Released 02/09/13

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Love Over Will

Dust

The Kingdom Is Ours

Buy on beatport

Can't Stop is Jonathan Kaspar's debut EP on Maeve.

The title track runs to almost 12 mins and although debated and discussed many times, both the artist and label felt the track needs this length to fully intoxicate a dance floor. It is, in short, a trip.

Mano Le Tough steps up on remix duties for Can't Stop and delivers his signature magic touch. Littered with live percussive elements, it takes the original to deeper hypnotic level before firing the machines into life and surprising the listener with a soaring hook and glittering melodies.

Come Close is a straight up, heads down techno roller, made for late nights and hazy mornings in special dancing spaces. Rounding off the release is, "Too Late But Sorry", a sweet track that is reminiscent early Kompakt records in its beauty and pace.

All four tunes have their place in any DJ set and already have found an adoring audience the world over, it's fair to say we are extremely proud to have this on Maeve.
credits
released October 12, 2023

Mastered by Gio Conti

Jonathan Kaspar - Too Late But Sorry

Remix for Alessio Pagliaroli feat. Benjamin Frnkln on Moodmusic Rec. 156, released 15th december 2014.

Alessio Pagliaroli - Chance A Glare feat Benjamin Frnkln (Peter Pardeike Remix) full length preview

Lake People __ Purposely Uncertain Field __ Glease 29

Afterthought - 120 bpm -

a preview to my upcoming "Placid" LP on  Absurd Recordings / Acid Test​ coming later this fall.


Photo art by Lisa Lydzius

Recondite - Pass Up

Bot'Ox - Basement Love (Original)

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(c) I'm A Cliche 2012

Bot’Ox present “Basement Love”, the first part of their second album “Sans Dormir”. Two years after their previous LP “Babylon by Car”, Cosmo Vitelli and Julien Briffaz decided to unveil this new project through six different moments - call them EPs - like six volumes forming a single story, each one being released every two months. 

The slow title-song “Basement Love” is released as a way of introduction, along three dancefloor remixes that lift this “basement” up in the air.

A1. Basement Love
A spectral voice, some deep bass sounds and resonating drums... This basement could feel oppressive. Instead, it is warm and filled with feelings and loving matters. The vocals are sung by the Foremost Poets aka jOHNNYDANGEROUs who was already featured in Bot’Ox’s “Perfect Pair” EP in 2011. The American DJ and performer is renowned for some underground classics like “Beat that Bitch with a Bat” or “Moonraker”. 

A2. Basement Love (Pachanga Boys Point of View)
Rebolledo and Superpitcher, the two guys from the so-called “hippie dance” act Pachanga Boys, turn the pop song into a 12-minutes-long techno trip. Their faithful use of the original’s parts dramatize the whole as if to bring the song to another level. 

B1. Basement Love (Cosmo Vitelli remix)
Half of Bot’Ox and I’m a Cliché label’s head Cosmo Vitelli gives his personal take on Basement Love. The DJ legitimately aims at rocking the crowd, through characteristic twirling basslines and twisted stacked layers.

B2. Basement Love (Richard Fearless remix)
Richard Fearless, the man behind UK band Death in Vegas makes a paranoid dance track where sirens, storms and inside demons ally. Dark hallucinations come as no surprise from a man whose music has always been psychedelic in various ways.

Bot'Ox - Basement Love (Pachanga Boys Point Of View)

Recondite - On Acid (Acid Test [ATLP01]) - Vinyl - 2012, MP3, 320

03. Recondite - Felicity

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Get Douglas Greed's LP on @3000-grad Records here:
➟ All Platforms: https://www.douglas-greed.com/linktree

"Roll With The Punches" is the second single taken from @douglasgreed's forthcoming album "Angst". It shows his talent for tracks that dress up as songs. The vocals and lyrics by his friend @joy-wellboy paint a sweet - sour picture that is able to give you much needed sun in the morning. It as a warm blanket that emerges out of thin air and is here to stay. The track thrives to the moment when all the sorrow and fears fall down the edges while you stay there and enjoy the sight of waves.

trndmsk: How long did it take you to produce the album?

Douglas Greed: I think the oldest track is more than four years old. I didn't wake up one morning and told myself „lets make another album“. It was rather a slow process and at some point i had a couple of tracks that fit together. And then came the idea to have an album that is about „Angst“.

How did you choose the title of the LP? Is there a special meaning behind it?

These past couple of years felt like everything was a bit out of control - a bit out of tune. Starting with the UK voting for Brexit, then the US electing the worst human being into office and even Germany french kissing with fascism. That seriously kept me up at night! I was afraid - i am afraid. This helplessness was new to me - i never thought that things could turn this bleak. Who in his right mind would vote for a dude who says „you can grab them by the pussy“ or how can it be that German people vote for a fascist teacher … ?

And then there is climate change … That seriously scared the shit out of me.
So i decided to see how i can put this into music. But not just political rooted fear but also personal fear that comes with being an artist.

What inspired you to produce the tracks and the LP?

There are songs with guest musicians that gave the „Angst“ theme their own spin and there are a couple of tracks without vocals. With those instrumental tracks i tried to catch the bitter-sweetness of fear, as it is also the driving force in my life.

Where and how did you produce the tracks?

I produced most of the tracks in my studio in Berlin. For some of the recordings i drove to Switzerland to record and talk with ODD BEHOLDER.

How did the collaborations come about?

I talked with ODD BEHOLDER and Joy Wellboy about my ideas of "Angst" and asked them to put their own approach into vocals, Lyrics and riffs. Which was quite interesting for me as everyone of us has a different relationship with fear and the way it impacts their life.

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Afterthought - 120 bpm -

THONES

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