Good Classical I Found

Music for Content Creators – DIRECT DOWNLOAD from SoundCloud!

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Track name: Between
Music by Michael Herter
Free Download:  
Video:  https://www.youtube.com/watch?v=jsenuh2RRrc

Between – baroque orchestral classical musical composition.

Music speaks of Paradise and Hell, remembering Dante's "The Divine Comedy", where the inscription on the door to Hell says: "Abandon all hope, ye who enter here".

Inspired by "Confutatis Maledictis" from Mozart's Requiem Mass.

d-moll; 4/4; 120 bpm

The top prize for #bachtobasics of "Bandlab"!

Here’s what judges had to say:
"Stupendous! We are immediately taken into the medieval times of war and conflict, preparing our hero’s tale before entering into battle. Great tones from Michael Herter‘s instrumentation; that violin performance is what we’ll remember for ages! You can already imagine how many historical TV shows this track could fit. Aw-inspiring!"

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Between

Deep Blue Ocean for two pianos
Duration: 12'
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=938
Online Perusal Score: https://issuu.com/robertpaterson/docs/deep_blue_ocean_-_fs-bound
For More Information: https://robertpaterson.com/deep-blue-ocean

PROGRAM NOTES
Although Deep Blue Ocean is not meant to be overtly programmatic, I thought it would be wonderful to explore the oceanic depths, so during a trip to the Gulf of Mexico I became a certified scuba diver. I was truly inspired, whether by the large rolling waves on the open sea, the delicate back and forth of beds of seaweed, the vibrant colors of fish clustering around cities of coral, or the beams of sunlight that cascade over the ocean’s surface.

I was also inspired by my four year old son Dylan: his name means ocean or god of the seas in Welsh; he is an Aquarius, which means the water bearer; he is an excellent swimmer, and he loves listening to a movement of one of my choral works entitled Infinite Oceans.

While writing this piece, I could not have known that the worst oil spill in U.S. history would occur just north of where I visited. The darker moments in this work are the result of this tragedy. It is in three connected movements: The Darkness Below, Sunbeams and Waterfalls, and Accents and Waves.

Deep Blue Ocean is written for Steven Gosling and Blair McMillen of the American Modern Ensemble and is dedicated to my son Dylan.

Powerhouse Pianists II

Deep Blue Ocean - III. Accents And Waves

Memórias

From our upcoming album, Megalopolis, due some time in 2024

The Endless Train

Seq09 F    A dialogue between harpsichord and piano (Canon)

Finding Peace

" WONDER & MAGIC "

Music for Content Creators – DIRECT DOWNLOAD from SoundCloud!

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Title: Eldritch Symphony: Cursed Witching Trail
Music by Michael Herter
Genre: Game, Cinematic, Soundtrack
Video: 

"Eldritch Symphony: Cursed Witching Trail" is an evocative musical journey through the mystical realms of fantasy. 

Infused with the haunting echoes of female Mongolian throat singing, this track transports listeners to a world where ancient curses intertwine with the ethereal melodies of enchanted forests. As the rhythmic pulse of the music guides you along the treacherous paths of the witching trail, you can almost feel the whispers of unseen forces and the looming presence of otherworldly beings. With each note, the atmosphere thickens, drawing you deeper into a realm where magic and danger are intertwined, and where the hunt for elusive prey becomes an eerie dance between light and shadow. 

"Eldritch Symphony: Cursed Witching Trail" is not just a song; it's an enchanting invocation of the supernatural, inviting you to lose yourself in the dark beauty of a world where every step could lead to salvation or doom.

d-moll; 4/4; varies bpm

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Eldritch Symphony Cursed Witching Trail

Eldritch Symphony: Cursed Witching Trail

STH- Fade Away

Forget Me Not

this is an instrumental remix of a song called echoes. the instrumental versions is called sällskapsdjur. background vocals are by @minimalnomad.

sällskapsdjur (echoes instrumental mix)- feat. minimalnomad

The jam called for "controlled chaos" as its text prompting, so one could think of this as a sequel to Waiting For The Righting of the Gomboc (Release CCCLXIII) with some differences.

