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Mahalo electric ukulele
Garageband keyboard sounds
Yamaha tenor saxophone

Why Is Everything Printed In Teeny Tiny Font?

Long time ago in the Scottish Highlands. A tribe that lives in a rough and harsh surrounding, strengthened over generations by the unfriendly environment. The borders of the tribes territory are not exactly known. In particular, in the North, the saying goes that vast areas of unoccupied lands will belong to those that first dare to claim it. So a small troup of currageous military men sets foot to the Northern Frontier ...

Composition-wise: The piece explores the change of atmosphere when the same motive is played with different accompaniments. The same theme can be found for instance @ 0:00 ff,  0:23 ff and 1:05 ff. The accompaniment increases in intensity and rhythm for these three instances, ranging from a meditative intro over a – to my ears – tribal dance or chant towards a first  climax of the piece which might make a good soundtrack for a battle in the Scottish Highlands. The track then settles down to the second theme @ 1:33 which again is repeated with much more agitated accompaniment @ 1:55 ff. 

While the track is in general in 4/4, it raises the tension by sometimes breaking the metrum into more unconventional rhythmic structures. This holds in particular for @ 0:46 ff where the metrum changes to a succession of ¾, 4/4, ¾, 6/4, 6/4, 4/4, ¾, 4/4, ¾, ¾, ¾ and then reverts to the original 4/4. Also @ 2:09  there is in insert of a ¾ bar and at the very end @ 2:30, there is a 2/4 break just before the final chord. 

I did some Youtube Shorts in Case with more details on some composition tweaks that I used in this track:
Varying the Accompaniment: https://youtube.com/shorts/7HAWSz2Mg14?feature=share
Breaking the metric structure: https://youtube.com/shorts/tUvaq8D6nUo?feature=share
Ligature Bows: https://youtube.com/shorts/-WBf6Du040g?feature=share
Keeping the attention until the end: https://youtube.com/shorts/qnJl5BQ4yxU?feature=share


The track has been recorded on a Roland FP-90 and mastered in Cubase by adding  reverb, a Stereo enhancer and fiddling a bit with the EQ. 
The picture was created with Stable Diffusion. 

The track can also be found at 
Youtube (including the scores): https://youtu.be/FIQZc7JakvQ
Spotify: spotify:album:5YG7dpoBElKImcbmX7eWTU

The Northern Frontier

The Northern Frontier (Solo Piano)

Funny Kind of Sad

So this song takes the idea of home and expands it outward beyond conventional ideological boundaries of what a home might be. Some of this may sound odd, in the sense of 4 walls, a floor, and a roof as home. So where might our home be? Out beyond our neighborhood perhaps, the region where we live, the continent we’re on, maybe our planet, or somewhere in the cosmos? If we settle on a suitable idea that is somewhat believable for us, it may be that our ‘home’ is, at the very least, the planet we live on. Our home planet. So wherever we go on Earth, we are home, as the song suggests. Please bear with me on this, as it may get a bit allegorical: I like that idea of this larger sense of home, as we might not dump trash, sewage, and all sorts of toxins inside our home, or pollute our home in other ways. We may begin to see what a large, incredible family we have at home. Don’t ya think? It may allow us to get along with each other a little better than we have been? (As an example, you should see me with me with my family at times, it can be frustrating… hee-hee.) We probably wouldn’t set off/drop so many bombs and blast the crap out of our home like we do now, if we saw the Earth as our home. Or ignorantly flood or burn down our home, in our stubborn refusal to appreciate the reality of what it takes to maintain a home like Earth. If we come back to the idea of a conventional home, well there’s all sorts of problems with that too. Here are some of them. Some of us have homes, some of us don’t. There are many reasons for that. Some of us have lost our homes. Some of us do not like our homes, some of us never leave our homes. Some of us despise each other for not having homes, or having too many homes, or having too large of a home, etc…. Where do we feel at home these days with the state of homeability or lack there of? My conventional home, allows me to live here, be that wherever it may be for any of us. Anyway, this song also gave me the opportunity to dust off my mandolin and recorder, as they pretty much sat there all summer with long faces wondering what I was up to. So now they’re happy and I hope this song shares some of their happiness with you….. m

Lammbone's Album

Going Home

Music and lyrics: Jose Miguel Millán
Vocals, backing vocals and vocal production: Delhya
For more DelhyA please check: on.soundcloud.com/cZwUB

PRE-CHORUS & BRIDGE
Those were the days ,
Those were the nights

CHORUS 
Roll the dice
Playing Risk
Who’s turn is it.

So purify
Wonder dreams
Like a gleam

VERSE 1
Nose in the showcase
clouding the fate
Counting the days,
it was a long wait
Sand in the shoes.
There was … no pain.

