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The ambient/noise/doom-electronics vessel Mouth Wound
is the solo project of Danish multi-instrumentalist Trine
Paaschburg. She utilizes noise, textured soundscapes and
repetitive heavy elements and draws in acoustic sampling
from her background in classical vocal and prepared harp.
The music deals with themes such as physical/existential
malaise and the search for tranquil, an expression that has
been described as alluringly meditative yet masochistic
when experienced live.

Podcast 072 - Mouth Wound Live x Brutal Forms

Flying birds to the south. For it is in the south that industrial progress has not gone far; many places are still in the hovering time paradigm of the premodern. These birds are not just flying toward the clock, they are turning back time, embodying all of the present into the past. And will the melancholy depicted character, who with all his appearance embodies a period of rationalization, be happy about it? Would he be able to adjust to that rhythm of life, wouldn't civilization have taken away the will to live itself, giving comfort wrapped in a faceless beginning and end? He has not often wondered what does not change at times, what is best preserved from that time and not exhausted, and one thing always comes to mind: the sky

Breathe

examine-plain-136-2023-08-02-premiere(guixine-MUD(PLIB031)).mp3

taken from "WOODLAND FANTASIES"
releases August 20, 2023
https://psychicliberation.bandcamp.com/album/woodland-fantasies

@guixine
@guixine2
@guixine3
@guixine4
@psychicliberation
https://psychicliberation.bandcamp.com
www.instagram.com/psychicliberation
www.instagram.com/guixine_x

berlin, GER

WOODLAND FANTASIES

136-2023-08-02

thank u for listening ♡

tracklist:
HERD KILLING - Blood of Aza, Splinter C - Capiuz, LONG SHOT - EVIL DUST, Yellowcake - Anthro, Faint Light - Mind Matter, Gefährlich - Human Experiments, Dance Wash (original mix) - SHARPLINES, Chocka Block - Ansome, We Never Sleep (EVIL DUST remix) - High Speed Violence, Start Dancing (VTSS remix) - MIN t, Rolly Polly - Kilbourne, Exploit Me I’m Yours - Manni Dee, Narcollapsing - Znzl, Beam Of Pursuit - Sicion, I Miss You 2 -  7777 の天使 X BLK SLK, Perverse Mind #1 - Tomohiko Sagae, Press Start - BLCKCSLTLS, Utopian Freedom - No Intellectual Property, Chrome Spine (feat. Kronom) - Max Dahlhaus, Kighin - FLUQS, Self Acceptance - David Louis, 55 Angels - Eelbath, blood - Spirit 49, Arrhythmia - Grievance, darkened sky - blushʕ ꈍᴥꈍʔ, Cervix - Blood of Aza, She Fucked My Hologram - Gagsmile, DANTYPEBEAT! - Dan, Born in Florida - Nico & Tetta, Kill Everyone (Deathmachine remix) - Somniac One, Parasite Bandit - Gein, Sinister Souls & Bratkilla, brittle - DJ Kuroneko, Crimson Landslide - Kronom, Good Morning Go Tears - Lutto Lento, C2E - Varg2™ feat. Bladee, lonely existence - yumeko, Shotgun - Detest, Illian Bass - Obelisk, rythm of light - Single

angel drink

W̸̴̡̢͉͔̠͎̹͓̮̝͓̝̫ͫ̍̊̈̿ͩ̾͗̓̑͟W̴̪͓̪̭͕̭͚͛ͮ̓̌͐͌͘͞ͅ

"Lately, when...
"I knew, on the land I chanted: a word with feet, one hatching another and another and another,
and hatches into earth, into another's boat; remember that tree". And then, in that same shade, a raven
with an eagle's wing sometimes staggered and said, as it kept going as Ä's you, revealing wonders (this is a grand slide of the wretched):
"Born in a place where the land, step by step, kneels into paths, paths into roads & shades, and roads then roads: "eat honey as your work", as the beginning roughens and plays to sleep anew; the moon dirty tells blue, red, 'they are green!' light."
So, as it is, that only the past and the yet-to-come may be, equally forward-gliding, stripped bare essentiality, not fleeing nor soon to be revealed from beneath, but that farther-off ancient white, as well as now, except not quite yet, because your words begin to knowingly answer only at the dawn of the ever-beginning, still lingering in the shadow of the last-minute A. Its suddenness, so tangibly clinging to experience, appears with all its bases thoroughly self-sown, that developing, leaking wake drawn in the water; come, take from it your own.
Black soil pours feet, but the beginning of the chapter giver lets it be known that from the flowers of the land, a pine has become snags, backwoods, lights, splits, pieces, and (at least in the beginning) numbers to embroider the cover in mockery: and not everything at once, right from the first time, let alone perhaps in the end after all, when nevertheless the fore- and hindpaws, at your command, you yourself decide your truths to be, your assumptions, your catches...


W̸̴̴̨̢̢̨̛̘͇̰̬̞̖̘̙̟̦̘͔̪͉̪̔̒͋́̅͒̽ͭ̄̀͌͐̍̎̐̿̂́̔ͭ̓͛͘͟W̧̢̩͓̱̥̜̝̼̫̽ͪ̇̎ͫ̑̓ͥ̿ͥ̓̕͢ͅͅŴ̵̸̸̧̨̤̩̰̜̠̺̮̫̖͕̪͕͙̒ͨ̀́̏ͮ͒͗ͥ͜͟͠



W͇_̲̜͔̰̜͚͇ͪ̓͠W̸̤ͮ͂̈̓W̴̸͇̫̤̑͑ͦ͢

W̸̴̡̢͉͔̠͎̹͓̮̝͓̝̫ͫ̍̊̈̿ͩ̾͗̓̑͟W̴̪͓̪̭͕̭͚͛ͮ̓̌͐͌͘͞ͅŴ̵̸̸̧̨̤̩̰̜̠̺̮̫̖͕̪͕͙̒ͨ̀́̏ͮ͒͗ͥ͜͟͠

The first new collab track between these two artists in over a decade. Enjoy. 

