Your Mix 6

This piece started as a progression I stumbled on while playing with a Hammond B3 organ VST, and over the course of months, grew into this epic you hear now. I hope you will enjoy listening.

My deepest thanks goes to the collaborators listed below, by whom through each of their contributions, and by each of their talents, this piece became more than I could have imagined.

Collaboration Team:

David Marconi: Original concept, Lead Guitar, Slide Guitar, Organ

Allan Cook: Bass Guitar, Rhythm Guitar, Audio Engineering
https://soundcloud.com/amcook1971

James Cook: Drums
https://www.youtube.com/@MezCook

Ron Adamski: Piano
https://soundcloud.com/user-264583290

Ron Lewis: Intro and Outro Synth
https://soundcloud.com/ron-lewis-779503933
https://www.youtube.com/@JustADudeInABasement

Please note, each collaborator composed their respective parts, so composition credit rightly goes to all involved.

Somewhere Beyond the Horizon

Somewhere Beyond the Horizon: Collaboration

Special thanks to my friends who generously shared their talents to transform this piece.

David Marconi: Original concept and lead guitar
Allan Cook: Bass guitar and final mix
Bob Davis: Keyboards
James Cook: Drums

Please take time to visit Allan's other work. https://soundcloud.com/amcook1971

Hear Allan and Bob perform live with Tranzfusion.
https://www.facebook.com/tranzfusionband/

Hear more from James at his YouTube channel
https://www.youtube.com/@MezCook

A Shade of Blue

A Shade of Blue Revisited: Collaboration

Music, Rhythm Guitar, Bass, Drums: Manuel https://soundcloud.com/ruizzoidman21centurions
Music, Lyrics, Vocal, Synths, Organ, Drums, Mixing, Mastering: Jan Schonander

When Manuel sent me a guitar track over a year ago I fairly quickly decided to write an epilogue for Major Tom. Little did I know that I would end up taking a longish break from writing music. With infinite patience Manuel waited for me until now and to my even greater surprise this retro lyric has become almost current with the two NASA astronauts in space waiting for their return trip to Earth.



SEND ME A ROCKET
(MAJOR TOM THE EPILOGUE)

I can’t hear you 
Still I can see you
A cloudy ball in space
Nothing to keep it in place
This is my beautiful view
Nothing can make things right
I’m stuck here 
A deep longing
Hard to accept this 
This can’t be
This can’t be
My final fate

It’s been so long
It feels like you forgot me
Nobody cares about the shirts I wear 
Did you move onto something new
Cause I’m still looking at you
I’m still waiting for you

Send me some hope
Send me a rocket
Show me that you care
Send me some hope
Show me that you love me

You forgot so soon
It hurts all the time
You forgot I was a shining star
You wouldn't write enough about me
Oh, oh, I’m so sad

Send me some hope
Send me a rocket
Show me that you care
Send me some hope
Lighten your pocket
Show me that you love me
Send me some hope
Some hope

I can’t let go
I dream all the time
I wanna feel the sun and wind
I wanna go home

Stuck in my tin can
With no way out, out
Shiny and bright
Can you hear me shout, shout
I’m stuck here 
A deep longing
Hard to accept this 
Oh no, oh no
I want to go
Want to go
Want to go 
Want to go home
Go home
This can’t be
This can’t be

Send Me A Rocket

Send Me A Rocket | Major Tom The Epilogue

SLEEP WITH THE DEAD
>
I CAN NOT BE WHAT YOU WANT ME TO BE...BABY
I CAN NOT DO WHAT YOU WANT ME TO DO...BABY
I COULD NEVER WALK THROUGH FIRE FOR YOU
I COULD NEVER DO THE THINGS YOU ASK ME TO
I AIN’T NO MUNTER, MORON, HUH
I AIN’T NOTHIN’ LIKE YOU
>
YOU DID NOT CREATE ME
BUT LATELY
YOU HATE THE WAY I WALK, THE WAY I TALK,
THE WAY I PUNCH YOU IN THE MOUTH
THOUGH YOU ARE HAVING FUN NOW
I WILL ESCAPE YOU SOMEHOW
>
DON’T TRY TO MAKE EXCUSES
DON’T COME IT WITH THOSE LIES
YOU ALWAYS WERE ABUSIVE
BUT NEVER TOLD ME WHY
>
MY MEMORY IS HAZY
MY THOUGHTS A DEEPER BLUE
MY DIAGNOSIS, CRAZY,
AND IT’S ALL BECAUSE OF YOU
>
THOSE MANIC MOMENTS PHASED ME
THE AIR WAS TURNING BLUE
ATTEMPTING TO ERASE ME
WITH THE CHINA THAT YOU THREW

