Magi©ian™ (Making music make a difference)

THE HOUR OF SHADOWS

sonic and rhythmic exploration of my noisy electric guitar solo.
visual: extract of one of my recent abstract painting in colors.

DANS L'OMBRE DE MA GUITARE  PATRICK PICAULT

This track is dedicated to my amazing friend Keeana Kee https://soundcloud.com/keeanakee  😍😘🥰 a wonderful woman with a charming personality and fabulous beauty. 

Photo from Keeana's Instagram 
Music by ɅƉﺍꝚﺍɅNƠ

This track is downloadable

A FIERY LOVER (mastered)

A FIERY LOVER

Because the old world is really going insane, we need a new one!
Voices were recorded in hostels in South Korea (Seoul and Gyeongju) with companions from Korea, Taiwan, Belgium, Germany, England... Thank you all!
This track is an extract from our upcoming EP: Time Zones, to be released in January 2024! 
Painting by Malka (detail).
Free Palestine!

Time Zones

A New World

Surfers like us - Guitar https://soundcloud.com/user-411502040/tracks
Well - synths
This piece is the final result of our latest collaboration. This time we have the pleasure of inviting you to travel through time and space, and perhaps we can cross that boundary together.
   The end of the year is a time to visit each other and travel. So this will be a winter journey, in snow and blizzard. Perhaps during sunset or even at night... Either way, the doors of imagination have been opened!
    We hope to drift together in melancholy reverie towards the new year. Thank you for your time, attention and your ongoing support. Happy New Year!!!

Release date 28/12 2023

WINTER TRIP - w/Surfers Like Us

Thank You very much for 1300 plays! ❤️

This is little experiment for me - a revamp of an other persons track.
About 4 months ago I came across a song by Donak RV "Duo Melodica" https://soundcloud.com/donakrv/duo-melodica. I really liked it, and since I was working on the song "You Can Count on Us", I had a free nylon guitar from @heavyocitymedia Foundations on hand. I started improvising to it... and this remix/revamp was born ;) I sent Donak RV a sample and he agreed to let me perform this "devastation" of his track ;) This version is made on the basis of an MP3 file downloaded from the author's profile. A stem version is still in development.

I hope You'll like it at least a bit :)

Duo Melodica (R.U.R.'s Nylon Guitar MP3 Revamp)

Donak RV - Duo Melodica (R.U.R.'s Nylon Guitar MP3 Revamp)

Now Christmas time is now passing and we are heading into a new year I would like to thank all of you who have taken your precious time to listen and support my music over the past year. I appreciate you all.

Music,arrangment,orchestration,mix and production :- Pablo

Christmas Passing

Live Reflexion#008

Music by Kontra Sz & Val Akey.
- Kontra Sz: plays rythm guitars, lead guitars;
- Val Akey: drums-, bass- and keys programming (mixing and mastering) + cover art.
Many thanks Kontra Sz for the fantastic guitar play! https://soundcloud.com/kontra-sz

Release date:
12 January 2024

Captive Of Time (collab)

FULL VIDEO ON YOUTUBE: https://www.youtube.com/watch?v=NOOV9t_3sEo
“NOTHING TO LOSE is the 3rd song with the saxophone support of soulful, wonderfully gifted saxophone player Joko Magic (Hanna M.). We have the other two songs "Traffic" and "A Love Revival" in the style of smooth jazz, funk soul and retro RnB - and now we are releasing song number three in this style! 
NOTHING TO LOSE has been the mantra for our Moon and Aries musical journey from day one. To take risks and to go all in. Because there is much more meaning and good stuff when you do so. You win no matter what, when you honor your deepest passion and embrace a huge reason why your eyes open every morning.”

PS: With another visual artistic collaboration with the amazing "carainaae" back with her brilliant pen work for this cover art!

Resolutions & Revolutions

Nothing to Lose

NOTHING TO LOSE

the captain, mad captain
he told the men his plans
and then they went out stealing things
so they could rule these lands

they stole four antique cannons from the castle
hijacked a truckload of metal from the factory
they stole a jet engine from the old air force base
the mad captain nodded satisfactorily

they welded the metal into a battering ram
and the big jet engine was for extra speed
cannons armed in every direction
the mad captain had returned to the sea (x2)

they were a terror in the open waters
they’d sink any ship that they saw
and with their jet engine, they were able to avoid apprehension
and stay a step ahead of the law

vengeance in the form of a storm
came rolling across the sea
the mad captain pulled his eyes from the sky
he’d seen more than he wanted to see
"all hands below deck", the captain roared
"tie yourself down so you don’t go overboard"
------
bass, piano, beatbox, guitar and vocals by andrew salvner (aka lil' spaceman, pretzels malone)
drums from my cheap old digitech bp90 bass pedal
thunderstorm field recording by Arnaud Coutancier www.freesound.org/people/arnaud%20coutancier/
additional sound effects supplied by @pliable-tones
drums/bass/bass/piano recorded on 4-track cassette / vocals and beatbox added using Audacity.

