Daily Drops

Z-Interstellar Heartbreak

Song from the rock opera Five Thousand Sasquatch

Jewelry Box With A Rock

Space Gate

Sea of contemplation By Zitou Itou & Wonie Z.

Friends

I'll be your friend
Good friend of ear
This music sends pure bond of clear
We have woven sound between our brains
Now look we're friends without even names

Fine frequency found neurons of tone
Great honest pounds on divisive lone
We're never alone if we don't pretend
If we feel real
Always real our friend

Friendship
Flush our fake divides
Tend to us by tone
No cruel confides
The real of real
Brave love we steal
Friends are friends
Give heart a meal

Sometimes years they pass us by
Life mutes full presence and eye to eye
Yet still that bond stays true to moments
Befriending unconditional showed us

We may feel dark and down and dull
Some may fly off in new missioned mull
Yet time and life always reminds
True friends transcend any test of time

Friendship
Flush our fake divides
Tend to us by tone
No cruel confides
The real of real
Brave love we steal
Friends are friends
Give heart a meal

Friendship
Flush our fake divides
Tend to us by tone
No cruel confides
The real of real
Brave love we steal
Friends are friends
Give heart a meal

Friends

Track 5 from Wigmore Allen Gibbons 2025 release called FRINGE - available at www.terrywigmore.com/wigmore-allen-gibbons

*Keith makes observations everywhere he goes, and in this instance, his tours of local castles led to this idea - those great, huge, thickly-hewn doors are actually hung on very small hinges. Of course, Terry sees the image as a metaphor -great change often begins with small starts. Literal or metaphorical? We 'll leave that up to the listener.

Great Doors Open

    I walked along a beach…soft sand at my feet
    I travelled past a man…his chin down on his chest
    This man is not asleep…He’s too long past all that I guess
    It may sound pretty stupid, yet…there it is
    Great doors open on small hinges
    I don’t care no more…I don’t care
    I don’t care no more…I don’t care… 
    Great doors open on small hinges
    On this unmitigated nightmare
    No one walks the lonely path I trod
    More disasters left by the wayside
    At the time, didn’t look so bad

    1.47 (Instrumental Break)
    
    He joined in halfway through the movie
    He ain’t gunna chew this cabbage twice
    That dozy man out on the causeway
    Awoke upon his own advice
    Great doors open on small hinges 
    He don’t care no more…he just don’t care
    He don’t care no more…he just don’t care
    Great doors open on small hinges

Wigmore: Music, Production
Allen: Vocals, Lyrics, Guitars, Bass

Great Doors

the final track from the album:  CWSM - Country Western Space Music
https://sparkybonehead.bandcamp.com/album/cwsm

12. Beyond the Last Round-Up (from CWSM)

Hey girls, ever had a crush in the gym locker room ?
Lyrics:
The gym lights hum low as she steps close,  
her sun-tanned skin glistens of recent sweat.  
I breathe her in, deeply like a tropical rose 
Her curly hair cascades, dark and wet.

Her white tank top clings, like a second skin,  
outlining the mounts and valleys of her six pack.  
Burning of desire, my fingers itch to begin,  
A sweet and sexy game with no turning back.  

(Chorus):
I’d like to lick your body.
I’d like to sink in your sweat. 
Let me worship your beauty.
I’d like to be your pet !

Her breath still ragged, her chest still rising,  
I watch the drops slide down her breast.  
I’d like to catch them, taste their salty tracing. 
Would I shiver when she’ll be undressed ?

She peels off her socks, smiling at my gaze,  
Sore muscles flexing beneath the sheen.  
The white room hums with her sexy blaze,  
Like a furnace of desire I’d gladly burn in.  

(Chorus):
I’d like to lick your body.
I’d like to sink in your sweat. 
Let me worship your beauty.
I’d like to be your pet !


(Bridge)
The locker room is quiet, waiting,  
steam curls around her like a veil.  
I ache to be the towel embracing,  
to worship where the heat is frail.  

She turns, naked, her eyes a slow ignition.  
She smirks at the way I stare too long.  
No words—just sweat and my submission,  
Her muscular body, the place I belong.

Sweat and Desires

Bob Dylan's "Roll On John" is an elegy to John Lennon, inspired by a public minibus tour Dylan took of Lennon's childhood home in Liverpool in 2009. The song explores themes of fame, aging, and mortality, contrasting Lennon's tragic death with the enduring legacy of St. John the Apostle, another "John" who suffered but whose "light" shines on. 
The Stanleys come from Liverpool and initialy made this cover  from a jam session as John Lennon has always been a big influence. 
The Beatles tour starts at a near by place called The Picton Clock and Dylan’s visit is well known here in Wavertree Liverpool. Our take on this song which is over 5 minutes may have a difficult time getting heard for obvious reasons. Recently it was pointed out that all the songs on Rubber Soul are around 2 minutes long. To get the full experience of this production it’s important to listen to the end. We hope you do that and enjoy the version. Kind regards The Stanleys : Ged, Ste and Tom. Peace…make music not war!