I WILL NOT THINK ABOUT THE THINGS THAT WE DID
I WILL NOT TALK ABOUT THE THINGS THAT WE SAID
FOR ALL ETERNITY CONFINED TO MY BED
I’LL KILL YOUR MEMORY, AND SLEEP WITH THE DEAD
>
NOW I SLEEP WITH THE DEAD
I SLEEP WITH THE DEAD
I SLEEP WITH THE DEAD
>
YOU DID NOT CREATE ME
BUT LATELY
YOU HATE THE WAY I WALK, THE WAY I TALK,
THE WAY I PUNCH YOU IN THE MOUTH
THOUGH YOU ARE HAVING FUN NOW
I WILL ESCAPE YOU SOMEHOW
>
MY MEMORY IS HAZY
MY THOUGHTS A DEEPER BLUE
MY DIAGNOSIS, CRAZY,
AND IT’S ALL BECAUSE OF YOU
>
THOSE MANIC MOMENTS PHASED ME
THE AIR WAS TURNING BLUE
ATTEMPTING TO ERASE ME
WITH THE CHINA THAT YOU THREW
>
I WILL NOT THINK ABOUT THE THINGS THAT WE DID
I WILL NOT TALK ABOUT THE THINGS THAT WE SAID
FOR ALL ETERNITY, CONFINED TO MY BED,
I’LL KILL YOUR MEMORY,
AND WALK WITH THE DEAD
>
I CAN NOT BE WHAT YOU WANT ME TO BE
I CAN NOT DO WHAT YOU WANT ME TO DO
I COULD NEVER WALK THROUGH FIRE FOR YOU
I COULD NEVER DO THE THINGS YOU ASK ME TO
>
I WOULDN’T IF YOU PAID
YOU’RE NOT THE CHOSEN FEW
REMIND ME OF A BABY
ONE WEEK BEFORE IT’S DUE
>
LIKE MRS NOSFERATU
BEFORE THE INTERVIEW
YOU PROVE THAT EVERY NIGHTMARE
EVENTUALLY COMES TRUE
>
I CAN NOT BE WHAT YOU WANT ME TO BE, BABY
I CAN NOT DO WHAT YOU WANT ME TO DO, BABY
YOU DID NOT CREATE ME
BUT LATELY
YOU HATE THE WAY I WALK, THE WAY I TALK,
THE WAY I PUNCH YOU IN THE MOUTH
THOUGH YOU ARE HAVING FUN NOW
I WILL ESCAPE YOU SOMEHOW
>
MY MEMORY IS HAZY
MY THOUGHTS A DEEPER BLUE
MY DIAGNOSIS, CRAZY,
AND IT’S ALL BECAUSE OF YOU
>
I CAN NOT BE WHAT YOU WANT ME TO BE...BABY
I CAN NOT DO WHAT YOU WANT ME TO DO...BABY
I COULD NEVER WALK THROUGH FIRE FOR YOU
I COULD NEVER DO THE THINGS YOU ASK ME TO
I AIN’T NO MUNTER, MORON, HUH
I AIN’T NOTHIN’ LIKE YOU

