This is challenging but awesome, a remarkable piece of work

very pleasant music, I would gladly listen to something like that

limited vinyl: http://sickerman.bandcamp.com
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This track is part of the Single: 'Passage / Open Up'.

The meditative 'Passage' sounds as if Brian Eno has reinterpreted Lou Reed's 'Street Hassle' as an ambient track.
A heartbreaking, small ambient pop-pearl, transcendent and true.
The instrumental 'Open Up' clearly shows the groundbreaking potential that will unfold on the entire album. Distorted cello melodies like monoliths roll through reverberations and show how an innovative and authentic mix of classical, pop and noise can and should sound.
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Dieser Track ist Teil der SIngle: 'Passage / Open Up'.

Das meditative ‚Passage‘ klingt, als hätte Brian Eno Lou Reed‘s ‚Street Hassle‘ neu als Ambient Track interpretiert. 
Eine herzzerreißende, kleine Ambient Pop-Perle, transzendent und wahrhaftig. 
Das Instrumental ‚Open Up‘ zeigt deutlich das bahnbrechende Potenzial, dass sich auf dem kompletten Album noch entfalten wird. Verzerrte Cello-Melodien wälzen sich wie Monolithen durch Hallräume und zeigen, wie eine innovative und authentische Mischung aus Klassik, Pop und Noise klingen kann und sollte.
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http://sickerman.bandcamp.com
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Tobias Vethake: vocals, cello, synths, analog effects

all music written, recorded and mixed by Tobias Vethake

mastered by Lupo at Calyx / Berlin
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www.sicker-man.com
www.facebook.com/sickermanberlin
twitter.com/sickermanberlin

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www.blankrecords.de
www.facebook.com/blankrecordsberlin
twitter.com/blankrecordsbln
www.youtube.com/user/blankrecordsberlin
blankrecords @ soundcloud: @blankrecords
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more @ spotify: https://open.spotify.com/user/11170141056/playlist/3EYN5rcSuVjr5zuP296281

Passage/Open Up

Open Up

Vinyl

There have been many incarnations of SICKER MAN throughout the past 20 years. He went from experimental electronica to shoegaze pop to free noise improvisations. But there have always been two constants in his work. One is his quest for new and unique music, no matter the genre. And the second is the electric cello, which is his main tool of his artistic journey for 20 years now. Massive drones are mixed with distorted beats and shoegaze melodies. The Bug meets Arthur Russell meets Peter Brötzmann.

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