Roll On John 1 (Cover by Ged Smith ,Ste Power and Tom Mcguinness .. The Stanleys)

'notimistic dopplegangbang' with Harmful if Followed
https://www.instagram.com/reel/DPAdEmJjP1b/?igsh=MWJvcWJsMW44YTI2OA==
Note: a live porch jam with overdubbed vocals from the UK
Shane: lyrics, vocals
Scotty: guitar, lyrics, vocals, photo 

Babe, fuck a fast car, we ain't goin' nowhere.
The end of us ain't far, and I refuse to care.
We pretend we're par, lost within the glare
of what we feel while high, as if nothing else compares to you. 

Mate it’s great you stay in touch 
Cos just like me I think you smoke a little bit too much
And it’s lovely to believe, there’s another one of me
Living over there but that one’s got more hair

notimistic dopplegangbang (with Harmful if Followed)

Hello thank you again for visiting my soundcloud page. I am pretty sure I posted this track some time in the past so please forgive me if you've heard it already. Hopefully you liked it and are happy to hear it again. This is track 01 from my upcoming album. I usually start a song on the piano but this one started with the lyrics, which I wrote with a pencil and paper in the car while driving...I don't recommend anyone doing that as I almost got into a wreck, which is the ONLY reason I remember this story. Luckily I made it home to put music to it. When Dave came over and heard it, he immediately came up with a bridge,  which I loved and kept!!!!

The players on this track are Dave Zeiher and Dan Zimmerman on guitars, Larry Antonino/Dave Barber on Bass, Matt Laug on drums, Lorenzo Martinez on Percussion, Brian Mann on Accordion, and Angus Cooke on Cello. I credit Dave Zieher for his cool ideas on the rhythm track arrangement. The song seemed to scream for a Beatle's vibe when I first wrote it and  Dave Zeiher really made  that happen. The late Robinson Eikenberry was the recording engineer for most of the rhythm tracks and we did the basic rhythm tracks (bass,drums,gtr,scrtch vox) in a basement studio in Santa Barbara.

I hope it sounds good to you and that you enjoy it.

Produced By Brenda Doss
Mixed By John Fields
Mastered By Rareform Mastering
Lyrics and and Music By Brenda Doss and Dave Zeiher
©2024 By Brenda Doss (BMI)

Lyrics:

You’ve got that new car smell
I like the way you look
So why should I care
If I’m your driver of the month
So let’s get down to business baby
Something new will gratify us
Satisfaction guaranteed with

More and more...

I live a toilet paper world
Of paper cups and plastic forks
I can’t recall what I did yesterday
I like a change I like it fast 
Addicted to nothing that lasts and 
God, I love this new car that has

More and more...


Everything disposable 
What of the future
Use it up and throw it all away
Getting tired of living 
In a toilet paper world
In a toilet paper world

More and more...

I want it all I want it now
Have my cake and eat it all somehow
Can’t wait to take this baby for a spin
But sooner or later 
My new car will start failing
And then he will require

More and more...

Give me more 
I want more 
Give me more 
I want more

Brenda Doss

Toilet Paper World

Thunder

Auteur : Claude Moine \ Compositeur : Pierre Papadiamandis
ISWC : T-003.027.119-2
Editeur : EM Production
Sortie : Octobre 1977

**********************************************************************
English translation below the French
Lyrics link : https://www.google.com/search?sca_esv=637c0e90f834ed3d&q=paroles+de+eddy+mitchell+la+derni%C3%A8re+s%C3%A9ance&si=AMgyJEv17PWw0XQW3IlwXAKl7dSlPQF61q4qYdeyP6OamT3IFLvfsHCnTLI6T2AU5LF_XJ4OKyr6tEmG0ZJsdUWQElQ8NnRIp-z2Hek1emPY8Pj1C2qrK7U93ENbHWPLErKRx-DCe27eXLWdj15N3v-U80CJ6cJ1IflPjmzacLsAwgSPShJgsUp8ONjbP55km6uSH10vz30m&sa=X&ved=2ahUKEwi4it-1wu6PAxWQfaQEHXChD_MQv_UKegQIDBAD&biw=1406&bih=685&dpr=1.25

**********************************************************************
Encore une fois, je fais honneur à la chanson Française.
_________________________________________________

J'aime bien ce morceau et cet artiste qui est très connu,
mais on n'entend pas beaucoup parler de lui...
Ce morceau est un extrait de l'album
"La Dernière Séance" enregistré à Nashville (Tennessee)

Cette chanson figurait dans le générique et
donnait son nom à une émission de télévision
animée par Eddy Mitchell lui même, de 1982 à 1998
qui était consacrée aux classiques du cinéma américain.
(dont je raffole)

J'adore aller au cinéma et toujours à la "dernière séance"...