SLEEP WITH THE DEAD

YOU CHASE THE VOICES FROM MY BRAIN
AND THE NOVOCAINE REDUCED THE PAIN
BUT ACTS OF KINDNESS DON'T IMPRESS
YOU CARE TOO MUCH, I COULD CARE LESS
>
AND THIS, IN A NUTSHELL, BE THE SELFISH SERMON
SELF PRESERVATION AND THE SELFISH GENE
WITHOUT AFFECTION, WITHOUT REFLECTION
COMPLETE REJECTION OF THE GOLDEN RULE
>
AND THESE BE THE WORDS OF THE CHILDREN OF JINN
WHO EMULATE THE THINKING OF THE PHOSPHORUS ONE
AS GOG IS OUR WITNESS, AND AS THICK IS OUR SKIN
WE FREELY PLEDGE ALLEGIANCE AS WE WALLOW IN SIN
>
YOU CHASE THE VOICES FROM MY BRAIN
AND THE NOVOCAINE REDUCED THE PAIN
BUT ACTS OF KINDNESS DON'T IMPRESS
YOU CARE TOO MUCH, I COULD CARE LESS
>
HOODWINKED, THEY LIKE TO THINK
THEY HAVE THE SENSE TO SPOT THE CHINK
TO SEE BEYOND WHEN BEING CONNED
THEIR MINDS, THOUGH, ARE FILLED WITH MISSING LINKS
>
PROJECTS AND IMAGE....SQUEAKY CLEAN
BUT HAS AN EYE FOR THE OBSCENE
AND EVERY NIGHTMARE IS A DREAM
A GOLDEN FLEECE THAT SPREADS DISEASE
>
PROJECTS AND IMAGE....SQUEAKY CLEAN
BUT HAS AN EYE FOR THE OBSCENE
AND EVERY NIGHTMARE IS A DREAM
A GOLDEN FLEECE THAT SPREADS DISEASE
>
THIS THOROUGHLY ULTRA-MODERN PARASITE
BELIEVES YOU'RE SOMETHING VERY GOOD TO EAT
BELIEVES THIS WORLD SITS A TOP....A MOUNTAIN OF HATE
THAT EMPATHY WILL ALWAYS BE A ONE-WAY-STREET
>
MACHINATION....
>
SICK WORLD....WITH A HEALTHY REFLECTION
DECEPTION BE THE TRADEMARK OF THE SNEAKIEST DECEPTION
SIN IS THE ELIXA.....LIFE AND DEATH THROWN IN THE MIXER
THE CURE, A PANACEA....A GOG OF MAGOG CONCEPTION
>
A GOG OF MAGOG....MACHINATION
>
THE SERPENT COILED AROUND THE EARTH
CONSTRICTION DRESSED UP AS EXPRESSION
HIS MACHINATIONS....HAVE UNFURLED
HIS GOAL….TO MAKE THE LAST IMPRESSION
>
HE WALKS THE EARTH, OR DRIVES A HEARSE
REGISTERS EACH BLESSED BIRTH
REPEATS THE ROLL CALL, DAWN AND DUSK
COUNTS THE OBOLUS IN HIS PURSE
>
THE SERPENT COILED AROUND THE EARTH
CONSTRICTION DRESSED UP AS EXPRESSION
HIS MACHINATIONS....HAVE UNFURLED
HIS GOAL….TO MAKE THE LAST IMPRESSION
>
HE WALKS THE EARTH, OR DRIVES A HEARSE
REGISTERS EACH BLESSED BIRTH
REPEATS THE ROLL CALL, DAWN AND DUSK
COUNTS THE OBOLUS IN HIS PURSE
>
HE WALKS THE EARTH, OR DRIVES A HEARSE
REGISTERS EACH BLESSED BIRTH
REPEATS THE ROLL CALL, DAWN AND DUSK
COUNTS THE OBOLUS IN HIS PURSE




SICK WORLD WITH A HEALTHY REFLECTION (A GOLDEN FLEECE THAT SPREADS DISEASE)

YOU CHASE THE VOICES FROM MY BRAIN
AND THE NOVACAINE REDUCED THE PAIN
BUT ACTS OF KINDNESS DON'T IMPRESS
YOU CARE TOO MUCH, I COULD CARE LESS

AND THIS, IN A NUTSHELL, BE THE SELFISH SERMON
SELF PRESERVATION AND THE SELFISH GENE
WITHOUT AFFECTION, WITHOUT REFLECTION
COMPLETE REJECTION OF THE GOLDEN RULE

AND THESE BE THE WORDS OF THE CHILDREN OF JINN
WHO EMULATE THE THINKING OF THE PHOSPHOROS ONE
AS GOG IS OUR WITNESS, AND AS THICK IS OUR SKIN
WE FREELY PLEDGE ALLEGIANCE AS WE WALLOW IN SIN

YOU CHASE THE VOICES FROM MY BRAIN
AND THE NOVACAINE REDUCED THE PAIN
BUT ACTS OF KINDNESS DON'T IMPRESS
YOU CARE TOO MUCH, I COULD CARE LESS

