the twilight, healed and strong…
Finally back
Where my feet belong.

Where My Feet Belong

Video:
https://www.youtube.com/watch?v=-H1yw29X5ow

Charan Kamal Prabh Kay Nit Dhiayaon 
I meditate continually on the lotus feet of love. 
Kavan sumat jit preetam paon 
What wisdom will lead me to attain my love?

Kavan Sanjog milaon prabh apnay 
what blessed destiny will lead me to meet my love?
Pal pal nimakh sadaa har japnay
each and every moment meditate on love.

aisi kirpa karo prabh meray
please, bless me with such mercy my love
Har Nanak bisar na kahoo beray
that I may never ever forget you.

Charan Kamal - Raag Bilawal (ft. Janapriya Levine, Kimberly Foree)

Kartaa with North Indian vocalist  and bansuri player, Shivpreet Singh and The Murmurations Duo (Suellen Primost, cellist and Jeremy Marais, saxophonist)

Suellen's Album

Kartaa with Shivpreet Singh

Amritvela Simran

Amritvela Simran - Bhai Nirmal Singh Ji Nagpuri (25/12/17)

Basics & Beyond UK Camp Reunion Jan 2018

Baljit Singh & Rajan Singh - Kirtan & Katha - raameeaa ho baarik teraa - B&B UK Reunion Jan 2018

ਮਲਾਰ ਮਹਲਾ ੫ ॥
ਹੇ ਗੋਬਿੰਦ ਹੇ ਗੋਪਾਲ ਹੇ ਦਇਆਲ ਲਾਲ ॥੧॥ ਰਹਾਉ ॥ ਪ੍ਰਾਨ ਨਾਥ ਅਨਾਥ ਸਖੇ ਦੀਨ ਦਰਦ ਨਿਵਾਰ ॥੧॥ ਹੇ ਸਮ੍ਰਥ ਅਗਮ ਪੂਰਨ ਮੋਹਿ ਮਇਆ ਧਾਰਿ ॥੨॥ ਅੰਧ ਕੂਪ ਮਹਾ ਭਇਆਨ ਨਾਨਕ ਪਾਰਿ ਉਤਾਰ ॥੩॥੮॥੩੦॥

Source | Live Recording Through http://sgpc.net/live-kirtan/

He Govind He Gopal He Dayal Lal, Raag Malhar (Bhai Sandeep Singh Ji)

Sant sujan singh ji kirtan & katha

Version 5 (20015-5.1)
Added Guitar. Some mixing. First master. 

Version 4 (20015-4.4)
Added additional voices by Kim Noble from USA (currently in Germany) and James Fraser from UK.

Version 3 (April 14, 2020 - 20015-4.3)

In this version of the collaboration master saxophonist Jeremy Marais plays along.  Jeremy hails from France and is currently living in Israel.

Version 2: 
Thanks to Abhijit Chakraborty from Calcutta (currently living in Mumbai) for playing the bass in the second half of the chanting. Also some mixing. 

Version 1: 

Simran from March 22, 2020

This idea is open to collaboration.  C120 means its in C and 120 BPM. Chord Progression: I vi IV V. Meditation of 80 bars repeated 5 times.  One idea is to make each of these 80 bars different, different musicians and vocalists would sing and play different elements every 80 bar ... so maybe the piano plays in the first 80 bars, then guitar, then harmony, then all together -- something like that.

Love Despite Distance Chanting (ft. Jeremy Marais)

Satnam Waheguru (ver 5.1)

Sparking Stars

Featuring Jeremy Marais on Saxophone and Suellen Primost on Cello

So Kyon Visrai

A simple simran followed by a shabad (kis naal kichai dosti )❤️

So Kyon Visrai

Shivpreet Singh

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