**********************************************************************
Once again, I honor French songs.
_________________________________________________

I like this track and this artist, who is very well-known (in France),
but we don't hear much about him...
This track is taken from the album
"La Dernière Séance" recorded in Nashville, Tennessee.

This song was featured in the credits and
leaved its name to a television show
hosted by Eddy Mitchell himself, from 1982 to 1998
dedicated to American cinema classics.
(which I love)

I love going to the movies, and always to the "last screening"...

------------------------------------------------------------------------------------

Vocal : Anh
Arrangement (Yamaha PSR-SX900) : Phong
Recorded : August 26, 2025

__________________________________________________

La Dernière Séance - Cover (Eddy Mitchell)

Pulsonix (2025)

Made in September 2025

Video; https://youtu.be/ivcrl-XFfyQ

To Hide

Between the Worlds

In the Balance

So Many Years (Remix)

OK, since you guys are enjoying the guitar (or rather, the guitars) in "Do What You Like" 🎸(https://soundcloud.com/beatingedge/do-what-you-like) so much, and since you were also curious to actually see the mess that created this sound, here you go! This is basically the “making of” the song, mainly based on a part that was later discarded, complete with a rather comical little sketch and Mary at some point asking Tom to switch to another effects chain (switch, switch! Well, that’s how she puts it!), plus a bunch of other nonsense we’re deeply ashamed of and really shouldn’t be releasing to the whole world ! Oh well… goodbye decency, and goodbye ears for you all (it’s all in English and the laughs are interplanetary… the only word in Italian is Tom’s “basta!” at the end, which means “enough!”)!😂
Oh, by the way, some of you asked about the effects chain we used. Well, maybe we’ll update this description later (time permitting, with our day jobs and three other songs in the making!), and reveal a bit more! Cheers!🫶

At the moment, this track is exclusively available on SoundCloud.
Released on September 24, 2025.
©2025 Beating Edge

🔊Edit
Here's the mess behind the magic🙋🏻‍♀️ (ah… by the way, most of the gear listed here was borrowed/rented… we’re not billionaires! 😝): 

*Central Track (panned 0/±63):
🎸 Jackson Soloist (bridge pickup)
🔧 Dynamics / EQ: Intersound IVP Preamp pedal, API 550A EQ
🎚️ Amp / Cabinet / Modulation: Vox AC15 tube combo, Vox 2x12 Celestion Alnico Blue, Electro-Harmonix Electric Mistress Flanger
📡 Reverb: FabFilter Pro-R2 preset “Bright Falls” – bright, spacious
*Left Channel (panned -48/±63)
🎸 Jackson Soloist (neck pickup)
🔧 Dynamics / EQ: Universal Audio 1176LN – fast attack compression
🎚️ Effects / Modulation: Boss TR-2 Tremolo, Strymon BigSky modulated grain delay
📡 Reverb: FabFilter Pro-R2 preset “Beautiful Plate” – airy, shimmering
*Right Channel (panned +48/±63)
🎸 Gibson Les Paul Standard (bridge pickup)
🔧 Dynamics / EQ: Klon Centaur overdrive/boost, MXR 10-Band EQ
🎚️ Cabinet / Delay: Marshall 1960 4x12, Strymon Timeline, Eventide H9 modulated delay
📡 Reverb: FabFilter Pro-R2 preset “Darkest Hour” – dark, spacious
*Center-Left Channel (panned -32/±63)
🎸 Jackson Soloist (bridge pickup)
🔧 Dynamics / EQ: Boss NS-2 Noise Gate, Ibanez TS9 Tube Screamer, Marshall JCM800 2203 Head, Boss GE-7 EQ
🎚️ Cabinet: Marshall 1960 4x12
📡 Reverb: FabFilter Pro-R2 preset “Lively Medium Room” – bright, lively
*Center-Right Channel (panned +32/±63)
🎸 Gibson Les Paul Standard (bridge pickup)
🔧 Dynamics / EQ: Ibanez TS9 Tube Screamer, Klon Centaur, MXR 10-Band EQ
🎚️ Cabinet / Delay: Marshall 1960 4x12, Strymon Timeline + Eventide H9
📡 Reverb: FabFilter Pro-R2 preset “Late Tail” – spacious, lingering

Do What a Mess You Like (Instrumental)

Time Turns Back / Paploviante Open Collaboration Offer :
Paul's track: https://soundcloud.com/paploviante-and-friends/time-turns-back-paploviante
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering
... I just added tenor saxophone .......

Time Turns Back / by Paploviante / joerxworx sax remix

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

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