HOODWINKED, THEY LIKE TO THINK
THEY HAVE THE SENSE TO SPOT THE CHINK
TO SEE BEYOND WHEN BEING CONNED
THEIR MINDS, THOUGH, ARE FILLED WITH MISSING LINKS

PROJECTS AN IMAGE....SQUEAKY CLEAN
BUT HAS AN EYE FOR THE OBSCENE
AND EVERY NIGHTMARE IS A DREAM
A GOLDEN FLEECE THAT SPREADS DISEASE

PROJECTS AN IMAGE....SQUEAKY CLEAN
BUT HAS AN EYE FOR THE OBSCENE
AND EVERY NIGHTMARE IS A DREAM
A GOLDEN FLEECE THAT SPREADS DISEASE

THIS THOROUGHLY ULTRA-MODERN PARASITE
BELIEVES YOU'RE SOMETHING VERY GOOD TO EAT
BELIEVES THIS WORLD SITS A TOP....A MOUNTAIN OF HATE
THAT EMPATHY WILL ALWAYS BE A ONE-WAY-STREET

MACHINATION....

SICK WORLD....WITH A HEALTHY REFLECTION
DECEPTION BE THE TRADEMARK OF THE SNEAKIEST DECEPTION
SIN IS THE ELIXA.....LIFE AND DEATH THROWN IN THE MIXER
THE CURE, A PANACEA....A GOG OF MAGOG CONCEPTION

A GOG OF MAGOG....MACHINATION

SICK WORLD WITH A HEALTHY REFLECTION

MY MIND HAS A MIND OF ITS OWN
>
MY MIND HAS GOT THE BEST OF ME
PROTESTING THAT I’M CONTRARY
BUT WHO AM I TO DISAGREE
SO MUCH BETTER TO BE CIRCUMSPECT
THAN OVERSTEP SOME SACRED BOUNDARY
>
MY HEAD CONTAINS AN OCEAN
ONE THATS CONSTANTLY IN MOTION
AND AMIDST ALL THIS COMMOTION
I NEVER GET TO BE THE MAN I WANT TO BE
>
NOW THE BATS ARE IN THE BELFRY
LOCKED AWAY IN MY MEMORY
WITH ONLY ROCKS FOR COMPANY
CONCEALED UNDER A LOCK OF SHIFTING HAIR
>
ACCESSED WITH THE TWIST OF A SKELETON KEY
>
MY MIND, MY MIND
>
MY MIND HAS A MIND OF ITS OWN
SO I’M….NEVER ALONE
>
NEVER HAVE TO THINK FOR MYSELF
OR LOOK AFTER MY HEALTH
CAN JUST GO WITH THE FLOW
SIMPLY SAY, I DONT KNOW
SPEND THE DAY STARING OUT OF THE WINDOW
>
I’M OUT OF MY MIND
>
EARNED LONG AGO TO KEEP MY PLACE
TO NEVER SHOW MY REAL FACE
TO DO SO WOULD DISTURB THE FLOW
TO DO SO WOULD OPEN THE WINDOW
>
MY MIND, MY MIND
>
I ONLY HAVE ONE MEMORY
THE DAY I CHOSE TO DISAGREE
I BEGGED TO DIFFER, FOOLISHLY
AND PAID THE PRICE EMPHATICALLY
>
MY MIND, MY MIND
>
MY SILVER LINED MIXED UP MIND
CAN SOMETIMES LAG BEHIND
WITHOUT WARNING, EVERY MORNING
HE KEEPS PULLING DOWN THE BLINDS

MY MIND HAS A MIND OF ITS OWN

Music: Jan Schonander & Belial Pelegrim  https://soundcloud.com/belial-pelegrim

MAGRITTE ORANGE CLOUD

Plus ça change
(The more it changes)
Plus ça reste le même 
(The more it stays the same)

Magritte Orange Cloud

Cast of Characters:

David Marconi — @david-marconi-917184705 — electric guitar, bass, foundation synth plus midi percussion and assorted traditional voices, production, mix, and composition
Elpiverse — @elpiverse — Elpi -- vocals, vocal composition and production
Ron Lewis — @ron-lewis-779503933 — synth 
TexMex Shaman --  @texmex-shaman –Stephen– sitar and mastering
Mistermark – @user-432503709 – Mark – talking drum
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- synth flute and ambient synth
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 5-string fretless bass
AliasZen (Elpi's husband) — artwork (created with the help of AI)


This song began with David, who wrote it on the guitar, synth, and bass over a programmed beat he created. He and Josh met more than two months ago and decided to do a collaboration, based on mutual enjoyment of and respect for each other's music. Dave had this song pretty much fleshed out, although it was still a skeleton when he offered it to Josh, who, of course, got the rest of the Eclectic Collective involved. 

