26 Surprisingly Epic Electronic Tracks! Inspired By Daft Punk, Chemical Brothers, and Royksopp. Straight From Chicago To Your Ears Listen To "Elevated" Be The 1rst To Like & Share Something New. https://soundcloud.com/dj-m-e-129290204/sets/elevated

4U" 148k plays summer vibezzz Check itt <<<<< soundcloud.com/djmattkelly/4u-1?in=djmattkelly/sets/the-oceana-tape

got some good bleeps and bloops here. respect.

Psychedelic Electronic: Trips

A Jam between Panda Bear and Maral
All Proceeds go to Sweet Relief, you can grab the track here: https://maral.bandcamp.com/track/on-your-way-ft-panda-bear

Produced by: Maral and Panda Bear
Artwork by Annapurna Kumar
Mixed by Trayer Tyron
Mastered by Z. Emerson at Doom Trip Records

On Your Way ft. Panda Bear

Ossature

'V' on Spotify

RmZ 44

bc017.wav
#94392d

spotify • https://sptfy.com/7UBy

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• twitter.com/barcodenoun
• instagram.com/barcode_noun/

The Plagwitz Drum Incident

Frank F Nagy - Pulse Tears

Ahead of the release of Rhein-Main based duo INIT's (Benedikt Frey and Nadia D'Alò) debut album "Two Pole Resonance", Hivern Discs shares a full stream of the opening track "Take a Long Walk", with its initial sun drenched kosmische sounds slowly dissipating with the arrival of D'Alò's eerie vocals into the sinister and mysterious mood which echoes throughout the album.

Order vinyl and CD: bit.ly/1LH95VM


INIT - Echoes

Yoshinori Sunahara ‎– Lovebeat (Yasuharu Imai a.k.a. 4533 House Edit)

ELI KESZLER 'FLYING FLOOR FOR U.S. AIRWAYS'

Extract from STADIUM (SP099), out October 12, 2018
2XLP / CD / DL — SHELTER PRESS

—

New York-based artist Eli Keszler is at the apex of his career. This year alone he’s had a three-month-long solo exhibition (“Blue Skies” at Fuse Arts, Bradford, UK), performed internationally in a duo with Laurel Halo, collaborated with noted Hungarian author László Krasznahorkai, taught experimental composition and performance at Camp in the Pyrenees mountains, composed music for Turner Prize–winning visual artist Laure Prouvost, and most recently embarked on a world tour with Oneohtrix Point Never.

“Stadium” is his new album for Shelter Press. As his ninth solo record,“Stadium” reflects his move from South Brooklyn to Manhattan, where he produced the album. The constant blurry motion and ever-changing landscapes of the fast-paced island helped him modify and shape his sound into a new kind of film noir. “After we moved into our East Village apartment,” Keszler explains, “we found a guitar pick on the floor that read ‘Stadium’. We looked at each other at the same time and had the same thought. It could have gone any number of ways.” Indeed, there is a startling amount of expression at play on each track, where intersections of melody, restraint and rhythm are used to challenge the idea of memory, impression and space.

Keszler is often mistaken for an electronic musician, but in fact his sounds are raw and natural, produced by hand live in-situ. His performance with the drumset and acoustic percussion are central to his work. He produces almost impossible textures through self-realized methodologies: cascading melodies, a shadow of voices, and a unique pointillistic materiality. Although playing with the intensity of digitally-created music, his communications are done live with no processing. These haptics are what give “Stadium” its depth and its warmth. In a recent interview for Dazed, collaborator Oneohtrix Point Never comments, “I’ve always described his playing as bacterial. He’s able to parallax into very small, very acute, very specific relationships between percussive textures. It’s beyond just being a drummer—he’s a world-building percussionist.”

In “Stadium,” Keszler uses lived experience to realize the most wide-ranging sound he’s created to date. “Stadium” draws out textures from overlapping geographies (from Shinjuku arcades to city streets and Brutalist architecture) and transforms these travelogue field recordings into starting points for composition. He then builds on these environments to create subliminal spaces for his percussion, keyboards and acoustic instruments. His “world-building” techniques are pushed to new levels with mesmerizing string and brass arrangements. Throughout the album, Keszler’s writing, keyboard playing and scoring operate like a sonic channel that transports the listener into a quaking web.

Perhaps this is the “stadium” referred to in the title: a larger network of sound and bodies moving continually, oscillating and turning in on itself. Keszler has explored these ideas before both in his visual work and sound installations—especially notable on projects such as his massive Manhattan Bridge installation ‘Archway’ or his Boston City Hall work "Northern Stair Projection." “Stadium” takes these long-running ideas to new depths. “My installations work with massive city spaces for a complex of individuals,” Keszler states. “The recordings on Stadium are inverted. They are landscapes scaled for the singular. Like a mass collecting in one arena, this music compresses city spaces, genre and instrumentalism into an amorphous form. On the record, there are ruptures of information and happenstance. Like a game, it could go any number of ways.”

