A hug to die
(for 8 musicians)

Inspired by the play "The Pillowman", of the contemporary playwright Martin McDonagh.

Ensemble Intercontemporain
Dylan Corlay direction
Megaron - Athens Concert Hall

A hug to die (2023)

PLAY (2024) for E-guitar, Baritone saxophone, Drum set, Tape

Performed on May 10th, 2024 in NEC's Music Technology Concert Night Six

Curated by Stratis Minakakis

Honor Hickman, alto flute
Corinne Foley, oboe
Evan Chu, bass clarinet
Dillon Acey, baritone saxophone
Evan Judson, bassoon

Isaac Dubow, French horn
Mark Tipton, trumpet
Quinn S. McGillis, trombone

Noah Mark, percussion
Yali Levy Schwartz, piano
Tianyi Wang, electronics
             
Yirou Ronnie Zhang, violin 1
Tara Hagle, violin 2
Philip Rawlinson, viola
Lily Stern, cello
Mark Abramovski, double bass

conductor
Stratis Minakakis

notes, echoes, too from that veiled realm_for large ensemble and electronics (2024)

Reactive Ensemble:
Céline Papion, cello
Gabriele Mastrototaro, flute
Remmy Canedo, electronics

Premiere performance:
Delian Academy For New Music 2024
Cultural Foundation of Tinos, Greece
13 June 2024

Mixed at Reactive Studio, Berlin

In search of lost time (2024) for amplified flute, cello and electronics - Reactive Ensemble

Étude for Sheng Player and Electronics

Lunar Halo (for piano trio, 2024)

Modules – for percussion quartet

Fallen Angels (Cover. KW. Wong)

Dedicated to Drew Holser. Premiere by Drew Holser.

The word "rut" has three explanations: the tracks left by wheels, the estrus of certain animals.and boring things. Although it is just a coincidence that these very different explanations appearon the same word, my thinking in this work is not limited to this.In recent years, I think "rut" is like a description of some trendy thinking. Various fast-food,popular" , and entertainment industries have fourished, just like a sudden estrus, but most of themare not nutritious, quite boring, and even serious enough to overdraw the future of a nation. Thewheel of history has been turned countless times, and this craze of "enioving the present and overdrawingthe future" always breaks out.

Ac!i!d—For Bass Clarinet, Cello, Drumset, and Prepared Piano

Sicheng Huang

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