great piano melody! Specially Like around00.50

Janne Hennie

Eastern

memories

'banjovi'

something until the next thing

banjovi

“L’Amour de Love” by Luke

I posted the long version when I only had 50 followers..
here is the shorter version .. it’s one of my favourite compositions.. and yes the “big tough as nails” is a romantic 

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“L’Amour de Love”  by Luke

Conga and bass, Sergio Párraga.
Piano and drumms, Ireal pro.
Front page, Pepe Gámez.

Conversando

I had the absolute pleasure of collaborating again with the greatly talented David De Michele who has created an incredibly enchanting cinematic soundscape for my piano composition "Up". 

Please listen to more of David’s beautiful music here: @user-92820487

Sincere thanks for your attention to this work. We do hope it brings you some joy and comfort!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

Up (Ft. David De Michele)

There's a heat wave going on in Norway...  I made the music in GarageBand.  Maybe I add some vocal eventually.... :)
Thank you for listening!  🎧😊

Heat Wave (Instrumental-Original)

A few months back, anyone landing on this page was extended an invitation to….“come set for a spell in The Blue Room…..when nobody loves you.”  Well, took a while, but I reckon the word’s getting out amongst the broken hearted - this smoky little back-alley jazzabilly joint been seeing some semi-decent crowds lately.  Might have to add a couple more tables over there in that side area where we been storing the old feltless pool table.   

I dunno, maybe there really are a lot of lonely hearts out there, looking for companionship.  But my bet is that the real draw here is the new act on stage, as the house band is now joined by two long-time Atlanta musicians - Herb Avery and his Hammond organ, and Randy Hunter with his saxophone.   

For this version of the house theme song (aka The Blue Room), not only is my fumbly-finger organ solo replaced with Randy’s stellar saxophone, but I’ve put together a new intro, much more fitting for the new instrumentation.   And btw, brother Herbert not only plays his Hammond on the song, but that’s him you’ll hear playing the background lounge piano as the track opens.

So yeah, come set for a spell (whether you're loved or not), and let Randy & Herb show you their stuff.   

(Original version is here:) https://soundcloud.com/bruceavery/the-blue-room?si=36546f88f147427aba1593bf85a7ec1f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Blue Room - version 2 w/sax & B3

maybe it's just me, but the end of summer has always felt like someone suddenly flipped a switch and changed everything overnight. the light, the air, the mood, everything. of course, there's this spectacularly beautiful transition called indian summer in canada and north america, and simply "herbst" here. but the beginning of this magnificent end always feels abrupt to me. recently, it happened again. just like when I was a child, I felt a sense of melancholy, as if it were a permanent farewell. maybe for it will actually be that way. someday.

anyway, in 1981, I had the bizarre idea of writing a musical. I was attracted by the complex challenge. but, above all, it was because I had always been immensely impressed by the musicals of the 60s and 70s: just freaking divine melodies, usually too dramatic, playful and operetta-like for radio.

I got started and wrote a musical about mice (while in london someone way more talented was creating one about cats;-) of course, autumn had to play a role, with all the feelings I associate with it, which I also attribute to mice. scene: two mice sitting together, watching a beautiful sunset, one of them starts singing and dancing.

over the past 40 years, I have reinterpreted the theme of this special part countless times (just example in the case of massive curiosity: ( https://youtu.be/az0T2Uzkgk0?si=QLOK4hJ5i5GcsDbr ), but it has only now become a song with the vocals written once.

I’d also like to share the very first sketch on the subject, once recorded in my band's rehearsal room with a working text. we shared the room with a keyboardist with an unimaginable amount of money. this allowed him to afford things I secretly used for this recording: a brand-new wonder machine called the teac tascam portastudio 244 80s 4 track multitrack cassette tape recorder!!! a yamaha cp 70 grand piano!!! a korg cx-3 organ!!! and a roland tr-808 rhythm composer!!! absolutely insane!!! the rest is my “voice” and, of course, the strat.

And since I’m already at it, I created a template-free hip hop interpretation of the lyrics that more closely reflects my current mood, which is certainly age-related;-)

©music and lyrics written by Hans-Michael Albers, instrumental cover and vocal performance by suno 4.5+

One last warm ray of sunlight.
reflected in the leaves' dance.
A flock of birds flies away.
A sky full of differences.

Nothing blooms or sparkles in the air anymore.
Only the weary scent of farewell.
Of all the strength that once was.
Now, only memories remain.

A quiet dying, piece by piece.
Looking forward, we look back.
To everything light and carefree,
that returned every morning.

as if nothing was ever too late.
Because time turns in circles.
in a boundless world,
where nothing lasts forever.

Do you feel it, too?
Do you feel it, too?

