Your Mix 5

A genre-defying track blending retro rock charm with disco dance energy. Channeling the infectious spirit and influences of bands like Deep Purple, The Stone Roses, and Jamiroquai - Red Light explores themes of love, trust, doubt, and what lies beyond the masks we wear.

Something More - EP

Red Light

"Distanced" is a reflective ballad that captures the beauty and heartache of a long-distance relationship, drawing parallels with the infinite expanses of space, and the need for connection stifled by the realities of time and space. With spacey guitar tones and melancholic vocals, The Day Afters blend wistful lyrics with a modern indie sound. Perfect for late-night reflection.

Lyrics:
It’s the Distance - and the time we squandered, the days we found were- quickened.
A rhythm - as we break in two again, smash into ourselves - listen….   

If you want it - you get it - you get you let it go
When  you see it - it’s never what you’re looking for
You can dream - for more and more
What’s real is here, you feel it near - that’s yours

Absence - makes the heart grow fonder But my thoughts still wander - still with you
This system - demands you follow, Makes you swallow - puts us in this queue

If want it - you get it - you get you let it go
When you see it - it’s never what you’re looking for
You can dream - for more and more
What’s real is here, you feel it near - that’s yours

I Miss you - the earth is harder, the sun feels farther than it used to - and we’re just passing through

Trying to read you - I can't tell
Trying to reach you - No one’s there

Void Century

Distanced

The future’s so bright shades aren’t going to help.

Tomorrow Will Be Fine

#bluescore #unique #music #electronic #odd #mood #happy #sad #creepy #producer #artist #triphop #downtempo #originalmusic #exciting #bass #music #musicplaylist #spotify #listen #recomendations #fun #musicproducer #soundcloud #release #outsider #wfh #lofi #lofibeats #instrumental #beats

Down The Erie Rhodes

Just haning out here in the Sierra Juarez mountains sensing the spirits and hugging the trees er... and burning them sometimes too...

Azule Touch

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi — vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman —  @texmex-shaman — Stephen — sitar and mastering
Mistermark — @user-432503709 — Mark — talking drum
Llanpsych — @llanpsych — Tez – electric guitar
J.J. Terrell — @j-j-terrell — JJ — synth flute and ambient synth
K2 and the Three [and the Four] — @k2andthe3, @k2-kara — Ken — drums and percussion
Entheogenic Psychonaught (Josh Clary) — @josh-clary-1 — Josh — 5-string fretless bass
Elpi's husband — artwork (created with the help of AI)

This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots" for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

It's a long road to hell but we're making good time

Tommorow Always Comes

rotten weather   rollin’ in

we’ll go walkin’ anyway

‘gainst the wind


get your go-bag ready
load the car up


did you hear it?  distant roar

keep your ear down to the ground

check the score


get your hard hat ready
fill those bottles up


i can’t remember
were you there?
your fingers running
through my hair


let them come now  let them try

beating down the beautiful

of our tribe


purple mountains raging
blackened skies 
constitution’s aging
battle cry 

high angels  hiding

my country  dying

(not too late)   (late)

let’s listen  let’s breathe 

(not too late)   (late)

--------------------------------------------------------------------------------------------------

Thanks to Janine Levinson, Cheesemont Paisely-Paisely, and Wheelwright for early listening and feedback.

Rotten Weather

New start after finishing SC and Spotify Album - Eccentricity so Beautiful.
This title jumped off a page and lately in the live act we've been doing some 80s songs: I think that influenced the approach here.
 
Decarbonizing Aviation
Decarbonizing Aviation
 
It’s a new concsiousness
Vapor trails gone West
Sometimes you got to make a change
To keep love on forever’s path
Your shaking trees are exhausting me
Better a sundown heart to heart
 
Decarbonizing Aviation – night swimming and seeing it spark
Decarbonizing Aviation – going steady yeah not too fast
 
Glaciers and shrinking
Habitats and mourning
Can we glide the plane back home
Gotta give up on bad bad stuff
Seven days of denial nights
I think we know that enough’s enough

Decarbonising Aviation

@cosmic-ratzzz: keys, arrangement, bass and drum sample
@joerxworx: Saxophone
Thank to Hendrik for this cool funky trip !

