@stayathomefad: hey man sorry, The only reason It's not downloadable is cuz I have plans of putting it on a tape. Next time just shoot me a message, I'd be happy to email ya anything :]. Sorry again man

suuper dope your tracks give off a real nice atmosphere diggin em a lot

This part of the loop is just so ridiculous!  My favorite part cuz of the harmonzation.

good job man,listened through your stuff and im impresssed

"Would you like to take a look at our homes, sir?".

lofi

Tracklist:

01. Anarchy
02. Griminal
03. Rabid
04. Pulp Fiction
05. Mr. Twister

ObscureDwella - THRILLA (Full Tape)

Smuv & Shuko - Dusty Keys

collabo EP with the homie Opas @jesus-ander

Tracks: 1,3,5 by earfluvv
Tracks 2,4,6 by Opas

Artwork by Opas: https://www.instagram.com/opas.lofi/

Opas x earfluvv - Explorations [EP]

Spotify: https://open.spotify.com/track/41IFWwfQmazoGRI0Uok0Fl?si=388814988411445d
Apple Music: https://music.apple.com/us/album/lifetime-impression-instrumental/1585999527?i=1585999528

Instrumental for: https://soundcloud.com/tapeheadloops/lifetime-impression

I had to go all out when I mixed this beat. The drums are all layered so thick, there’s about 4 hi hats, 6 kicks, and 6 snares which are all mixed together to give the drums weight. The way I chopped this sample left some vocals in for split seconds, which sounded like scratches because of them being right at the end of a chop and cut off, like how a fader cuts out a scratch when the DJ spins a record back. I thought this sounded cool but it only happened once in each 2 bar loop of the sample, so I decided to add some of my own scratches from a few break records I have. I used ‘Super Seal’, and recorded some scratches of snares and the famous ‘yo’ sample at the BPM of the beat. Layered with the drums this sounded crazy to me, it gave the beat a different vibe, I’ve definitely said before how much I love how scratching sounds, and it was cool to incorporate it into this beat in a more permanent, less obvious way, not just something for the hook. I also layered the sample 3 times, 2 filters, one high one low, and a standard mix, which I layered, soloed etc throughout the track. This was unbelievably long to do without quantization (which is how I flipped the sample originally), so all 3 had to perfectly match each other, which took hours to sequence. I fully kept giving up but knew the beat needed the layers on the sample to really do it justice (especially the groove that’s added by filtering the lows), so I just stuck by it, and sequenced each chop individually, so I was hitting the pad at the exact right time, which ended up with the beat sequence being 30 tracks on the MPC (they’re usually 15 or so). It was definitely necessary to do this, because the contrast of the smooth flows of the low end to the scratches and samples really gives the track variation, and gives it a lot more presence throughout, definitely was worth the time and effort.

Peace!

Lifetime Impression (Instrumental)

01.Moon Juice ft. Torzzzío
02.Descent
03.BBY ft. Torzzzío
04.Creek

Big s/o to: https://www.instagram.com/torzzzio/

Moon Juice (Full EP) [Blackone & Torzzzío]

Spotify: https://open.spotify.com/track/0hgPKLvkDJjYT3QpQkBv0d?si=e640c12a34ad456f
Apple Music: https://music.apple.com/us/album/who-the-is-you-instrumental/1606144794?i=1606144795
Bandcamp: https://tapehead.bandcamp.com/track/who-the-is-you

Instrumental for: https://soundcloud.com/tapeheadloops/who-the-is-you

These beats were mad fun to make, they were actually done as a sample challenge with friends, it was a Japanese funk album (I'll be finding the sample for a beat breakdown for sure), and I took these chops from a song that stood out to me. Originally they sounded nothing like this though, I was trying to flip them at the normal pitch and it sounded OK, but I wasn't really happy with it, so I decided to try pitching it down. I experimented a bit and eventually decided to go crazy and pitched it down as far as the MPC would let me, which really brought out the bass of the sample and made it into something completely different, so I chopped it up again. I was then able to get these two flips out of it, and was very happy with the outcome, I love making heavy beats like this and 9 times out of 10 it's a result of pitching a sample down loads, like what Havoc did with Shook Ones Part 2. Really looking forward to doing a breakdown of this one to show what I mean, until then: peace!

Who The ? Is You (Instrumental)

tahua

soundcloud.com/bsdu
soundcloud.com/sabatabeats

▲▲

bsd.u x sabata - mushrooms

Space

Deep Water

RUGRATS

nameless

oh's

dont rap over any of my beats please.

Some REAL hiphop shit. I fuck with the mpc 60, 2000xl, and 2000 classic, and an s900

word is bond..

RUGRATS

Sleepyjuice (Side B)

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