awesooooooooooooommmmmmmmmmmmmmeeeeeeeeeeeeeeeeeeee

Great song turned into a shitty preview track.  You'd sell more if you sampled more-nobody knows how good this song is from the horrible cropjob.

Preview and only in USA? You've got to be kidding me.

i'm pretty sure this is actually the best song i've ever heard.

ThreeSixFive Part#2

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - The Dream (feat. Low) [Clip]

Hobbies

Future Stare

Abstract piece again, sorry guys, fought times with God, but we chillin out here

Coloured

Dark Red Remixes

Remains (Chet Faker Vocal Dub)

the beginning


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Mosaic

The Void (feat. Jassy Grez)

The Waiting Room

First Call

Icy Feet

New single featuring @fhin.
Live Session video : tinyurl.com/lostyourmindlive

Out Now on @rochemusique 
Stream / Buy : https://lnk.to/ZimmerCeremony

Buy 12' : http://bigwax.fr/roche-musique/music/ceremony

Written by Zimmer & Fhin
Produced and mixed by Zimmer 
Guitar and vocals by Fhin 
Mastered by Alex Gopher @ Translab
Artwork by Zimmer

Ceremony - EP

Watch the video

Zimmer - Lost Your Mind (ft. Fhin)

andhim - Horse Society 
Rel Date: 5th Dec 2016

You can stream & download our "Tosch EP" now:
Stream & Download: lnk.to/yxjHz
Vinyl: bit.ly/2g7kcS4

Taken from our forthcoming Tosch EP on Superfriends Records

Official Press Release: 
Superfriends is the new label from Andhim; a label that captures the pair’s charm and ebullience, not only from their past releases but also serves as a stylistic trajectory to date; one that has moved from gentle eclecticism through infinite fun into a refined and contagiously unique electronic sound.

Andhim have over the last decade cultivated an exceptionally loyal fan base of musical lovers and peers alike; that continue to crave the German pairs musical agility and action packed forays.

Superfriends is far from a obvious tick in andhim’s career “to do list” but a strong clue that they are capably poised to continue their anti-intellectualism approach to everything they do.

The international colours of andhim continue to reach all corners of the dance floor focusing less on the narrative and more on the big and fun– Superfriends is set to be an outlet for the production/DJ duo’s most ambitious ideas. An independent exercise in only the finest studio output from themselves but those that inspire, influence and impress.

The first release “Tosch EP” is pristine in production and devoid of existing label noise, where powerfully subtle melodies can sit side by side with immersive dance floor heavy electronic music.

“Tosch EP” signals the pairs desire to remain multifaceted in approach and DIY in execution while also slowly revealing the imagination behind it. The culmination of an intensely creative career to date; andhim brandish a variety tonal ideas that include spacious, diversified and unforced melodies that capture the emotion displayed in the DJ booth.

Remains (Chet Faker Vocal Dub)

shlohmo

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