Lunatics 212 / Monkey Business / Ratzzz & joerxworx

Absolute Chaos

Come what may.
Wind in his face.
Ice in the rain.
Omega shelf.
Edge of the land.
The whole mass shifts.
It may as well be the edge of the galaxy.

These thoughts, roads, pathways: a fallacy
a carefully contrived anomaly.

Breeze of her passing above his grave.
The flowers hang in droves
while the dew bends them back down
to their beginnings.

Words by Riley Robinson

Come What May

Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, beats, composition
Llanpsych–@llanpsych –Tez– Fender Stratocaster electric guitar, mix, and production
TexMex Shaman–@texmex-shaman –Stephen– Tom Anderson Top T Classic
 electric wah guitar
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano, tambourine, and triangle
K2 and the Three [and the Four] -- @k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1– Custom five-string fretless bass

This song started as a basic, yet melodically very strong composition by Terry involving him playing a synthesizer over a beat he created. He first shared it with Stephen, as they are regular collaborators in their project, Texas Tea, which are worth checking out on both of their pages, as well. Stephen then turned it over the the Eclectic Collective to work our magic on it.
  Josh was first up to the plate with this one, adding his deep, five string fretless bass to Terry's rudimentary beat. Ken was next up, however, adding the driving drum beat you hear, for which he used Terry's beat as a template and augmented a full kit sound to it. Stephen followed Ken, adding his striking wah guitar part to the whole thing. Tez was up soon after with his searing guitar soloing towards the end. Last, but certainly not least, JJ added the soulful electric piano you hear giving it a funk throughout, as well as the tambourine and the cool triangle dings. 
  Now that it was in the bag, we decided to ask Stephen to produce and mix it for us, which he did in his typical expert fashion, as well as the doing the mastering, too. However, Tez also did a production and mix that some of us are choosing to use instead, as a matter of taste, not quality. That is the one you'll find on my page.
  This is our holiday offering to all our fans, friends, colleagues, and peers. While it's not particularly a holiday song, it's a good display of where we are musically, and shows some of the flavour we want to add in the new year. We hope you enjoy listening to this as much as we enjoyed creating it. Happy holidays to you, and many happy returns!

Tree Tops - The Eclectic Collective with Tea R. Sea

Wifey

Music: Joachim Krömker
Guitars & Synth: Joachim Krömker
Vocals: xian3
Editorial work on Lyrics: xian3
Words by Theodor W. Adorno (1903-1969) in „Philosophy of new music“, 1949
Translation mainly by machine
Cover: AI generated on Dec.31st 2024 at 10:30

Behind The Dam

“The person 
who allows oneself 
to be exuded (poured out)
in weeping 
and a music 
which is no longer like it 
in anything, (in anything)

at the same time 
allows the stream 
of what is not itself 
to flow back 
into it, 
what is not itself 

and what was dammed up 

behind the dam 
of the world of things.”  	

Behind the dam
Behind the dam
Behind the dam

Behind The Dam (wt Art.Silence)

Somewhere and Anywhere (revisited and remixed)

We are pleased to present track 6 from our latest album, 'Haunting One Seven,' full album available on Bandcamp, we hope you’ll enjoy!

outstation.bandcamp.com/album/haunting-one-seven

Haunting One Seven

Pastoral Eventide

Mental Gymnastics Vocals

Recorded in Modesto, Ca.  Featuring Dobro Guitar solo. Flute solo. Gibson 335 Electric Guitar solo. Roland Synthesizer Bass. Hammond B3 Organ Rhythm. Gibson Electric SG Electric Guitar Rhythm. Drums Full kit set-up. Percussion, Tambourine, Cowbell, Ago go Bells, Zildjan 22" Ride & Crash Cymbals.

Getting Loose

Cocktailing

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