Mary Shelley & The Implicit Order- It's Slippery In Here

ANTISTARR

syndafloden

An ambient re-imagining of https://soundcloud.com/tuonela-1/jonkin

Jonkin (ambient remix)

breathe 1.1 g2 15 bpm take 1 7225

from 'Relationships Between Inner & Outer Space' [CD|LP|DIGITAL]
Denovali Records · den289
available on all formats at [http://denovali.com/moonzero]

The first set of new Moon Zero cuts in two years, ‘Relationships Between Inner & Outer Space’ is a product of fevered displacement that nonetheless achieves a temple-like sense of calm, proportion and permanence. Scheduled for release in November 2017 on Denovali, the record is carpeted in traces of the settings that producer and composer Tim Garratt has found himself since we last heard from him, from Reykjavík to Leipzig with anything from a Dictaphone up to a studio to hand - it bears sounds from a vast number of different spaces, instruments and machines across its four colossal tracks. Paying attention to these rich patterns, they move and wind you in, producing a deep and rewarding catatonia.

While touring the first LP ‘Moon Zero’ (2015) Garratt lost his studio and flat, a relationship came to an end and he briefly moved back to his parents’ in the Midlands. An emotional parabola familiar to anyone experiencing an economically-adrift, prolonged adolescence, it was heavy fuel for the melancholic sound world of Moon Zero. You can make out the origins of the record at the bottom of its multi-story wedges of sound, through dancing, duelling blocks of frequencies. And you can follow (somewhat obliquely, filling in the gaps) the inflections of different processes that these textures and melodic ideas have undergone, as Garratt moves them from machine to machine, speed to speed, room to room, through different combinations of effects. This churning celestial chaos, built painstakingly from detuned instruments, mono synths, field recordings and tape loops, is then meticulously ordered in the editing room.

The first side is in two tracks, each divided into two sweeping musical gestures, ordered by tone into a sequence of light-dark-dark-light and ending in a crescendo pulse with a ‘Loveless’-like shimmer. The flip is also in two long tracks, each one a continuously-building, monolithic tranche. The change at the opening of the third number, ‘Erwood Araf’ is signalled with the entry of an unthreaded melody that repeats and gradually distorts while other caverns of sound open underneath and around it. Then, again on the halfway point, the idea dissolves and a minor key swell aches into frame before breeze block low end is deployed. One of Moon Zero’s go-to sounds, an alloy of bowed cymbal, tape delay and who-knows, invokes the sound and disembodying feel of a train pulling into a station, if that moment could be elasticated and dragged far out. Emitting a chrome-sheen continental modernity, it’s probably the emotional centre of the record and calls to mind Kraftwerk’s ‘Trans-Europe Express’ and ‘Radio-Activity’ albums. Towards its end, on the nine-minute mark, in rides a soaring melody that surely has its roots in Garratt’s Eastern European travels.

Each expansion of the Moon Zero universe has felt like a logical progression along lines set before, becoming ever more inventively structured and ambitious with its sonic palette but never straying from its nucleus of menacing, meditative drone. Fresh from playing Ruhrtriennale Festival alongside Actress, Demdike Stare and Ricardo Donoso amongst others, ‘Relationships Between Inner & Outer Space’ is due to be released in October and Moon Zero will be announcing further shows in due course. This latest installation is the most profoundly affecting Moon Zero work to date; an unparalleled piece of infrasonic, atmospheric manipulation.

Relationships Between Inner & Outer Space

Moon Zero - Sunk Cost

taken from my "Sic Ergo Ludens" album released on Holy Geometry in May 2018
Cat: HG013

Hand-cut collage by Ryan Kent

https://soundcloud.com/holygeometry
https://www.facebook.com/holygeometrytapes/

Sic Ergo Ludens

Zhe Pechorin - In Fieri [HG013]

Taken from the album "Elegies For The End", released on Cyclic Law in late 2009.

September Dirge

Between a Lie and the Truth

Wintertime isn't like a story, it's more of an inner whirling between the higher and lower notes. Entropy slows down and on snowy forest paths, the quietening call of a future is heard. A sleeping life of the shimmering heart, soft sight journeys into the window - in the anticipation of bloom and return of color. Gentle movements and lurking stillness; and sun, the winter symbol of the steadily warming order on Earth, vanishing just to continue the way through the snow-covered wastelands.

released December 14, 2020 on ΠΑΝΘΕΟΝ Records | ПAN173 

Composed and produced by Blear Moon in November of 2020 in Snezhinsk, Russia 
Mixed and mastered by Nikita Chaikin 
Photography by Alexander Bondar 
Text by Anna Repman 

my socials and other links: 
blearmoon.bandcamp.com 
soundcloud.com/blearmoon 
instagram.com/blear_moon 
secretpress.bandcamp.com 
instagram.com/secret_press

Between a Lie and the Truth

Shredded Nerve

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