Stadium

ELI KESZLER 'FLYING FLOOR FOR U.S. AIRWAYS' (SP099)

Stream/Download: http://maddecent.fm/moyashikids 
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Moyashi Kids

Stream/Download

I've always been a massive fan of Boards of Canada, if its not obvious already!  10-11 years ago I stumbled upon a bootleg recording of one of their extremely rare live performances at the Warp 10 Birthday party in 1999.  The closing tune at this show has always remained a mystery to me.  As far as I know it has no title and has never been released.  It's quite possibly one of my favorite things they have done and really is a shame it never came out.  You can hear the original bootleg recording (quite bad quality) here : http://www.youtube.com/watch?v=PYEZueAelKc

Fast forward to Summer 2012...  Since I am a huge nerd I decided to take this bootleg recording and re-produce it for fun.  Using the recording I laid new drums over the existing drum patterns (almost 100% accurate to original), replayed some synth parts and the bassline.  The only thing I didn't try to re-create was the original vocoder parts and some random samples so I used the bootleg recording for that.  I was tempted to make a shorter 4-5 minute version but I figured I should preserve the piece in its intended length (although the length was most likely due to it being a live jam).

Downloads limited to 100 (sorry I still haven't upgraded my account).  I do not claim rights to the original nor do I intend to ever sell this.  Not sure if I'm violating anything or not with Soundcloud so grab it quick!

Update : Ha! Somehow the 100 download limit thing got bypassed, so download freely!
Updated Update : This should work! http://soundcloud.com/selftitledmag/boards-of-canada-untitled/download

BoC - Untitled (Machinedrum Edit)

I usually don’t write about feelings or experiences, my music is not a vehicle for ideas and language; music is an art form that stands on its own. I put sounds there for the sake of sound, not what they mean. I’m perfectly fine with listeners feeling their own emotions or adding their narratives to my music, but that has never been my goal. Music and sound for me is a physical experience that you feel and enjoy. FIGURE BESIDE ME is the exception to the rule. After this EP I’ll go back to serving the dancefloor again - I just need to get this one out of me.

STREAM/BUY: https://objectblue.lnk.to/FIGUREBESIDEME

FIGURE BESIDE ME

FUCK THE STASIS

BUY ON BANDCAMP

NTS RADIO FOODMAN HOUSE SET LIVE

Order 'The Mosaic of Transformation' at: https://ghostly.com/products/the-mosaic-of-transformation
Or at the retailer of your choice: https://ghostly.ffm.to/kaitlyn-aurelia-smith-the-mosaic-of-transformation

Mosaic of Transformation

The Mosaic of Transformation

Kaitlyn Aurelia Smith - Expanding Electricity

Artist: Donato Dozzy
Title: Sanza High
Álbum: The Tao 
Label: Samurai Music
Format: Vinyl 12'', Digital
Release: November 27h, 2020
Buy link: https://bit.ly/3n2CQIi

One of our proudest accomplishments of 2019 was releasing the very first 170bpm tune from Donato Dozzy. Predominantly known as a Techno artist / DJ, Donato’s musical career is increasingly diverse. From his collaborative work with Neel as Voices From The Lake to his experimental ambient solo works, and his recent LP for Raster alongside Eva Geist stretching into synth pop, the maestro effortlessly reshapes any chosen sound with his distinctive touch.

Many were surprised by Donato turning to 170bpm production for his remix of Homemade Weapons ‘Svalsat’ but those who have researched or experienced much of Donato’s history will likely have imagined it in advance. As a 12 year resident at Rome’s Brancaleone - the storied Italian squat / cultural centre / underground club, Donato began introducing DnB into his sets in the mid 2000’s and more recently his sets posted online for Resident Advisor and Terraforma showed the maestro adeptly working DnB into his impressively tempo hopping journeys.

Naturally we hoped there would be more 170 productions coming after the remix and after a short time, the tracks for The Tao began appearing as the hardware hypnotist had refined his approach to the new tempo.

More information and promos: info@tforgotten.org
Follow us on Instagram: https://bit.ly/3dIwmu6
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DISCLAIMER: All tracks are loaded in low quality for promotional purposes only and with purchase links to respect the label and the artists.

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The Tao

Donato Dozzy - Sanza High [Samurai Music]

Order 'Retrace Remixes' at: https://ghostly.com/products/retrace-remixes
Or at the retailer of your choice: https://ghostly.ffm.to/lusine-retrace-remixes

Retrace Remixes

Lusine - Retrace (Loraine James Remix)

Producer/DJ/Painter
【contact】ichiqupa@gmail.com 
【US】masa@icartists.net

The electronic underground, from minimal beats to ambient and everything in between. Curated by SoundCloud.

Moyashi Kids

食品まつり a.k.a foodman

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mellow

DJ M.E🏆

𝙃𝙖𝙢𝙤𝙜𝙖𝙨𝙝𝙞 ⛩️

KaniPari

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