Murasakino-me

Contrary to my Belief / feat. Shamoozey
Shamoozey Vocals and Lyrics:
https://www.looperman.com/acapellas/detail/7243/contrary-to-my-belief-by-shamoozey-120bpm-country-acapella
@shamis-1
Paploviante: Bass, Composing, Arrangement, Mix, Picture and Mastering

Contrary To My Belief - feat Shamoozey

"I am Rich (I am Belizean)" is a collaboration between David and Dr. Ludwig Palacio. "I am Rich" is a poem written by Dr. Palacio.  David added a verse, chorus and wrote the music.  Dr. Palacio is a Garifuna artist, author, and veterinarian he met in Belize.
Dr. Jeffrey Seymour is on bass and plays with David in Tampa Bay rock band, "Smokin' Havanas".  The band is releasing their first single "Credit Card Sunday" on January 12, 2024 with Jackson King on vocals and Chuck Roehm on drums. All tracks recorded @cleartrackstudios Clearwater, Florida.

I Am Rich

Flight Path

These Days

A song about willing to find a new place to live. It's not about the city, it's about the state of mind. And I see this track as a soundtrack.

The City [DEMO]

A song about an importance of choice. I see this track as a soundtrack for some film.

Glasgow [DEMO]

Write You A Letter

Uncertain Confusion [DEMO]

Little Flower

The Ones That Burn

Curiosity Killed the Shame

Verse 1:

Princess Murasaki, she prayed for a special gift,
Devotion has its limits, now prepare for a seismic shift.

Chorus 1:

Hase-hime, a gift so true, but she don't know how to look at you,
She's on her own, the men move in, the cheats' and the liars' every sin.

Verse 2:

Jealousy's a mistress, she takes you to a darkened place,
Hatred leads to obsession, obsession steals your grace.

Chorus 2:

Hase-hime, a girl so true, angelic koto just for the few,
Danger surrounds, it's hard to tell, the House of Hase so easy to fell.

Verse 3:

Banished from her Kingdom, threatened, hurt and far away,
No one comes to see her, until that fateful day.

Chorus 3:

Hase-hime, the years have been kind, your beauty shows that good is defined,
Knock on the door, don't open wide, it's your past that's coming cos hope has died.

Middle 8:

Instrumental.

Coda:

Hase-hime, the beautiful orphan,
Hase-hime, goodness kills evil,
Hase-hime, where's the happy ending?
Hase-hime, a gift so very true.

Hase-hime (Princess Hase)

juste un tour

Comme vous

Comme Vous  - STYC x MAZ

Lyrics and music: Michele Ansani (1998).
Inspired by a Robert Musil's short story ("The Perfecting of a Love", 1911).
Cover photo is from Pietro Corrao.

Like some others I have already posted, this is a song from the late 1990s, recorded then with a Korg D8. I remixed the surviving file, working on volume and equalisation after separating the tracks, and adding some stuff. 

LYRICS (ENG / ITA)

nervously looked at the stranger
at that moment his beard lit up for a moment
she guessed there solidity, naturalness
and everything reconnected, she was there...

It flashed in her mind that already other times
The thing had begun in the same way, it was so...
And at the thought for an instant a voluptuous horror touched her
A voluptuous abulic horror
as before a sin yet unnamed

she wondered if he could have noticed
that she was looking at him
and her body filled with a slight sensuality
she seemed to be swimming in darkness before him
dissolved and impalpable like pale foam

so they travelled close
and little by little crept back into her thoughts
that restlessness
she tried to tell herself
that it was only the disturbance
of that sudden solitary journey
among strangers
soon afterwards instead she believed
that it was the wind that enveloped her
in a rigid frost

there was suddenly
a light high and clear on her past
as on an indescribable landscape of mysterious order
was a strange sense of the future
as if everything
that seemed long past
still lived on

furtively she sought the stranger
at that moment his hand for a moment
caressed her
she sensed in it a natural solidity
and everything reconnected
they were there ...

and thought of days
strangely distinct
from all the others
open before them
like a fugue of remote rooms
and joined with a hasty laugh
to the conversation

