my covers and rmx :)

AG Cook - Being Harsh (Cover in the electronic style of AG Cook)

Cover of an incredible song by the band Pianos Become The Teeth.

I miss you both a lot.

Lyrics:
I used to listen to my life
I was so put together
I chose what I wanted to be in that age of chasing sand
The age of believing in everything
But I couldn't save you
I couldn't save what was taken away
And I'm still singing, and you still can't stay
You "loved life," and those words have lasted
I just wish I would have had ears for more than what you said
Because I still feel the lack long after
Such a light body, such a quiet gait leaving behind the weight of the world
I'll always think it was too early to lose your shine
I guess the means that ends us means nothing
I just hope that it's the peace we all need
Because I could love and drown in your God damned smile lines
But I think I burnt up watching you rallying to stay alive
And I guess that's fine
It seems we all get sick
We all die in some no name hospital with the same colored walls
And I guess that's fine
But I want to swallow, I want to stomach, I want to live
It's been a rough while and some days are worse than others
There's no proper way to feel, no mirth, no levity, no amazing grace
Just a flame on a lake floating away
I can't let you lay
I want you to know, I'm learning patience against my will
I want you to know, I’ll get by, always barely scraping
With just a hunger, with just a heart apart
It's a hell of a thing

Pianos Become The Teeth - I'll Get By (Electronica Cover)

ASCII FANTASY

The Belfry

what's better than a duet with yourself to a charli x rina song ? NOTHING

Charli XCX & Rina Sawayama - Beg For You (Garage Cover)

felt cute, might delete later

(it's a free download btw, thank you @skybreak for your permission <3 check his stuff out or I'll eat your computer)

Skybreak - Visionary (feat Miss Lina) [SHUTE HARD EDIT] (FREE DL)

my dj set from last saturday in london 🇬🇧
zez.am/deejaydetweiler

DJ DETWEILER - DJ Set (Recorded Live @ Planet Fun LONDON 25.02.2023)

FLOATER

LISTEN / DOWNLOAD

SYCLES - FLOATER

AAJA radio 26/06 w/Henderson

WARE w/ Spinee b2b Trancey Beaker & Klahrk b2b Stolen Velour - Aaja Channel 2 - 11 11 23

A chaotic b2b mix brought to you by myself and @CITYTRONIX

NOHEXCODE B2B CITYTRONIX KAOS MIX

Rinse FM Podcast

Download

Hodge with Svbkvlt - 7th April 2019

Hailing from Melbourne but currently based in London, Air Max '97 is a nomadic creature whose leftfield club tracks draw on a vast pool of influences – from grime, gqom and noise music, to inorganic materials and consumer fetish objects. Oliver van der Lugt's latest EP, "Falling Not Walking", finds him flaunting an ever more bizarre sound palette and collaborating with two equally inventive UK-based producers: TSVI and LOFT. The latter's handiwork can clearly be felt in the choppy surfaces of 'Xhrinicibles', a disorienting landscape threaded with echoes of drum & bass and wyrd IDM. It's a cerebral highlight from the four-track EP, out on Air Max '97's own label DECISIONS on 14th June.

@airmax97
redbullradio.com/shows/top-flight-with-chal-ravens
redbullmusicacademy.com

Falling Not Walking

Air Max '97 ft. LOFT "Xhrinicibles"  [Top Flight with Chal Ravens Premiere]

Buy: https://planetmu.bleepstores.com/release/198050-rian-treanor-file-under-uk-metaplasm

Rian Treanor returns to Planet Mu for his second album "File Under UK Metaplasm".

In 2018, Treanor left his home of Rotherham, a working class town in the North of England not far from rave nexus Sheffield, and headed to Uganda. He'd been invited to perform at Nyege Nyege festival, a mythical event that takes place on the shores of Lake Victoria in Jinja once a year. After nearly a week of almost non-stop syncopated bass, Treanor drove to the country's capital city Kampala to produce music for a month at the Nyege Nyege's Boutique Studio - an incubator that serves as a central hub for the record label and its many harmonic ventures.