VERSE 2
Kicking the stones
To not return home
Waiting the train
Just to smash the coin
Bleeding knees
All was … a glee

VERSE 3
Pride in the pinball
Watch for the thug
Moove the machine
Control the tilt
Look for the way
The green light… is on

EXIT
For all was the first time.
First kiss, first broken heart
The future didn’t exist
But time run, run fast.

THOSE WERE THE DAYS - FEATURING DELHYA- LYRICS ON DESCRIPTION

See the live performance here (uncut): https://youtu.be/dCfLNA1ZU4I

I use a Behringer Crave, a TD3 and two Korg Volca Sample and Keys to create this song. One of my favorite tricks is to use the CV output of the TD3 to control the filter of the Crave. CV stands for control voltage, and it is a way of sending signals between different devices. It allows me to change the sound of the Crave with the TD3

Voice is from Alan Watts

The Unity Of Opposites (edited version)

Dementia Dimensions PRETTY DIAMOND MIX

Many thanks to Andre [noxpox (page13)] for offering this stimulating track.

https://soundcloud.com/noxpox13/noxpox-dreamin-ov-moonrocks?si=2c983f4055a04e14a32e90afeb10e042&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

noxpox - dreamin ov moonrocks [WBE metamorphic Sax Mix]

Cozy Temple

This little keyboard melody was done hover an improvisation with some bowls I recorded few months ago. I like the textures they provide.  Since then, I got my own bowls and I started to play with.

Berceuse

Another old track I did with 'The Guy'... lot of water now under the bridge.. I can share the music....

Got It Goin' On

Ambers song Genesha was born out of a new collaboration with ParQushea.

In the midst of our hot tropical summer we start the new year off with an ambient chill flow.
Ambers delicate vocals weave through fields of contrasting atmospheric harmonies.
Chris's guitar infusions complement the soundscape with Neil Orange Peel's percussion.
Arrangement, & production By Orange Peel
His vision brings all the elements together in a chilled ambient track.

Vocals ,Rhythm Guitar : Amber Legay
Guitars : Chris O'Shea
Bass & Percussion : Neil Parker
Song & Lyrics : Amber Legay
Recording ,Arrangement, & production By Neil Orange Peel

Ganesha

Music by Kontra Sz & Val Akey.
- Kontra Sz: plays rythm guitars, lead guitars;
- Val Akey: drums-, bass- and keys programming (mixing and mastering) + cover art.
Many thanks Kontra Sz for the fantastic guitar play! https://soundcloud.com/kontra-sz

Release date:
12 January 2024

Captive Of Time (collab)

No real story behind this track. 
I hope you enjoy listening to it as much as I enjoyed creating it!
The lead synth sounds were created and played on guitar! 

Guitars used:
Gibson Les Paul Studio
Yamaha Revstar Standard (P90 pickups)
Bass Guitar - Fender Precision Bass

All guitar sounds created and played through my Line 6 HX Stomp.

Drums programmed using EZ Drummer 3.

Treading Water

Flack

(Duh) Obviously!

The fall of Constantinople, also known as the conquest of Constantinople, was the capture of the capital of the Byzantine Empire by the Ottoman Empire. The city was captured on 29 May 1453 as part of the culmination of a 53-day siege which had begun on 6 April. https://en.wikipedia

53 Days Siege : 
Compose by. Chris..ZøBro  
(Original Version)

53 Days Siege  (Byzantine Empire)

A Blues with elements of Funk and Reggae...
I was curious if that would work ;-)

Blue Melange

Cast of Characters:

~Mark F-- @mark_fosella -- bass guitar, composition

Llanpsych -- @llanpsych -- Tez – first screaming electric guitar

TexMex Shaman–@texmex-shaman –Stephen– second psychedelic electric guitar, production, and mix

J.J. Terrell–@j-j-terrell –electric piano 

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-organ

This song is the first The Eclectic Collective has done with Mark, and we all had a great time making it with him. This song started with Mark, who is a bass player's bass player, giving his raw bass track to Ken, who brought it to the group. Ken laid down his exciting drums to match Mark's bass line before anything else happened, though. Once we had a rhythm section, JJ laid down his dancing electric piano. Once that was in place, Josh laid down the organ. Then it was time for the guitars, played electrifyingly by both Tez and Stephen. Tez plays throughout most of the song, and Stephen added his part towards the end. Stephen also mixed this for us expertly, as always. If you have a beverage in your hands, you might want to set it down. We hope you enjoy listening to this as much as we enjoyed making

Esophagus Metamorphosis-Eclectic Collective

Neural Warfare

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

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Shock the Algorithm