Colourful and enchantingly beautiful to this day.
A play of colours, no farewell.
One last warm ray of sunshine.
There won't be another one.

There won't be another one.

Do you feel it, too?
Do you feel it, too?


Spürst du das auch? (Musical Version)

Sands of Tensor

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Fender Stratocaster
J.J. Terrell– @j-j-terrell – electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Mistermark-- @user-432503709 -- Mark –- percussion, VST flute, and production editing
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
The Beautiful Dark -- @thebeautifuldark -- Carl -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song began more than a year ago, when Josh created a song out of a looper beat with his four string fretless bass. It sat on the shelf until a few weeks ago, when he shared it with JJ, who was in creative mode one Saturday evening. Josh had actually forgotten that he'd added a bass line to it, and thought he was just passing on a looper beat for JJ to play with.
However, JJ heard it, and was so excited that added his magical electric piano part, making it sound like a real song, instead of just drums and a bass. Ken also heard some magic in here, because he came up with his own brilliant beat to replace the looper that was used in for the seed. Mark was next to throw in, adding the striking drum pattern breakdown, and the thrilling flute solo, as well. Tez came in shortly after, adding his thrilling guitar to the mix. After everyone had added their parts, Josh came back and added two guitar parts, the simple low end line, as well as the high strummed triads. At this stage, Mark did some editing, as it is in his skill set, and made it less dense and easier to listen to.
Now that the song was musically complete, out newest member, Carl, dropped the amazing vocals you hear, singing his original lyrics. After Carl was done sprinkling his magic in it, we needed an able producer to bring out the magic of the recordings. Good thing we have a trained producer to do the job in Stephen, who mixed and mastered it superbly, as always.
This is Eclectic Collective's first fore into the afrobeat genre, although a few of us are really big fans already, and Josh has a few other originals in this genre buried on his page, as well. As always, we all enjoyed the process of hearing this one come together. We hope you enjoy listening to this as much as we enjoyed making it.

Juice our Jah
Chalice of chime
Shooting star
Great rhythm
There's blood in the brine

Suture Sun
Grand heaven high
'Some clan gone cruel
Needing collective eye

Eclectic host
Hoist our hale
Mused healing feast
Musical breeze as gale

Afro beat
Oh melody sweet
Beat afro
Show us where to go

Kalakuta Kingdom (Eclectic Collective)

Star crossed lovers with an arson problem. A mini musical movie about lovers on the run...
Added to the album: "Curiosities Of Outsider Art" (Sept  2025)

(Act 1: Young lovers on an arson spree)
Lyrics:
She puts the gasoline in my truck
And then we drive down
And we like to burn up
Local buildings
And alleys
And trashcans

She likes to come out with me at night
And burn things down
She can't explain it
It's just how she feels
It's what see needs
Simultaneous release
While burning down the Hardee's (a USA restaurant chain)

We got black magic spells right off the shelf
I have a split personality
And I hate Ourselves
We have  a compulsion
To  blow things up
It's all fucked up
Young arsonists in love
Young Arsonists in love (3X)

We have black magic spells
Right off the shelf
The good ones are mixed in
So it makes it hard to tell
We understanding the poetry
Of burning things up
Burning shit up
All fucked up
Young arsonists in love
(End Act 1)


(Act 2 : Chase and capture)
Young arsonists in love (3X)
We're on the run
She says: let's burn down a Chevron

We have black magic spells right off the shelf
The Doctors say we seem alright
But you know that we can't be helped
The Police ask: Is this behavior carnal?
"Officer"
She said:
"Have you forgotten how to marvel?"
Forgotten how to marvel?

Young Arsonists In Love

Presenting "Modern Liz"

I have crafted this song as I was inspired by Taylor Swift's latest release "Elizabeth Taylor"

As many of my fans know I'm a musical producer who specialises in the unusual. I don't craft songs about traditional love stories or parties; my studio is dedicated to exploring the complex blueprints of human nature. I create productions that illuminate the quirks of personality, the paradoxes of everyday situations, and the stories we often hide, turning those unique, messy truths into compelling, unconventional music."

Original lyrics & vocals by Heidi-Marie

Produced in the 
ARAPA Music Studio
Sydney - Australia
15.10.2025

Artwork:  #azcreativestudiosydney

Modern Liz

251202 Rusxcgkáytutme d Sel

Ambulant II

A piano solo featuring a theme based on the motif 4–5–3–1.

Watch me play it on YouTube!
https://youtu.be/qYqFny_VT4Y

4531 Motif Piano Solo

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

instrumental pop, piano, jazz, electronic...

I’m exploring the potential of instrumental music.
I hope you like it.

memories

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