A week later, while he was performing at Hollywood, the tiny dive bar that housed the Nyege Nyege crew's first events, Treanor began to think differently about the sound he'd been developing since 2015's acclaimed "A Rational Tangle". "Everyone was still beaming after the festival, full of energy and wanting it raw and fast," he explains. Treanor had been collaborating with Acholi fiddle player Ocen James, and absorbing sounds from the other producers at the studio like Tanzania's Jay Mitta and Sisso and Glasgow experimental duo The Modern Institute. The result was a jerky blend of hybridized footwork and singeli (Tanzania's own lightning-fast dance sound) that clocked in at a rapid 200bpm. "I played a Jlin track at the wrong speed and it was about 225bpm," he admits. "But it sounded really good so I went with it. People were going mental, it was so much fun."

Arriving home, inspired by the singeli production process, he focused on energy, building tracks and exploring urgency as the guiding method. Over the course of the year Treanor refined these ideas, building from raw components and eventually focusing on engineering the physicality of the sound. And at the end of 2019 he had the opportunity to tour Japan, where he was able to work out the finishing touches performing on some of the world's best soundsystems.

This polarity - the enigmatic, sweaty energy of singeli juxtaposed with slick, high-def bass weight - sits at the centre of "File Under UK Metaplasm", Treanor's second full-length. Opening track 'Hypnic Jerks' is maybe the perfect example of this, with crinkled percussive loops cut through by machine-gun kicks and acidic wobbles. Elsewhere, 'Vacuum Angle' takes Sheffield's Warp-ed legacy and brings it crashing into the future, with rhythms collapsing into static and noise but never deconstructing or losing the flow. 'Debouncing' meanwhile folds gliding square synths into rattling dancehall kicks, joining the dots between SND, Equiknoxx, Wiley and MCZO & Duke with a neon Sharpie.

"It's using all those formulaic dance structures but just slightly mangled or messed up," he says. "I'm still focused on making functioning dance music for clubs, but I'm really interested in how far you push that before it's just like - no."

File Under UK Metaplasm

Rian Treanor - Debouncing

Charli XCX - Claws (Shute Remix)

From Rian Treanor "Obstacle Scattering" out 19th Feb 2021 on @planetmurecords https://planet.mu/releases/obstacle-scattering/

Rian Treanor’s “Obstacle Scattering EP” arrives in a flurry of disorienting rhythmic bursts and de-purposed rave hallmarks. The four-track EP follows the Yorkshire producer’s acclaimed “File Under UK Metaplasm”, an album that welded elements from the UK’s sprawling dance music history with genre-breaking sounds from further afield. Here, Rian goes straight for the jugular with four tracks assembled specifically for the dancefloor.

Playing with “the idea of sound being an obstacle that you have to get your body around,” each track on the EP presents a suite of complications for adventurous ravers. ‘Obstacle 1’ folds the influence of SND into a hi-nrg singeli framework, simmering lush FM synths in a broth of tangled kicks; ‘Obstacle 2’ was written for Rian’s set at 2019’s Aphex Twin-curated Warehouse Project and distills his early obsession with Planet Mu in hyperactive squelches that deftly flit between brutalist glitches and ear-pummeling bass. Meanwhile irradiant chords continuously refract a bouncing 4×4 groove on ‘Obstacle 3’, subtly shifting the focus as they alternate and interlock. Closer ‘Obstacle 4’ switches things up once again, deploying the idea of pause and effect with staccato stabs that follow whirls of modulated synth.

These four obstacles are DJ tools with spikes – selected grooves that don’t fit anywhere except together, mapping out Rian’s constantly-shifting relationship with both the club and the legacy of boundary-pushing dance music. They feverishly demonstrate the outer limits of a streamlined sonic palette, devastating speakers and dancefloors in equal measure.

Pianos Become The Teeth - I'll Get By (Electronica Cover)

Shute

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