Douglas P Stoothoff main site: exedexes1.com/

exedexes1.godaddysites.com/

Youtube subscribe:

www.youtube.com/channel/UC4WSgBZC…ub_confirmation=1 www.youtube.com/channel/UCL0BaYj4…ub_confirmation=1

itch.io profile link: exedexes1.itch.io/

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Master Track List on SC: soundcloud.com/doug-stoothoff/tracks

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SamāššEšrā

Octadic Rumpus Scherzo submission for Weekly Note Composing Jam 8 hosted by emscottish for Itch.IO March 2025

Buy on Beatport

Octadic Rumpus Scherzo submission for Weekly Note Composing Jam 8 hosted by emscottish

invisible man

This is a MIDI mockup of Sergei Prokofiev's "Montagues and Capulets" from "Romeo and Juliet". A huge thank you to Dario Gadosa (https://www.youtube.com/@DarioGadosa/videos) for putting up the MIDI file up on Musescore. My work after downloading the MIDI file (for those who are not familiar, it contains only the bare notes) was creating the CC1 and CC11 automation, and of course adding my virtual instruments and fine tune all the tracks to make them sound as good as possible in Cubase Pro 15 and master it in Wavelab Pro 12.

Virtual Instruments

Sonuscore
- LUX Orchestral Strings

Eastwest
- Hollywood Orchestra Opus Edition
- Goliath (tenor saxophone)
- Steinway D Master

Orchestral Tools
- Berlin Strings
- Berlin Percussion
- Tom Holkenborg Brass
- Metropolis Ark 1
- Blue Alto Saxophone

Spitfire
- Hans Zimmer Percussion Professional

Cinesamples
- Mister Rogers' Celeste

Audio FX

D16 Group Audio Software
- Frontier

Steinberg
- Studio EQ

Waves
- L4 Ultramaximizer
- UM226 (upmixing to 5.1)

Plugin Alliance
- bx_Subfilter

LiquidSonics
- Cinematic Rooms

Eastwest
- Spaces II

Fabfilter 
- Pro-L 2
- Pro-Q-3

Sergei Prokofiev - Montagues and Capulets MIDI mockup

Are You Gonna?

For SATB A Cappella Choir and Optional Projected Images
Duration: ca. 11'
Performed by Musica Sacra, Kent Tritle, conductor
Video: https://www.youtube.com/watch?v=7r5g_3kPjU4

To read more and see the graffiti images, visit this page: http://robertpaterson.com/graffiti-canons

Commissioned by Volti, Robert A. Geary, Artistic Director. The commissioning of this work by Volti was made possible by the support of the Ann Stookey Fund for New Music.

Publisher: Bill Holab Music

PROGRAM NOTES

Although I have based many choral works on settings of poems, I also enjoy setting unusual texts. In many ways. graffiti is ideal as a source of inspiration. It is unpretentious, extremely varied and can be found almost anywhere: under bridges, in alleyways, on the sides of vans, in subway stations, and even in bathroom stalls. It may be illegal or sanctioned, artistic, text based, aphoristic, philosophical or purely graphic. It can be humorous, innocent and childlike, or very serious and meant to provoke. Graffiti may be of our time or ancient. Certain cave paintings, for example, could be considered predecessors to modern graffiti. Through graffiti, gangs, tribes or individuals can hide behind anonymity; it is the voice of the voiceless.

In Graffiti Canons , I appropriate positive aphoristic sayings, sentences and phrases found in graffiti from various parts of the world. My goal is to create a musical tapestry that flows from one thought to the next and spans time and place, using canonic technique and chorale-like transitions.

Although I found many of the graffiti images online, others I use in this piece were obtained via a Graffiti Photo Contest that I posted online. Approximately eighty images were submitted, and viewers were allowed to vote for their favorites, which played a part in which images were chosen. A handful of the most inspirational photos were used for this piece. An optional slideshow containing these images may be shown during performances of this piece.

Graffiti Canons was commissioned by Volti, Robert Geary, Artistic Director. The commissioning of this work by Volti was made possible by the support of the Ann Stookey Fund for New Music (annstookeyfund.org).

– Robert Paterson

Graffiti Canons (For Choir)

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Hi everyone!

My name is Michael Herter, but many people know me as Sibviolin.
I’m a professional musician, composer, and violinist.

In my portfolio, you'll find a diverse collection of music for your videos, just like in an audio music library. My work spans multiple genres, including classical, jazz, pop, rock, electronic, hip-hop, and more.

All my music is available for high-quality download (WAV, 44.1–48kHz, 16–24bit) directly from SoundCloud.

If you enjoy my music, feel free to share my profile with your friends and colleagues. Your support means the world to me!

And if you'd like to show appreciation, a cup of coffee would be truly appreciated. :)

Between

Michael HERTER – Audio Music Library

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