Related tracks: Avec eddy

To blossom or to be a blossom, whether verb or noun, involves timing. Here's to wishing that your time is now. So sit back and let yourself enfold.

Synths, synth guitar, piano, cello, bass, and keyboard set to gentle beats of shaker, conga, bongo, djembe, and tambourine with the occasioinal hi-hat and kick at a very chill 60 bpm.

COVER: AI-generated image by the DaVinci app and altered in Photoshop.
.........

.

Blossom

https://bentenlaughing.blogspot.com/2024/04/danse-breakdown-arterial-flow-in.html

https://davidkaspencer.bandcamp.com/track/danse-breakdown-vocals-vocalatti-co-writers-kadish-lucas-scott-slater

Northern soul, Latin, Funk. Psychedelia. 
Danse Breakdown'. Vocals. Vocalatti. Music. David. k. A. Spencer
New music, composition, encompassing , the vocals of 'the original song, Danse Danse': Kadish, Lucas, Scott, Slater (Apra/Amcos 2022)

David Lucas and his late father, Bill Lucas, an acclaimed Sydney architect attended my voice workshops held by the "Once Extra Dance Company" back in the "80's". Adventurous , creative souls with no holds barred on what was the beginnings of Danse Danse. It was then called "Dance Out Of Beat" and was a commentary on the club scene that I'd very much been a part of in the "60's" In recent times I invited Annette Scott on board who has brought it brilliantly to fruition along with my longtime collaborator, Jazz pianist/composer, Kirk Kadish. Now we have a new take on the current dance scene with a touch of empowerment as to who has the final moves.  

Janice Slater

Please go over and listen to more wonderful music @arterial-flow

Danse Breakdown. (Vocals) Vocalatti

original track of music with vox and poetry by @ladyofire
https://soundcloud.com/ladyofire/she-comes
backup lyrix/vox and photo cover design: Mariam Zohra D : Myrh
Photo by Ti

She Comes In Waves By Lady Of Fire Poetry - Addional Vox by Myrh

Calmed by the ocean storm 
Cool breeze when I get warm
That covers me and takes my sorrow away

Healed by the night time sky
Love seems to pass me by
Every time I look into your eyes

Take my Love and go - Take my love, take my love and go

Lost in the desert dust
My love is only lust
I never learned what love was really about
Learned to put myself first
No water only thirst and love is just another mirage in the sand.

Take My Love and Go

Antonella Eye Porcelluzzi: lyrics and voice
progettosonoro: music

Un discorso vecchio
Un discorso vecchio
Un discorso vecchio
E perché vecchio buono
Una nuova prospettiva
Questo vecchio è moderno

Ho cercato il progresso
Ho cercato il progresso
Questo vecchio è buono
Questo vecchio è moderno
Questo vecchio è attuale 
E’ difficile andare più avanti
Fermiamoci per il momento al vecchio
Prima di sapere dove avanzare

Sono su un cammino difficile
Sono su una strada minata 
È per questo che è buona
Mi faccio strada
Fra le nuvole
Infiltrandomi tra l’una e l’altra
Facendomi spazio con le mani

Nei giardini pubblici 
C’è solo gente vecchia
Eppure è il più bel posto della città
Sono andata a sedermi
Tra I canarini
Che sopra gli alberi 
Urlano volano predicono il futuro
Al cantautore muto 
Seduto sulla panchina con la guitar
Urlano 
E si sono fatti una città di canarini
Come fanno un po’ dappertutto nel mondo 
Si riproducono e restano li
Verdi e gialli

I giardini pubblici
Mentre andavo via 
Un uomo dal viso orientale
Ha cantato forte una preghiera
Come fosse stata per me
« Ah ecco, guarda, - diceva al suo amico- 
sta passando il Cristo ! »

Ok, magari vado a bere una birra
O a farmi un sonnellino
Beato sacro giardino
Pietre
E andrò’ sempre più indietro 
Verso la
Culla del Mondo

Culla del Mondo

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

The original version of "Atlas" always gave me a slight pain in my neck when I listened to it. I was never quite lucky with the generated drums, and the song also had a somewhat slushy note.
So I asked K2 and the Three (https://soundcloud.com/k2andthe3) if he would like to play drums and refurbish the song. Luckily he did and how... and now I feel very released about this rerelease... :) 
A Big Thank You for that... :)

The picture shows a cut out of a photography of the so called „Farnese Atlas“ in the Museo Archeologico Nazionale in Naples, source: Wikimedia Commons

Atlas

1
You’re a mountain of a titan of the old times
Gaia is supposed to be your mother
You’re a pole at the coordinate system
You were the prison of your brother
One could’nt really quite imagine
All the masses

You were condemned to hold up
Celestial heavens
After the battle of the gods

Since then you carried the weight of the world
Upon your shoulders

2
You’re responsible and of purpose
You’re imperatively necessary for structure
You are stabilizing and decorative
You’re the leitmotif for architecture
There is a 2nd century sculpture cut of you
In the museum of archaeology in Naples

You are condemned to hold up
All the statics
Between the basis and the rooftop

Where you carry the weight of the world
Upon your shoulders

3
You contain of corpus, archi and processi
You have ligaments like wings
Articulating in every moment
Here and now right inside of the body
Sometimes there is a pain in the neck
That makes everything just worse

You were condemned to hold up
And move yes and no
Between the axis and the occiput

Where you carry the weight of the world
Upon your shoulders

Will you carry the weight of the world
Upon your shoulders ?

Hope, it isn’t too shrugged yet…

Home's Album

Atlas (wt K2 and the Three)

Message From Heaven

Semantique Danielou - DISCOVER THIS INSTRUMENT:
https://www.semantic-danielou.com/fr/  - 🇫🇷 🇬🇧

Recording sessions from 02/04/2024 - 13/04/2024.
MOOG Modular V3 (vst Arturia),
Sémantic Daniélou-53 (vst-UVI-Microtonal Instrument),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________
❤️🕊️🙏

Moog & Semantic

My first DAW song!
I enjoyed very much doing this song?
Can you also enjoy it?

Under Pressure
In this world of expectations where success is a decree
All the pressure from everywhere can easily break you and me
Schooling us with numbers and facts, who care is’s breaking our backs
All the promises I must keep still hunt me in my sleep
In this circle of demands the pressure still expands

Education should be the key, but if the pressure breaks me?
What if I cannot break free?

You think when I smile I’m shinning so bright, but deep within there is a fear I can’t fight
All the pressure closing on me, expectations, how to be free?
How can I handle the wight before it is too late?
The obligations are so strong, where do I belong?

Success is what we strive for, but I wonder if there’s more
Expectations are everywhere,  all the pressure I have to bear

Under Pressure

Enjoy

Life Is Short

Chapter 188 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days.

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you wish to take a dive into everything that has come before:
The TAFFETA Albums each contain 15 consecutive tracks and are available for free, exclusively on Bandcamp.

TAFFETA VOL. 12 is now released exclusively on Bandcamp:
https://belialpelegrim.bandcamp.com/album/taffeta-vol-12

TAFFETA VOLUMES 1-12 are all available on Bandcamp. 

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA t-shirt!
belialpelegrim.bandcamp.com/merch/belia…feta-design

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical?si=d46fc7ad1b50446dadc7ce3ffe1a1b02&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Taffeta 188

TAFFETA | 188

Unlike our previous two collabs, Dan does lyrics, vocals and lead guitars on an instrumental by me.
I made a 7/4 track for him, knowing he can sail odd waves, and here you are the fantastic result !!

https://soundcloud.com/user-276716031: lyrics, vocals, guitar solos and fills, percussion, artwork on logo by WouWou
https://soundcloud.com/ruizzoidman21centurions: instrumental idea, rhythm guitars, bass, drums

Verse 1:
A promise was made
And It shouldn’t fade
The words were spoken
Then they was broken

We were in the bright sunshine
I thought she was mine
It’s not something you can pawn
And asa now she is gone

I was here forever beau
It was years ago

Verse 2:
But I thought it still held
Like a solid weld

A promise is a promise
Even for a doubting Thomas
It should carry some weight
It doesn’t have an expiration date

But a last I find
That things can unwind
And we are not together
In this Summer weather

Verse 3:
She made her assurance
But I had no insurance
From the broken promise she made
Yes our romance began to fade

Now I am in the dark
What was there was just a spark
Now I Don’t know
Which way to go

No direction in my life
Yes I’m living in such strife
Wondering if life means anything
My joy has no more spring

I am that sad guy you passed by
Not noticing the tears in his eyes

B E T R A Y A L (with Daniel Lockhart)

I love summer. The temperature and humidity make you sweat even if you stay still. The sun illuminates all the shadows that we would like to hide, both in landscapes and in people. That summer, people began to suffer from abnormally high temperatures. It is no longer a summer of memories, but a summer of ``heartache.'' I can't stand summer.
The song is a rambling expression of summer, and fragments of my anger ooze out.

I can't allow summer to make people suffer (298)

Had To Do This

lyrics:
Just another second before i blow you away
just another hype before this decadence
U r about to be eliminated beyond this fence
u know u don't have any decent defense

That's the condition shit
where all the people spit
the gratefulness that should exist
but got lost from people's fist


Just another war about to begin
that's the people's choice gathered on one regime
U r about to be eliminated beyond this world
u know u don't have any decent kind of word

Now the history repeats itself
just another book from the shelf
just another hit before this demolition begins.

(p) & (c), 2024.

Condition Shit (new track)

(French cover) Version française de la chanson  ♥ Lava ♥
Vidéo sous-titrée en anglais (Eng subtitle video) :
http://xanylovem.free.fr/vidos/lava-reprise.html

Arrangement guitare et scie: XanyloveM
Voix: XanyloveM et FaDe https://soundcloud.com/fa-d-1

NOTE: I discovered this original song at the cinema on the first part of a PIXAR cartoon movie :-))

LAVA Cover French (original Pixar vidéo link with Eng Subtitle)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Related tracks: Avec eddy

Shock the Algorithm