A Million Miles Away

Still Choosing You

Still Choosing You (feat. Diana Nicole Perry)

14. Black 21 - Um Dia Ouvi Dizer [Prod. Black 21]

Touch of Smoke

Brain Candy

A Like Button

Cacá Ribeiro - Coletânea Disco 1

Ela Riu

Cobra criada

You Promised in the Middle of Leaving

Don’t Give Up (2025) is the latest album from Titilayo Adedokun. Inspired by own her personal journey, she recorded this album, composing 6 of the 11 songs, as a way of dealing with past experiences, healing inner wounds and reaching out to those who might need it. “Don’t Give Up” is about healing and providing the encouragement, empowerment, motivation and inspiration that so many desperately need today, personally and collectively. The message is simple: Fight Back! Don’t give up! You’re not alone!

11 - Hold on

Zuhause da wo dein Herz schlägt
Janine Servais

Intro

Strophe 1

Das Kribbeln in der Luft, ein Koffer steht bereit,
Neue Stadt, neue Chance, für eine andre Zeit.

Strophe 2

Ein Schritt ins Ungewisse, ein Abenteuer beginnt,
doch dein Lächeln, das weiß ich, ist der Wind, der mich hierhin bringt.

Strophe 3

Manchmal denk ich an gestern, wie wir uns so nah waren.
Doch die Distanz, die wir jetzt gehn, kann uns nicht auseinanderfahren.

Refrain

Wir teilen uns die Meilen, nicht nur Raum und Zeit,
denn die Liebe, die wir haben, ist für unsre Reise bereit.
Ich bau ein neues Leben, doch das Fundament, das bist du,
Denn meine Heimat, das weiß ich, ist am Ende immerzu
da, wo dein Herz schlägt.

Zuhause wo Dein Herz ist_Saxophone Ending - Jana Servais.mp3

Album Title: Nietzsche’s Abyss
Genre: Flamenco / Dark Folk / Acoustic
Tracks: 18
Description:
“I would only believe in a God who knew how to dance.” — Friedrich Nietzsche
Nietzsche’s Abyss is a visceral, 18-track journey where the raw intensity of traditional Flamenco meets the earthy storytelling of European Folk. This is not a philosophy lecture—it is a musical descent into the human soul, exploring tragedy, passion, and the ultimate affirmation of life.
Nietzsche spent his final sane years wandering the Mediterranean, seeking a "cure" for the heaviness of the North. This album captures that spirit. It trades heavy distortion for the percussive attack of the Spanish guitar and the rhythmic stomp of heels (zapateado).
The sound is driven entirely by the interplay of guitars: one weaving intricate folk melodies, the other hammering out aggressive rasgueados. With complex palmas (handclaps) providing the heartbeat, the music evokes the chaotic, fiery Dionysian spirit.
If the "Abyss" is the void of meaninglessness, this album is the sound of dancing on its edge. It is for the free spirits, the wanderers, and anyone brave enough to look into the dark and sing back to it.
Experience the sound of philosophy with a hammer—and a guitar.

Wolves of the Dawn

A Like Button

市原ひかり

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