  Dave asked us all to compose our own parts for the song, so we all got to work right away doing that. We all realized that the first order of business would be to get a real beat on this, so Ken accomplished that task with some dynamic, Eastern inspired drums and percussion, which he plays throughout the song. JJ then stepped in and added his best eastern flute magic. Stephen was next with the perfect-vibe sitar you hear in the first two sections. 

  Josh came next to add his five-string fretless bass to the mix, augmenting David's high, staccato bass with his deep, low tone bass. Then, for the third section, where David's Gilmore-esque guitar solo resides, Josh drops out, allowing for Dave's awesome bass playing in that section. However, Josh does come in again towards the end, in the final section, too. Also, in that section, Tez dropped an augmented, harmonic, electric fire, complementary guitar part. Then, David's frequent collaborator and friend Ron added some well blended, ethereal synth to the first section, too.

  Once we had the instrumental parts pretty much laid down, we began to discuss getting a woman to sing on this, as David was inspired by The Great Gig in the Sky, by Pink Floyd, and we all agreed. Who we found to do it actually blew all of our minds. JJ, being familiar with her music, contacted Elpi first, and we were all lucky enough that she agreed to do it. Having heard Mediterranean music all her life in Greece, she tapped into what her husband said were her "ancient Greek roots," for her spectacular vocal performance. She finds all the modal notes and places them perfectly throughout her sections. 

  But before we were done, Mark came through with some really striking talking drum parts in the first two sections, too. Once we had everything in the can, David took over, both with some masterful editing and production, and with the balanced, dynamic mix. The mix was a formidable task, but he did it with considerable skill, also taking everyone's opinions into account, which is a talent in and of itself. When he was done with the mix, he turned it over to Stephen for the mastering, which the latter did to everyone's satisfaction, as always.

  This is the first song the Eclectic Collective has done with David, Elpi, and Ron, and we all hope it's the first of many, as we welcome them into the EC family. They all have some wonderful music on their pages, too, so do yourself a favor and check out all of them, as well. We hope you enjoy listening to this song as much as we enjoyed creating it.

The Siege

The Siege : by David Marconi featuring Elpiverse, Ron Lewis & The Eclectic Collective

Music & Lyrics: Jan Schonander

EYES WIDE OPEN

The leaves are changing
There’s a chill in the air
So many people
Walking the same path

I hope they know
I hope they see

I chose a different road
I chose a different way
And now my eyes are open
My eyes are wide open

I’m on another hill
I watch as they pass me by
They seem to know
They have their destination

I hope they know
I hope they see

I chose a different road
I chose a different way
And now my eyes are open
My eyes are wide open

Such a wondrous time
So many colors
So many lives

All joined together
Some left behind
There’ll be another day
Another day

I chose a different road
I chose a different way
And now my eyes are open
My eyes are wide open

Eyes Wide Open

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by JamTracks247 and all credit goes to him for the music track creation which I have listed below. Check JamTracks247 on YouTube. The links below are to the original material by the artist.  

Obtained from: JamTracks247
YouTube site: https://www.youtube.com/@JamTracks247
Backing Track Title: Nostalgic Retro 80s Ballad Guitar Backing Track in E Major (85bpm)
YouTube Track channel: https://www.youtube.com/watch?v=tFgpY_smq_I
BandCamp site: https://jamtracks247.bandcamp.com/

Date: 1/12/25
Song Title: To Be With You
The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 92 Jackson DK1 with HSS configuration
Color: White Jackson DK1 
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: Archetype Rabea X
Preset: Cloudy Synth Lead
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

Encounter_00X

To Be With You

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by ABT- Ambient Backing Tracks and all credit goes to him for the music track creation which I have listed below. Check ABT- Ambient Backing Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: ABT- Ambient Backing Tracks
YouTube site: https://www.youtube.com/channel/UCNjV5B10UlG35HSKYJNKiOw
Backing Track Title: Soft Inspiring Backing Track (F minor) | Ambient Backing Track #249
YouTube Track channel: https://www.youtube.com/watch?v=HL3Qrj8KMFI
BandCamp site: https://cyrilmichaud.bandcamp.com/

