Shock the Algorithm

Re-master of Llanpsych and Blue Al’s take on Primal Scream's Rocks :)
Al - bass and vocals
Tez - guitars
VST MT Drums

ROCKS

Your Heart Is As Black As Night  cover with Madame Blanc

Esperanza [instrumental]

On Top Feat. The W - J.BoogZ,DKK

Guitar Instrumental by David Marconi

Special thanks to my very talented friend Allan Cook who recorded the Bass track for me.

Hear more of Allan's work on his channel at the link below.
https://soundcloud.com/amcook1971

Aroused from Slumber

Midnight In Tokyo

Spinning Out Will & Nikerty

'fuck you'

https://www.instagram.com/p/CyWOT4gLPvd/

Only time might heal my wounds.
But I've come to learn some truths. 
My old self burnt down to ruins.
No more lies. No more abuse.
But I think I've finally found a way
of making happiness, for me, to stay;
not giving a fuck about what you say
or let it affect me in any way.
Fuck you.

fuck you

“Broken Wing” and “Saudade” original lyrics, vocal performance and sounds by the amazing @ayadove
REIMAGINED BY BOXY

[ d o w n l o a d a b l e ]

Broken Wing (Featuring Aya Hall)

大橋 敏明 のアルバム

one's hidden troubles

Dread DnB

Vidéo : youtu.be/4PIj6L_eZHo?si=4zLGVfVj3jW_OC2w

Si près.

Texte: Sanzen 
Chant : Muette 
Musique : Alain Illos

Si près de moi 
 il n'y avait personne. 
 Plus d'aube, plus de lumière...  
Plus de nuit, plus de silence.
Plus jamais l'impuissance, 
les mâchoires de l'acier.  
Refermées sur ma vie,
  plus jamais l'obscurité!
J'appelle le ciel,
  toute lueur s'en est allée.
Jamais le mal,
  jamais la mort! 
Plus jamais la souffrance. 
 Si près de moi, 
 toute lueur s'en est allée.
  La nuit, n'est plus la nuit.
Plus jamais l'impuissance,
 les mâchoires de l'acier.  
Refermées sur ma vie,  
plus jamais l'obscurité!
Je guette ma vie, 
à l'orée  de mon souffle...
Plus jamais les ténèbres!
  Le désespoir.  
Si près du néant,  
derrière un voile obscur.
  Impuissant...
 la lumière aveuglante.
Le ciel, l'espoir  et la victoire! 
Si près de moi,  il y'a le jour.  
Si près de nous,  il y'a l'amour.

Si Près   Sanzen/ Illos

"Four Strong Winds" is a song written by Ian Tyson and recorded by Canadian folk duo Ian and Sylvia. Tyson has noted that he composed the song in about 20 minutes in his then manager Albert Grossman's New York apartment in 1962. A significant composition of the early 1960s folk revival, the song is a melancholy reflection on a failing romantic relationship. The singer expresses a desire for a possible reunion in a new place in the future ("You could meet me if I sent you down the fare") but acknowledges the likelihood that the relationship is over ("But our good times are all gone/And I'm bound for moving on ...").
The song has a clear Canadian context and subtext, including an explicit mention of the province Alberta as well as references to long, cold winters. In 2005, CBC Radio One listeners chose this song as the greatest Canadian song of all time on the program 50 Tracks: The Canadian Version. It is considered the unofficial anthem of Alberta.
Ian Tyson would recall "Four Strong Winds" as the first song he ever wrote and credits Bob Dylan with giving new impetus to Ian & Sylvia's career by inspiring the duo to follow his lead in writing "original folk songs":(Ian Tyson quote:)"We had to go in some direction, because we had used up all the real roots music from the Delta on north. Bob blazed the trail into the wilderness, into unknown territory." Specifically Tyson would recall meeting up with Dylan in the autumn of 1962 at the Greenwich Village bar Kettle of Fish:(Ian Tyson quote:)"this kind of little grubby kid in there"...said: 'I got this new song': it was Bobby Dylan - he sang me 'Blowin' in the Wind', he'd just wrote it. And I thought: I can do that"...He wrote 'Blowin' in the Wind' and the next day I wrote 'Four Strong Winds'."     Wikipedia

Mastered Track: Distrokid Mixea

"Four Strong Winds"- Neil Young/ Ian Tyson (Cover)

Islay (instrumental)

GLO TRAP

method: layering, effects, etc ... and yes, most of the melody lines start out with mi mi re ....
narration: the lure of ancient lore derives partly from all the huge gaps in the stories that allow poets to fill in whatever they consider fit. nice.  this poem centers around the mythical figure of Wodan/Odin - often regarded as an older equivalent to Hermes/Mercury (who is supposed to be all youthful) due to their inspired furors - his visit to Mimir‘s well and his two ravens whose sight spans the globe … in the case of this poem, time as well .... 
image: copyright jo richter

poem / copyright jo richter: 

a double raven
tatooed in his mind
with a beak of dark silver
and a wingspan to blind

one eye pierces
all that has been
the other fills with
what will be seen

no-stone drops sharply
ripples in truth
that pass through the void
in invisible hues

mimir's mead

Occasional collaborators as a duo and as part of Aporia  - https://soundcloud.com/no-mates-ensemble/aporia-1
Softlands - Guitar/Ebow/Synth/Music Box
No Mates - Bass/Glicthy Noise/Piano

Late, Then Never - Softlands/No Mates Ensemble

Soda In the Sun

Springtime Osaka

A few months before my dear friend and collaborator Pat Howell passed away, he shared a chord progression with me (heard at the beginning) that became the song's foundation and wanted to see if I could make something of it.  I fleshed out the progression into a song, but by then he had become too ill to help me finish it.  The song languished for months and then I thought maybe Seagull could finish the thought Pat and I started.  His additions were superb and not only completed the song, but a weave of friendship that started with Pat's inspiration. Rest in peace my friend, and thank you dear Seagull for making our initial weavings a reality.
Hear more of Seagull's finely crafted music @farout-music-studio

Weave Of Friendship

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos