Shock the Algorithm

I’ve always dreamed of recording a synthwave track, but I’ve never been able to create that atmosphere, the right drum section, the characteristic bass line, and the vibe that this wonderful genre of music is known for. Now, I can finally present my first work in this genre. It’s not complicated, but for the first time, I guess it’s successful. Enjoy listening! Best Regards!

The cover-art was made with the FL Studio ZGameEditor Visualizer plugin

Music by ɅƉﺍꝚﺍɅNƠ

SYNTH VISION

Personne n'est prêt pour ça !! Personne ne devrait voir ça !!

Le premier clip de Matziz extrait du cinquième et dernier album en date BILIA 
SINGER LE SINGE sorti le 07 Juin 2024
Pour les plus téméraires il se regarde ici : 
https://youtu.be/cb6dyeVLstE

Créé, interprété, réalisé monté, étalonné... imagine encore plein de truc en é 
par le collectif artistique "La Barraque" de Mirepoix (09)

Hugo :  L'heureux propriétaire des chaises de jardins + concept de sa performance/dance/conseils/cadrage
Steph : L'impératrice canidé +  concept de sa performance/dance/conseils/étalonnage/réalisation/cadrage
Chien fou (Savane) : Dans son propre rôle un peu sublimé + grande inspiration
Math (Matziz) : Le drôle de terroriste en puissance + musique/concept général/concept de sa performance/dance/réalisation/cadrage/montage
Sam : Miss Tomato hoop + concept de sa performance/dance/conseils/étalonnage/réalisation/cadrage
La Barraque : dans son propre rôle + haut lieu de créativité elle-même inspirée par les montagnes

Merci énormément à toute cette équipe incroyable, drôle et autonome !
Nous espérons que vous pourrez passer un moment relatif (c'est déjà ça) !

En attendant que l'amour advienne et que la vitalité s'empare de tous les cœurs encore contraints actuellement à stagner dans la seule tristesse bétonnée que ce monde industriel sait offrir.
Nous vous souhaitons de vivre et nous nous le souhaitons tout autant !

Vous pouvez écouter/partager/limer l'intégralité de l'album (conceptuel) et toutes les informations/histoires qu'il recèle ici : 
https://matzizrecords.bandcamp.com/album/bilia

Et écouter également ce morceau sur le Soundcloud de Matziz ici

Bonne journuit 
Bises

BILIA

Singer Le Singe | Matziz | CLIP en description

Brand new track by STA and the last for 2024. Enjoy this instrumental Synthwave retrowave track and wishing u a great Happy New Year!

Taken from my upcoming full length synthwave album (2025) that will be called "Ultraviolet Cosmos".

Youtube: https://youtu.be/dVYJo3nVTPw

#2025 #happynewyear #Digitizedhorizon #synthwave #retrowave #synthwave
#retrowave
#outrun
#darkwave
#cyberpunk
#80s
#80sMusic
#retrowavemusic
#synthwavemusic
#newretrowave
#futurefunk
#synthwavebeats
#retrowavevibes
#synthwavemusic
#retrowavemusic
#synthwave2024
#synthwavemix
#synthwaveradio
#synthwaveforgamers
#synthwaveforstudy
#synthwavedriving
#synthwavecyberpunk
#retrowavemovies
#bestsynthwave
#newsynthwave
#synthwaverelax
#synthwaveworkout

Digitized Horizon

Another one brand new track from my upcoming Synthwave retrowave album that will be called "Ultraviolet Cosmos". Song called "Goodnight" enjoy y'all and subscribe, like & share! :)

Youtube link: https://youtu.be/gXyfunsd-F8?si=gCgv4YTy_tiNHqKi

#synthwave
#retrowave
#outrun
#vaporwave
#newmusic
#synthwavemusic
#80smusic
#electronicmusic
#musicvideo
#newrelease
#song
#music
#independentartist
#unsignedartist

(p) & (c) 2025, STA.

Goodnight

Thank you for sharing your time with me. If I can do one thing for you, keep that one thing to yourself, but manifest it through deep meditation. I will fuel myself using the psychic and spiritual essence you are sending to me, kind of like Cerebro.

Retrograde

Shared Mirror

A new track from the artist PTITZIN. As always, it is sustained in the spirit of melodism and mystery)))

Ptitzyn - neige et glaçons CUT Vers.

In this state, waiting for outcomes, we travel through space and time, reaching out to the possibilities that both excite and worry us. Interspaced between what was and what is to be, we remain engaged.

Left on Read

MELOMANIAC

Composed in 2017.

Remastered in April 2025.

The people I follow know that sooner or later I'll visit their SC page to listen to their compositions. It's a ritual I do 4-5 times a year. And when I say listen... I mean really listen.

I do it because I like certain styles. Other times it's the technique. Other times it's the composition. Other times... simply to learn.
The truth is that music, as an element of communication, tells me a lot about the creator's intention, how it interprets certain themes, and even conveys a certain profile of the composer himself.

It's hard to explain, but it's as I say.

This composition is introspective and brings together some of my favorite styles, such as melodic, rock, and electronic.

I named it this because it corresponds to a period when my listening became more pronounced and I didn't have anyone to listen to me at the time.

It's certainly a strange composition, especially because of certain percussion sections (understood as self-criticism).

I will be grateful for your comments, as always.

Thank you for your time.

Paco

MELOMANIAC

21 tracks, MS2 native instruments and Forun Xewton
4 tracks, KV331 Synthmaster
DAW
Music Studio 2
Hardware
iPad
Mixer
My car perfectly parked.
Photo: My current complete music creation setup: iPad 7 and Sennheiser HD569 headphones

Next composition: flowers

Melomaniac

Groovy Bird

NO A.I. INVOLVED
It all started in late 2022 while driving. I heard a song on the radio that inspired me to create this piece. I only heard it once, I don't know the author(s) or the title of this song.

After creating the core/mockup of the song, I presented it to Brian Butts (@brian-butts-565934842), which is amazing multi instrumentalist, and asked if he would record a guitar solo similar in idea to the solo from "The Break in Tranquility" https://soundcloud.com/r-u-r-pl/the-break-in-tranquility, which I had previously asked him to review. He agreed to this willingly and that's how my first ever collab was created.

I actually regret a little that this song is a bit too slow, but trying to speed it up caused Brian's solo to fall apart, and my skills don't yet allow me to properly edit it.

This song was lying in my "drawer" for over 2 years. I wasn't fully satisfied with what I did and its sound. I wasn't able to come up with a good Bridge and make it a full-fledged song. In the end I decided to release it as is. I only modified some parts to maintain the feeling of the progression of the arrangement.

Sorry Brian, my friend, that it took so long, but my perfectionism https://w.wiki/9XhH makes me constantly dissatisfied with what I do and often prevents me from finishing the songs.

Thanks to my friend ••kavvka •• (@grzegorzkawka), for his constant support, patiently listening to subsequent versions and lots of good advice.

To craft this piece I used
Ableton Live Standard
Ableton Live's Simpler
NI Massive
Spitfire Originals Epic Strings
Spitfire Originals Epic Brass & Woodwinds
iZotope Ozone 9 Elements
Impact Soundworks Shreddage 3 Stratus Free (only when the guitar enters)
Arturia Filter MS-20
Valhalla Supermassive (Free)
iZotope Ozone Imager (Free)

I also used 3 MIDI drum loops from free libraries in Ableton LIVE.

Thanks for listening. I hope You'll enjoy.

Picture in thumbnail made by me in Photoshop using a source Designed by Freepik: https://www.freepik.com/free-photo/still-life-with-scales-justice_33123996.htm

...And Justice for D-Punks

Horizon

Underneath

This track might test the patience of listeners, as it is yet another iteration of the same idea. However, each version brings a new arrangement and consistently reaches a higher level of quality. The journey of refining this piece has taken me through many phases—some versions were more dynamic and hypnotic, others felt raw and unpolished. Yet, with each iteration, I moved closer to the quality I truly wish to share with you.

It is my deep respect for you, my listeners, that drives me to create a version that feels fresh, distinct, and genuinely good—one that reaches a more professional level. Ultimately, however, the true judgment belongs to the audience.

In an era where music can be generated with a single click, the effort I pour into this uneven battle feels even more valuable. Each step in this process teaches me something new, and my curiosity never fades. With each new recording, I embrace increasingly advanced and demanding sound mixing techniques, allowing me to refine my artistry and push the boundaries of quality. Because of that, I can release new recordings with confidence—whether they are fresh creations or improved versions of earlier ideas.

Best Regards 😘

______________________________________________________________________
Vocal by LOLLIEVOX >  https://soundcloud.com/laurie-webb
Photo by STEVE SOARINGOAK
Music by ɅƉﺍꝚﺍɅNƠ

LOLLIEVOX AND ɅƉﺍꝚﺍɅNƠ - TRANCE HEAVEN | NEXT GEN 2025

Lights of the big city

Anxious Chill

(Dragging My Butt) Into The Sunshine

Dancing on the edge of a rainbow

Live + vst + keys
Some instruments changed, some lines with improvements, get rid of the Ozone Elements from mastering area. Actually not a big change really. Evolution...

Atomic relaxation (That is a nice boulder re-mix-master)

This is my current favorite Alt band, and I had to take a stab at a cover. Obviously I can't duplicate the original, but I worked within my limitations and played this.

Clearest Blue (Chvrches cover)

||| Everything |||
From the album White Noise + Releases 15 October 2025 on all major streaming platforms +
A contemplation on what it means to be human. Lose yourself in an immersive soundscape, built upon a solid bass foundation and decorated with subliminally suggestive vocal lines, shifting hi hats and wafting, dreamy synths. Dark chill for the world weary.

Releases on all major streaming platforms July 20.
Watch the video here https://youtu.be/FqQRt-aYlPM

White Noise

Everything

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos