La Dame Blanche es el proyecto de Yaite Ramos, cantante cubana, instalada en la urbana ciudad de Paris, hija de Jesus "Aguaje" Ramos (maestro director de la orquesta Buena Vista Social Club), corista de "Sargento García" y vocal principal en Live de "El Hijo de la Cumbia". La cantante se encuentra terminando su primer material discográfico, con un alto contenido social, sin dejar de lado relatos culturales urbanos, pasando para eso por varios géneros, desde el Hip Hop-Reggae hasta sonidos urbanos mas latinoamericanos como la cumbia.
Producida musicalmente por Babylotion (Marc Damblé) Beat Maker francés con gran experiencia en estudio y en vivo con "Sargento García", "Amadou & Mariam", "Orishas", entre otros. Todo bajo la dirección artística de Emiliano Gomez a.k.a. "El Hijo de la Cumbia", productor argentino conocido por generar la fusión entre la cumbia y los ritmos urbanos del mundo.
www.facebook.com/ladameblanche13
ladameblanche.bandcamp.com/album/la-dame-blanche
info@wakantankaprod.com
www.wakantankaprod.com

05 La Revancha  instrumental_EP_La_Dame_Blanche

Acordeobabylon

guitar Aidin Salkhi >> original http://youtu.be/4umt8uRMCpQ >> facebook.com/GlobalClubMusicNetwork

Free Download

La Yegros - Solo (Kosta Kostov Remix) - FREE DL -

Trio Serenata - Cumbia Sobre El Mar (George T Rework)

La Pesada - Cumbia Y Tambo (En La Lluvia)

Taken from the album "¡Vamos A Guarachar!"
Release date: October 7th, 2016
www.glitterbeat.com

Something is stirring in downtown Tucson. That’s no great surprise perhaps: Calexico have been sending out missives from the desert for 20 years now, Giant Sand for even longer than that, and the Green on Red revival is surely overdue. These three giants of American popular music ask questions of the form, chiefly because of where they are situated. Let us remind ourselves that this isn’t a big city in the American sense (it’s the country’s 33rd largest), but that its hinterland is indeed as big as it gets. For an hour south, Mexico starts. And this is where things get interesting.

Born in Nogales, Arizona, raised in Nogales, Sonora, multi-instrumentalist and band-leader Sergio Mendoza grew up listening to the Mexican regional styles jostling for headspace in a young, music-mad mind – cumbia mainly, but mambo, rancheras and mariachi too. The border is always a fierce arena of exchange, both commercial and cultural, and so there was American music too. At one point ‘rock and roll, the classics’, as Mendoza himself deadpans, seemed to win out and he stopped playing those ‘Latin styles’ for a good decade and a half.

The return to those sounds was a strong one in 2012’s Mambo Mexicano, co-produced by Mendoza and Joey Burns of Calexico – a band for which Mendoza has become an increasingly integral touring and recording member. While that record had a studied air, tentative in parts (as befits the renewal of an old love affair), ¡Vamos A Guarachar! is another beast entirely: by turns raucous (‘Cumbia Volcadora’, featuring Mexican electronic pioneer Camilo Lara), tender (‘Misterio’, surely Salvador Duran’s finest moment with the band so far) and plain serious fun, as in ‘Contra La Marea’ and ‘Mapache’, it also bears a robust electronic edge, a keen pop sensibility and all the hallmarks of Mendoza’s love of 60s rock, with the closing track, ‘Shadows of the Mind’, sure to be included if anyone decides to update the Nuggets collection for the 21st century. This is roundabout way of saying that it appears to have everything, but never too much of anything. Focused, fierce and beautifully executed by a superbly drilled set of musicians, it is a record that fully matches the band’s explosive live performances.

Nogales, Sonora, Nogales, Arizona: this is what the border looks like here – for now. To talk about borders and the diasporas they create, is to be pitched headlong into our era’s most urgent debate, marked by Trump’s lurid obscenities and the lines being hastily reinstated across Europe. Orkesta Mendoza’s contribution to that debate is to show us what the border sounds like and what masterpieces can be achieved by honest cultural exchange. What we decide to do with that information is up to us. With this record, however, we’ll have an awful lot of fun deciding.

You could, of course, take the trip to Tucson yourself, to the home of this essential set of field recordings. The scene hangs out together, so … if the stars align and their frantic tour schedules permit, you might see any number of folks from Calexico, Giant Sand or up-and-coming cumbia rockers Xixa deep in conversation somewhere in town with a quiet young man in black. That’s Sergio. Right now, in this endless game of Tucson tag, Orkesta Mendoza are IT.


Vamos A Guarachar

¡Vamos A Guarachar!

Orkesta Mendoza - Cumbia Volcadora (feat. Camilo Lara)

BE a fumbiamber@: www.facebook.com/canalh.info
Follow me on twitter: twitter.com/Canalh

Este demo, la pensé como un homenaje a la Cumbia colombiana, su influencia en el mundo y a los Dj's que, hoy en día, todavía, se dejan influenciar...<br>
playliste: http://radiocanalh.blogspot.com/2010/05/canalh-que-chumbia-parce.html


Canalh - Que chumbia parce !

Tracklist:

1. Palov - Not a Typical Jamaican
2. Panama Cardoon - Charanguera
3. Voodoofunk - La Culebra!
4. Dedy Dread - O Bananeiro

Carnibal 001 , Various Artists (snippet) Out Now on Juno

Unofficial remix/edit of "Où Tu Vas?" by Think Of One  from album "Camping Shaabi" (Crammed Discs)...
Belgian/Morrocan folk/chaabi sung in french - remixed in Digital Cumbia... 

CUMBIA - ARABIC - NU-FOLK - GLOBAL BEATS - ORIENTAL BASS

ThinkOfOne - Où Tu Vas (Rafael Aragon CUMBIA Rmx)

Laru Beya de Aurelio Martinez con Orquesta Baobab, remixed by sidestepper
''I really love this tune and want to share it. R.B.''


Laru Beya - Remixed by Sidestepper

another one from the " tree of mystery " lp

Laru Beya - Remixed by Sidestepper

Sidestepper

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