Gorillaz

Uncertainty - The Bloody E

raccoon heaven

𝑅𝑜𝑢𝑛𝑑 𝑎𝑛𝑑 𝑅𝑜𝑢𝑛𝑑 － 𝐺𝑦𝑚 𝑎𝑛𝑑 𝑆𝑤𝑖𝑚 （𝑠𝑝𝑒𝑑 𝑢𝑝 <3）

i mixed the original version and the live one.
i think it was Glastonbury but who knows lol 
u wot m8?

O Green World- gorillaz Live X Studeo

[Verse]
Statues cracked wings of stone
Victory frozen on her throne
Gold turns to dust dust to air
Does she even see us down here

[Prechorus]
Crowns in her hands hands in the fire
Burning like ash ash of desire

[Chorus]
Victoria where do you hide
Under the weight of the endless tide
Victoria do you even care
Your shadow’s heavy but you're not there

[Verse 2]
Battle cries they echo they fade
Her chariot rusts in the endless parade
Blood on the marble stains the past
Glory a ghost that will never last

[Prechorus]
Winds of the ages they scream and they howl
Her silence louder than the victor’s growl

[Chorus]
Victoria where do you hide
Under the weight of the endless tide
Victoria do you even care
Your shadow’s heavy but you're not there

Victoria's Shadow

The rhythms of hip-hop provide a placemat for nervously melodic splendor and a melting pot of genres.  What are we to call this compellingly oddball mélange of rock, rap, jazz, reggae, and other influences, all in sway to some of the most mirthfully self-conscious streams of consciousness you’ve ever heard? We could call it attention-deficit-disorder rock. Or maybe we should just call it Forrest Day, the Bay-area bandleader who’s releasing his self-titled full-length debut on the Ninth Street Opus label. 

Cohorts include guitarist Terrell Liedstrand, a bandmate of Day’s since they were both 15, and bassist John Sankey, another high school buddy. Keyboard player Nick Wyner also came on board when the band was founded in 2006, and Jasper Skydecker joined up as their first full-time drummer a year later. When they went into the studio together for the first time, it was with several years of live performances under their belts and a chemistry that Day wanted to capture—and ever-so-slightly digitally tamper with.

“We hit analog tape with everything, but then dumped it into ProTools to manipulate it there,” says Day, who produced the album himself. “So a lot of it is like a big marriage between actual performance and then, in editing, turning some of the songs into loops—though it doesn’t really sound like it, because it’s so analog-sounding.” Day also points out that “there’s not a sample on the record. We brought in real violin players, who were in the room with real saxophones.”

Day’s amusingly confessional songwriting dabbles in social commentary about corporate greed (“Hoarders”) and our overmedicated society (“Meds”), among other concerns. But he returns again and again to everyday struggles common to itinerant musicians and non-musicians alike: bad bosses, lost jobs, debt collectors, and the girlfriend as muse or unwitting patron of the arts. There’s an elaborate work ethic apparent in these meticulously crafted tunes that would seem to put the lie to lyrics that talk about being dreamy, uncertain, and aimless. What we have on this striking debut, then, is a collection of incredibly focused anthems for an unfocused generation. 



The Grease

If it wasn't for the nights

Vulture Culture

download: https://www.facebook.com/noizegeneration/app_220150904689418

Gorillaz - Dare (Noize Generation Remix)

Damn Skippy

Sky Is Not Blue

Versión del tema "Quartet at the Ballet" (Cuarteto en el Ballet) del musical Anastasia producida como entretenimiento durante el confinamiento a causa de la pandemia.

Arreglo: Broadway Cast (Stephen Flaherty - Lynn Ahrens)
Producción musical: Julio Vaquero
Voces:
Anastasia - Marina Poncela
Dmitry - Julio Vaquero
The Dowager Empress - Sara Navacerrada
Gleb - Manuel Belizón

Todos miembros de la Asociación Cultural Musicales 3C de Tres Cantos (Madrid)

Quartet at the Ballet - Anastasia

Easy To Breathe (Jack Stauber Cover)

dadadadada
i am your leader, give me your children. i own you

O Green World- gorillaz Live X Studeo

sierrathekitty

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julie =^_^=

Lettuce

FuckYou.

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