----

nervosamente guardò lo sconosciuto
in quel momento la sua barba per un attimo s’illuminò
v’indovinò solidità naturalezza
ed ogni cosa si ricollegò, lei era lì…

le balenò in mente che già altre volte
la cosa nello stesso modo incominciò, era così...
ed al pensiero per un istante la sfiorò
un orrore voluttuoso abulico
come davanti a un peccato ancora senza nome

si chiese se potesse essersi accorto
che lei lo guardava
e il suo corpo si colmò di una leggera sensualità
le sembrava di nuotare nelle tenebre davanti a lui
dissolta e impalpabile come pallida schiuma

così viaggiarono vicini
e poco a poco ritornò ad insinuarsi nei suoi pensieri
quell’inquietudine
cercò di dirsi
che era solo il turbamento
di quell'improvviso viaggio solitario
fra gente estranea
subito dopo invece poi credeva
che fosse il vento che l’avvolgeva
in un gelo rigido

vi fu improvvisamente
una luce alta e chiara sul suo passato
come su un paesaggio indescrivibile dall’ordine misterioso
era uno strano senso di futuro
come se tutto ciò
che pareva da lungo tempo passato
vivesse ancora

furtivamente cercò lo sconosciuto
in quel momento la sua mano per un attimo
l’accarezzò
v’indovinò solidità naturalezza
ed ogni cosa si ricollegò
erano lì ...

e pensavano a giorni
stranamente distinti
da tutti gli altri
aperti davanti a loro
come una fuga di stanze remote
e si unirono con un riso precipitoso
alla conversazione

La Conversazione *

Verse 1:

I know that the mirror will make you shine,
Looking back to a happier time.
Matsuyama gave us the greatest gift,
But my crushing depression ain't gonna shift.

Chorus 1:

Instrumental

Verse 2:

Reflected stranger looking back at me,
I know I should love her but I cannot see.
Stashed away, put it out of sight right now,
Never gonna look cos I don't know how.

Chorus 2:

Instrumental

Middle 16:

Instrumental

Coda:

Tokyo, a mythical place,
A City of the Free, the Feast of the Dead.

The Mirror of Matsuyama

Illusion machine. (Winkandwoo & Midisound)
=======================


Music created in July 2024
Editing, lyrics, vocals and covert art by Winkandwoo.

The original idea came from the chorus of the music. I thought of an accordion to create it, but unfortunately I couldn't find a good sound for the iPad for this instrument, so I scrapped the idea and replaced it with a soft synthesizer with some depth.

My partner in adventures, on this occasion, did the rest with an impeccable job full of creativity and elegance.

Thanks Clive, again, for this gift.

Listen to more from Winkandwoo here.

https://soundcloud.com/winkandwoo

Lyrics.

What are they feeding your mind
How are they seeding your kind

Illusion machine
It's bigger than you and me
Illusion machine
The demon's behind your screen

Why do they need you so much
When do they get in touch

Illusion machine
It's bigger than you and me
Illusion machine
The demon's behind your screen


8 tracks of native MS2 instruments and Xewton forum.
1 Track Sunrizer synth.
1 track Arturia iMini
2 Tracks Flowtones
2 Tracks Korg Im.

Mix…….. yes……. My car 🚘
Hardware iPad
DAW Music Studio 2

Thank you.

Paco.

ILLUSION MACHINE (Winkandwoo & Midisound)

Go-Go Yubari:

The young girl in the schoolgirl uniform is O-Ren's personal bodyguard seventeen year old Go-Go Yubari.  Go-Go maybe young but what she lacks in age, she makes up for in madness.

Dialogue:

The Bride: Go-Go, I know you feel you must protect your mistress, but I beg you, walk away.

Go-Go: Sore o monogoi to iu nodesu ka? Sore yori mo jōzu ni monogoi o suru koto ga dekimasu.

Verse 1:

Yubari, just seventeen, looking for a place to stay,
She's killing time as madness descends, O-Ren Ishii and a guarded display.

