So yeah, that's the almost 5 minutes that i just enjoy of the Rival Dealer. Thanks <3

Tasty vibes

Taken from Visionist's "I'm Fine" EP out now.

PURCHASE: http://boomkat.com/downloads/793468-visionist-i-m-fine

NYLON track of the week http://www.nylonmag.com/?section=article&parid=9871

"South London producer Visionist is one of a new wave of young artists engaging with the ever-mutating sound of grime and taking it to new places. He’s been bobbing about since 2011, putting out highly-strung instrumentals on a handful of 12”s, and now comes his debut EP on Lit City, I’m Fine (out September 3), which features a collaboration with New York producer Fatima Al Qadiri.
Al Qadiri's synth-line warning signs are both alluring and insidious, like the wink of a star that’s long since burned out, while Visionist twists handfuls of bass into a shadowy second melody. It’s as if the two producers are dancing around one another, sizing one another up; intrigued yet not without suspicion."
- Pitchfork

"Two of the underground’s most exciting prospects from both sides of the Atlantic have joined forces. Brixton’s Visionist and New-Yorker-by-way-of-Kuwait teamed up for The Call, which features both artists trademarks in spades, Fatima’s ghostly church hall melodies and Visionist’s icy minimalism. Proper pairing"
- Abeano

"Late last year, we spoke to Fatima al Qadiri about her enduring love for grime, which she described as “icy cold” and “full of threats.” Both qualifiers feel well-suited to “The Call,” a track she co-recorded with London producer Visionist for the latter’s upcoming I’m Fine LP, and which suspends ethereal synth sounds and a game-ready bassline in a tension-filled, unresolved limbo. Fans of al Qadiri’s Desert Strike EP will recognize some of the same eerie choir sounds, but for the most part, “The Call” is remarkable for its sense of space—especially considering that there are two cooks in the kitchen."
- The FADER


"Recently, we got word that the Teklife-affiliated Lit City Trax would release two records from burgeoning London producer Visionist. The anticipation we had for his first release, the I'm Fine EP, was palpable and now we have our first taste. "The Call" is a collaboration with fellow innovator Fatima Al Qadiri, and it's a doozy. Instead of assaulting listeners with heavy kicks and snare hits, the two create a storm of bass lines and vocal-styled synth pads. "The Call" sounds like the quiet before a desert battle, with equal measures of dread and anticipation waiting behind each resonating note."
- Ad Hoc

"Conceptual New York-based artist Fatima Al Qadiri features on the new EP from South London-based grime shapeshifter Visionist in the form of this icy new track The Call. Underscored by a warped bass line and punctuated by Al Qadiri's familiar robotically angelic vocal samples and synth jabs, the overall effect is one of caution and paranoia, leaving us with chills but far from cold."
- Dummy Mag

http://twitter.com/LouisVISIONIST || http://www.facebook.com/LouisVISIONIST

Visionist & Fatima Al Qadiri - The Call

BVS - Por favor

Burial Come Down To Us

¡Ay!

Dicen

50 Shades Of Grey Trailer Song   Crazy In Love (Beyoncé Cover)

'Violence' is the first track to be taken off Andy Stott's forthcoming album 'Faith In Strangers' due for release via Modern Love on November 17th/18th 2014.

Andy Stott - Violence

Written, recorded and produced by BEA1991 and Liam Howe (AMP). 
Mastered by Tom Ruijg.

SCREAKER!

I Feel Roads

Movement - Control You [Modular Session]

Ritual of the Electric Moon

Avicii - Feeling Good (feat. Audra Mae)

this is a rip from my vinyl of The Gate, which has a lovely extra flute passage at the end that isn't in the digital version.

i don't own copyright for this track please don't block this lol

The Gate - Bjork (vinyl version)

16-bit remixes.

seventh in an eight-part series of remixes of tracks from björk’s biophilia album.

buy links : 
http://bit.ly/bjorkstore 
http://bit.ly/oli_shop

björk : hollow (16-bit remix)

All Wet

Freezing Out (feat. Peaches)

Coil - Triple Sun

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: https://bit.ly/2XtJGvQ

Phoenix: Flames Are Dew Upon My Skin

Eartheater - How To Fight (PAN 112)

NewYorkInside_Me Insta project🎧
Djing Rusa.fm

Burial Come Down To Us

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