Date: 1/20/25
Song Title: A Romantic Conversation
The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 92 Jackson DK1 with HSS configuration
Color: White Jackson DK1
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: Archetype Rabea X
Preset: Airy Guitar Pad
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

A Romantic Conversation

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by YT Jam Tracks and all credit goes to him for the music track creation which I have listed below. Check out YT Jam Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: YT Jam Tracks
YouTube site: https://www.youtube.com/channel/UCdMqonsla0BK21Fnf9Qx5Wg
Backing Track Title: Cool Uplifting Rock Backing Track in B Minor
YouTube Track channel: https://www.youtube.com/watch?v=O2TowO9jKdE
Bandcamp website: https://ytjamtracks.bandcamp.com/track/cool-uplifting-rock-backing-track-in-b-minor

Date: 1/20/25
Song Title: Frequencies Of  Love
The lead, improvising over the track was done with the following;
Picture with Track: Is the Gear I used to play through
Guitar Used: 92 Jackson DK1 with HSS configuration
Color: White Jackson DK1
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: Archetype Rabea X
Preset: Shaman Synth
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.

Frequencies Of Love

a remake I did last night of a classic song

LAST KISS (COVER/REMAKE)

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by YT Jam Tracks and all credit goes to him for the music track creation which I have listed below. Check out YT Jam Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: YT Jam Tracks
YouTube site: https://www.youtube.com/channel/UCdMqonsla0BK21Fnf9Qx5Wg
Backing Track Title: Sweet Melodic Rock Backing Track in G Major
YouTube Track channel: https://www.youtube.com/watch?v=2sZtool2-BE
Bandcamp website: https://ytjamtracks.bandcamp.com/track/sweet-melodic-rock-backing-track-in-g-major-3

Date: 2/14/25
Song Title: I Do For You V11
The lead, improvising over the track was done with the following;
Picture with Track: Is the Gear I used to play through
Guitar Used: Ibanez Premium RG921QMF with HH configuration
Color:  Blue Quilt
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: JST ToneForge Jeff Lomis
Preset: Shy Noon Clean
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.


I Do For You V11

JE SUIS EN VIE

two feelings in one, thanks for listenin...I like the second feeling the most...each to their own. I would love to hear ur comments positive or negative...I love feedback


IF YA DIRTY

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by Simone Balsamo and all credit goes to him for the music track creation which I have listed below. Check out Simon's Backing Tracks on YouTube, The links below are to the original material by the artist.  

Obtained from: Simon's Backing Tracks
YouTube site: https://www.youtube.com/@SimonsBackingTracks
Backing Track Title: Sad Backing Track In D Major 90 BPM [ GUITAR BACKING TRACK ]
YouTube Track channel: https://www.youtube.com/watch?v=0fOsHJkKaQw

Date: 3/9/25
Song Title: Blind Eyes & Deaf Ears V12
The lead, improvising over the track was done with the following;
Picture with Track: Is what the Guitar looks like.
Guitar Used: 91 Ibanez RG550 with HSH configuration
Color: Purple Metallic 
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: Archetype Plini X
Preset: Vestiges-Atmos-04
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.





Blind Eyes & Deaf Ears V12

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by YT Jam Tracks and all credit goes to him for the music track creation which I have listed below. Check out YT Jam Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: YT Jam Tracks
YouTube site: https://www.youtube.com/channel/UCdMqonsla0BK21Fnf9Qx5Wg
Backing Track Title: Deep Atmospheric Melodic Rock Backing Track in A Minor
YouTube Track channel: https://www.youtube.com/watch?v=4OHDYOMZ2Dw
Bandcamp website: https://ytjamtracks.bandcamp.com/track/deep-atmospheric-melodic-rock-backing-track-in-a-minor-5

Date: 3/23/25
Song Title: Memories of Absolute V12
The lead, improvising over the track was done with the following;
Picture with Track: Is the Gear I used to play through
Guitar Used: 91 Ibanez RG550 with HSH configuration
Color: Purple Metallic 
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: JST Toneforge Jeff Loomis
Presets: Naima Lead
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.



Memories of Absolute V12

la...lala la..

DESINVOLT ( démo )

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Your Mix 6

Shock the Algorithm