Name: Metal Sound by METAL INSTRUMENTAL (GUITARRA ELECTRICA) in Your MegaMix
Duration: 3 min 9 s
Description: A quien le guste metallica le gustará "Sound Metal"

Its like Indie Metal!! Fantastic!!!💯🙏

It gave me a lot of Black Sabbath's Paranoid vibe, just excellent \m/

Your MegaMix

This one is played on my Alesis QS7 keyboard. I change sounds toward the end.

Drawbacks Of The Future

Outro Anesthesia

Firebird 400 ~ Outro Anesthesia

My favorite Beatles song… since I can remember!! All recorded on “ touch” instruments @ GarageBand!!!

Strawberry Fields Forever ( The Beatles cover )

Paola Madeleine:  Vocals
Ben Juul:  Drums, Mix & Master
Dirk Taubenheim:  Guitars, Bass, Vocals

This song is based on the great series "The Chosen", which portrays Jesus in a very different way than usual. Here you can see why He wowed people so much! Many thanks to Paola for her incredible vocals and to Ben for friendship and musical support!

He will come  ft. PAOLA MADELEINE

In collaboration with the poet Jo Richter @sonic-textures. This track explores the evolution of the human condition... enjoy

Humans

Bakhmut

Demo idea- Can't quite seem to nail the vocals...

TIDAL

Use. Abuse. Obtuse.

A quien le guste metallica le gustará "Sound Metal"

Metal Sound

This a song for all the young Irish Guys and Girls who have had to emigrate to Australia, New Zealand, Tasmania, Canada and the Sahara Desert, I know how you feel just wanting to back in Ireland in the Cold & The Rain. ha ha 
Enjoy. It's a fun song to listen to when your drinking your cool beer.
Written, Performed and Mastered by : Johnny Mc .

So Hot

Hi friends, I am happy to share with you another deeply experimental work that I've created in collaboration with Jo Richter a.k.a. Sonic Structures and Silent Stretches @sonic-structures and Stonerjazz/Jeff @user-911083679

Jo composed an epic long-form poem called 'Departure' that is broken up into 13 'cantos'. He invited me and Jeff to work with him on converting the poetry into a series of musical soundscapes and this is the first resulting mix from me, that is built on top of a track that Jeff produced and released recently: https://soundcloud.com/user-911083679/canto-vi-jeff-unrulywav

Perhaps fittingly, we decided to start in the middle, with 'Canto VI'. Jeff's version contains a full reading of the poem, which gets somewhat buried in my version of the mix. Layered on top of this, I pulled out key passages from the reading, and used them to continue experimenting with splicing and (software) tape manipulation techniques that I've been developing lately. In addition to Jeff's musical backdrop and Jo's spoken word, the rest of the mix is built upon field recordings taken by Jo that I chopped up to create rhythmic/percussive elements which I think add some interesting color and texture. 

Thanks for joining us on this wild ride! If you find this track interesting, then please keep an eye out for future installments in the series. They will be compiled here: https://soundcloud.com/sonic-textures/sets/departure-a-long-poem-in

Here is the full text of Departure - Canto VI, the inspiration for this track: 

Canto VI

This spire, she continued, is but the lasting remnant
of a cave. The very first one to be adorned with ochre
drawings. The very first one in which olorine bone
was carved to sound a flute. All the surrounding
land has sunken since that golden age – but for this
place. Here, Apollo handed the lyre to Orpheus.
A spire now, it has been maintained by entertaining
visitors ike you and by hosting muses like myself.

Now, she pursed her lips, we live in utter confusion.
The inside protrudes like a lofty spire while
the outside caves in like a poet‘s drawer. It is
the epoch of the common, shared arts withdrawing.
The innards of ideologies chaperoning fervent
industries are digesting all there is, all life, all things. 
Consumption prevails; generation has to retreat
to clandestine niches, obscure, barely beheld.

These are tough times for poets, for artists, for
fragile senses and minds. Still, the spire prevails.
Why, do you think, that is? - He felt his breath soften
as he replied: I do apologize for mistaking you,
the first listener and co-creator of art. You are the one
who heard the song Orpheus sang. It was selfish to
think of you as a muse, relating only to me, my art. 
You have listened to the spire and you did understand.

That is how things used to be, she sighed. The poet served,
as you have learned before, those who live to listen well.
He endured the toil of art, they enjoyed the foils of art.
Then the concept of the muse – all upside-down – was
deviously formed to aid the annihilation of the awkward art.
Now that you are aware of this, you soon will have to
leave, as you well know. You have received the only gifts
that this place has to offer, which are a story and some rest.

Is there a way to stay, he asked? I do not want to
compose mixed-up poems in a jumbled-up world. This is
what you are wont to perform, she insisted. But will
I be able to take to shelter when exhaustion takes
over my senses, he asked? You won‘t, she replied,
this is how you serve and die, as any living poet does.
A matter of trust and choice of environment cannot
be settled by impersuasive evasive manoeuvres

Jumbled-Up World (Departure Mix 1): a reimagining of Jo Richter's Canto VI poem, ft. Stonerjazz

All In My Dreams

This is a song I'm very proud of because it's a musical family photo of the first time my son Marshall and I ever played string instruments together. He had just turned 9, and had only been playing the fiddle for about two months. I told him to hit an open D and the E for four beats of two measures, only I didn't say it like that. I just played it for him and he was able to keep a good rhythm for about four minutes! Originally, this song was just him on violin and me on mandolin, but I went back and added some bass, too. I really hope you enjoy my Fathers Day treat. I told him I'd let him know how many people listened to it, and show him the comments. He's come a long way since then, about 7 months ago, but this recording is very special to me, and I really wanted to share it with my SoundCloud family. Thank you so much for giving it a listen, and happy Fathers Day to everyone who is or has a father!

First Ever Marsy-Daddy Fiddle Mando Jam

Somehow, this never got posted here. So...here it is!

Tommy: bass
Falsestart: drums, lyrics, production
Scotty: guitar, lyrics, vocals

rest my head and fix my gaze
my mind is weary. the sleepy haze
still I try to visualize 
all the fading glory. these crazy days 

now it’s gone, how its flown by...

all these memories fade into dreams 
where they replay on private screens 
behind my eyelids, in between
reality or so it seems...

i’m too far gone…i’m swept away
now I can see it. my great escape
the sun beats down. we splash about
my heart goes racing. I can feel you now

again, you’re gone. no longer mine

all these dreams turn into memories 
and with the rest they always flee
and when I open up my eyes
you’re lost again, my lullaby...

Flyby Lullaby (Falsestart/QB Bills)

This song is on the BBC introducing Manchester with Roesh. https://www.bbc.co.uk/programmes/p0h3nd9t 

Thank you all very much for your very generous plays and re-posts and playlists. Soundcloud is a wonderful community.

Chemistry

Alien Blood

Here's a soulful one for a Sunday afternoon.
Many thanks for your very kind plays, shares comments and paylists! Decided to make this an instrumental!

Insomnia (Instrumental )

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

"La música es el reflejo de las emociones de un artista" 

Metal Sound

METAL INSTRUMENTAL (GUITARRA ELECTRICA)

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