Chorus 1:

Shy-girl, you ain't seen nothing yet,
Dead eyes, killing with no regret,
Sad face, looks so innocent,
Yubari by name, from the darkness she's sent.

Middle 16:

Verse 2:

Arrival, the House of Blue Leaves, O-Ren she senses but evil deceives,
Yubari she searches but nothing's found, stay on alert for the triggers of sound.

Chorus 2:

Shy-girl tenses, knows it ain't right,
Dead eyes fixing, intellect bright,
Sad face set, gonna end it all,
Yubari she's ready, and Ishii won't fall.

Verse 3:

A final stand, a nemesis, two girls face each other,
One's a killer, the second a thief, fight to the death cos there ain't no relief.

Chorus 3:

Shy-girl stance, invite her on,
Dead eyes focus, fear is gone,
Sad face shines, life slips away,
Go-Go Yubari, yeah this is your day.

Go-Go Yubari

Behind the Shadow

Psych rock song with distorted trippy guitars and crazy synths

Silvery Lake

I am a frozen statue, watching seasons come and go, feeling changes, doing nothing, forever...
Last movement of the rock symphony, where I pay tribute to, and play, my mom's spanish guitar.
Main theme (bass E1-A1...E1-A1-E2...), appears all along the album, and also main themes of other 3 movements sound here as refrains (Vienen y van / Hora tras hora) which are thus sung over 4 different musics ;) E-Ruizzo project is finished, what's to come?... below translated lyrics.

SE NOTA (PRIMAVERA EN EL POLO)  /  ONE CAN FEEL IT (SPRING AT THE POLE)

Se nota… después de seis meses  /  One can feel it… after six months
el sol amanece y se nota…  /  the sun dawns and one can feel it …

En el despertar del zorro ártico,  /  In the awakening of the arctic fox,
en el fluir de los glaciares se nota.  /  in the flow of the glaciers one can feel it.
En el nacimiento de icebergs,  /  At the birth of icebergs,
en los acantilados poblados de aves.  /  on the cliffs populated by birds.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy sitio de paso.  /  I’m a transit point.
Hora tras hora, los meses pasan,  /  Hour after hour, months pass through,
un sitio de paso soy.  /  I’m a transit point.

Se nota… como cada mañana,  /  One can feel it… as every morning,
que la primavera ha llegado al Polo.  /  that spring has come to the Pole.

Se nota…  /  One can feel it…

En la migración del narval,  /  In the migration of narwhal,
en el aliento del viento,  /  in the breath of the wind,
en las nubes que huyen de él, se nota.  /  in the clouds that run away from it, one can feel it.

En el canto de las sirenas,  /  In the singing of mermaids,
en las inflorescencias de hielo,  /  in the inflorescences of ice,
en el paso del noroeste se nota.  /  in the Northwest Passage one can feel it.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy para todos un sitio de paso,  /  I am a transit point for all of them,
(soy) una estatua de hielo (soy),  /  (I am) an ice statue (I am),
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Vienen y van…  /  They come and go…

¡¡¡ La frecuencia diaria del proceso estacional  /  The daily frequency of the seasonal process
me permite hacer estudios estadísticos !!!  /  allows me to do statistical studies !!!
Ja ja ja ja ja ja jaaaa !!!  /  Ha ha ha ha ha ha haaaa !!!

Vienen y van…  /  They come and go…

Hora tras hora, los meses pasan,  /  Hour after hour, months pass through, 
nuevos migrantes, nunca se cansan,  /  new migrants, they never get tired,
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Hora tras hora…  /  Hour after hour…

Se nota…  /  One can feel it…

ER37 PA04 RUIZZO ©1996 ®2020

Now all 44 songs I wrote with mom's guitar in my university years have been arranged and posted, 
after 8 years of E-Ruizzo project, which I'm about to finish. I plan to stay here, commenting as 
usual, and post future and still not scheduled songs from another profile. That's all, no alarm!

Maybe you played this version before? https://soundcloud.com/esemanolain-ruizzo/se-nota-piano-version

Se nota (Primavera en el Polo)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Murasakino-me

Shock the Algorithm