“Te puedes poner como un perro rabioso por cómo salió todo. Puedes maldecir a las diosas de la suerte. Pero cuando llega el final tienes que aceptarlo.”

El irreal Veintiuno - Un mal 'trip' nomás

The Middle East has only very recently been depicted as nothing but a warzone, negating and erasing a multiethnic and centuries long history rich with art, music and academia. The current reality is a simple one: people across the Arab world are being subjected to dehumanizing and apartheid conditions at the behest of Western powers.

“From the River to the Sea,” the first collaboration between longtime friends Loris, a first generation Mexican Palestinian, and Wildkatz, a Jewish American, is a clear and simple expression of hope and unity, with the aim of not only continuing to raise awareness, but to also garner a visible solidarity between two inexctricably connected peoples.

Wildkatz soundcloud
https://soundcloud.com/wildkatzmusic

credits
Artwork: Mónica Delori 
Mixed: Wildkatz 
Master: Cristo Gavras @imaabs

Download

From The River To The Sea - Loris X Wildkatz

Taken from Nahash (@nahashisalive) new EP Tides, out February 22, 2022, via POLAAR (@polaarsounds)

Read: https://bit.ly/34CGgOl
Pre-order: https://bit.ly/3GP95nA

After releasing the very tense and politically charged Flowers Of The Revolution album on SVBKVLT, Nahash returns home to France for an EP on POLAAR.

Tides talk about ebb and flow. It is also a symbol for what is taken. When the tide is high on the shore of Western Europe it is low in Haiti. When nations are impoverished in western Africa, wealth is created on the east coast of the USA. Tides continues with Nahash's brand of anti-imperialist electronic destruction, taking tempos faster as we come closer to extinction-level events.

The sounds of this EP works in contrast between heavy drum sound and airy pads and synths sounds mashing together into a sort of mutant Jungle music built from recycled drum loops and 2nd hand Trance CD samplers.

Nahash is joined on two tracks by a prominent French player of the 160-game, SNKLS (@snakeleserpent), who blends his supple modular textures and abstract vision into the nostalgic rave atmosphere of the EP.

Artwork by Zeynep Aǧcabay & Luke Griffiths

Mastering Cedric Ifa

Released by POLAAR

Premiere: Nahash & SNKLS - Tides [POLAAR]

Taken from SBKT051: Swimful - Rushlight
Artwork: Luke Griffiths
Mastering: Raphael Valensi
Release Date: 14th September 2022

Returning for his 5th release on SVBKVLT, we are excited to present ‘Rushlight’, a 5 track EP by Swimful, with remixes from Hyperdub’s Ikonika and Nyege Nyege’s Phelimuncasi, and artwork by Luke Griffiths.

Rushlight

Swimful - Translation to Heaven

Authentically Plastic - RAW SPACE

"RAW SPACE" is rooted in chaos and chance, sensuality and intensity - it's an album that's able to sound alarmingly freeform and tightly controlled simultaneously. Already established as a genre-disrupting DJ, and even dubbed "demon of the Nile" by Ugandan politicians after an exuberant performance at Nyege Nyege festival in September 2019, Kampala-based sonic hypnotist Authentically Plastic brings a digger's literacy, an activist's intent, and an artist's playfulness to their jagged debut album.

As both a DJ and a producer, Authentically Plastic is drawn to the idea of chance as a creative tool - to push against the idea of the all-knowing genius, and approach artistry instead as a facilitator, unraveling parallel mismatched rhythmic events. Their musical process is to start with chaos, then attempt to mold those fleshy structures into polyrhythmic mutations, pulling influence from East Africa's innovative musical landscape and augmenting it with an exploratory sense of surrealism.

On opening track 'Aesthetic Terrorism', rough-hewn industrial rhythms chug mechanically against course, dissonant synth blasts and acidic arpeggios. There's a faint sparkle of Detroit's chrome-plated Afro-futurism, but bathed in neon light, reflecting Africa's contemporary electronic revolution. Authentically Plastic's productions have a sense of thematic coherence, but their myriad influences are torched into cinders, leaving inverse impressions and ghost rhythms: the tuned overdriven clatter of 'Anti-Fun' echoes Ugandan kadodi modes, yet simultaneously mirrors the rugged out-zone grit of Container or Speaker Music; standout centerpiece 'Buul Okyelo' meanwhile is as rhythmically cross-eyed as Slikback or Nazar, but juxtaposes kinetic dancefloor thumps with chaotic microtonal ritual cycles.

Writing "RAW SPACE", Authentically Plastic found themselves fascinated by sonic flatness. They realized that in Western art, there's an obsession with depth of field that carries into music, robbing it of intensity. The album is an example of the power that can be reclaimed when you let go of depth, letting sounds rub together carnally and spawn something fresh and unexpected

Aesthetic Terrorism

Insiste

GoReVoMiT :3

[día, mes, año]
[fumenle para que les truene]

20/04

Free DL

See here for more info: https://wp.me/pwcbn-kCX

Teardropz - EP

Siete Catorce & Amazondotcom, ‘A Party That Fits In Your Pocket’ (2018). Courtesy NHS, London.

free download

free downloads have ran out. If you want it, https://drive.google.com/drive/folders/1zHofq2NdSINjiSsQ-iBhREW3qDFQmAjG?usp=sharing

hmurd - Shepard's Delight (Loraine James Remix)

@Doline "Vieux Nous" EP

Out now : doline.bandcamp.com/album/vieux-nous

Written and produced by Doline
Mastered by Jeremy Cox
Artwork by Sophie de Bayser and Octave Abaji

PRDX008 - www.paradoxeclub.fr

Vieux Nous

Doline - Ooze

general info / press / rmx inquiries:
contact@sietecatorce.mx

booking:

Worldwide:
booking@onthesly.co

Mexico/South America:
contact@sietecatorce.mx

Mes

Siete Catorce

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