the mad captain (on speed)

Magic Box

Jellyfish Palace

Portal To Another World

A sentimental country-ish ballad with a big sad finish.
Dedicated to anyone suffering from memory loss. Thanks for listening.
Lyrics:
I can still remember
Felicia in December
Outside in the cold
Smoking Swisher Sweet Cigarettes
But she would always forget
If you're gonna inhale that shit
You know she always got sick
She'd chewed down the tip

It's like I told you on the phone
My mind is not all my own
All my memories are dissolving
Our nights in Arroyo Park
Out feeling that spark
That Datsun that would never start
My bad Cure haircut (disaster!)
My heart was beating faster
A sketch of a love scene
Painted behind
A gothic old master

I was selfish with my time
And now I seem to lead my life
Conducting orchestras in my mind
Oh, I don't know how this sounds
But sometimes I listen to the ground
To hear and feel the rumblings
I feel that you're coming around

All my memories are dissolving
Soon, I'll have no memories of this world
I'll have no memories of this world
So let's go out tonight
And shoot out the lights!
Let's break our hearts tonight
I'll have no memories of this world

I wanted to drop you this line
To thank you for the time
And thank you for being in my life
Thank you for being my life

Let's Break Our Hearts Tonight

My words are always wrong
I don’t know what to say to you
i’ve tried to put them in a song
i hope that it's a way to break through

I think we’re stronger than you know
More than you give it credit for
yeah,there’s a long long way to go
But first we have to open up the door

So we’ve had our share of tears
You think the dream has gone
We are fumbling through the years
We can find a way to carry on

How can you say that i’m not here
I’ve been right here all along
How can you say that i don’t care
When everything i do is for you, right or wrong

Look straight ahead, don't look back
We both know what we’ve been through
Please don’t mind those hard times
Because they led me here to you

I’ll hold on
And you’ll stay strong

Now it’s good to see you smile 
you haven’t felt like smiling for a while
And the feel of your hand in my hand
It makes everything worthwhile

we’ve had our own share of the dark 
But all of those hard times are gone
And the road ahead is long
But we don’t have to walk alone

Look straight ahead, don't look back
We both know what we’ve been through
Now i don’t mind those hard times
Because they led me here to you

I’ll hold on
And You stay strong

Looking Ahead

Cast of Characters:

~Mark F-- @mark_fosella -- bass guitar, composition
Llanpsych -- @llanpsych -- Tez – first screaming electric guitar
TexMex Shaman–@texmex-shaman –Stephen– second psychedelic electric guitar, production, and mix
J.J. Terrell–@j-j-terrell –electric piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-organ
This song is the first The Eclectic Collective has done with Mark, and we all had a great time making it with him. This song started with Mark, who is a bass player's bass player, giving his raw bass track to Ken, who brought it to the group. Ken laid down his exciting drums to match Mark's bass line before anything else happened, though. Once we had a rhythm section, JJ laid down his dancing electric piano. Once that was in place, Josh laid down the organ. Then it was time for the guitars, played electrifyingly by both Tez and Stephen. Tez plays throughout most of the song, and Stephen added his part towards the end. Stephen also mixed this for us expertly, as always. If you have a beverage in your hands, you might want to set it down. We hope you enjoy listening to this as much as we enjoyed making it.

Esophagus Metamorphosis- - The Eclectic Collective

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Well this is another with Greg Willis from Wales on Sax , it's got a Northern Soul sort of sound , hope you like it ! On a similar theme , on the 5th of March me and Charlotte ( Charlie and the Fox ) have a 60s Wall of Sound song out , I tried to get the Spector sound , we'll see whether I succeeded or not ! Greg is on this one too , I can't seem to leave him alone Ha ! Renowned Lyricist Tony Harris ( from Alabama ) and I got together for a lovely song which is out on the 15th of March . After that a new one from me and Gaz Brownie . Thank you so much for giving us your time !

No Album

Different Melody ( feat. Greg Willis )

Different Melody ( Fox and Willis )

2024/2/26

Website

暦 (koyomi)

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