from funktechhousetrance to hypertrapnoisejazz and all the way back

Signal Weltfunk - Discography

Maurice Schirm - Dear Edr A Lf

Panksovic - Choler

IREN - Oaths

DER EKEL – UNGEZIEFER

– an audio-visual project by Alicia Brunner with sound works by Signal Weltfunk.
https://www.instagram.com/alicia.brnr/
https://www.instagram.com/signalweltfunk/

This is the third part entitled ‘UNGEZIEFER’ (engl. vermin) with audio by Huong Federkeil and visual work by Alicia Brunner.
https://www.instagram.com/huongfederkeil01/

About ‘DER EKEL’ (engl. the disgust)

Divided into three acts, the project explores specific parameters of disgust.
The first act focuses on wounds and injuries, the second on mould and rotting materials, and the third on parasites, micro-organisms and vermin.

Viewers are invited to examine their own perceptions in relation to the psychological processes behind our aesthetic judgements. The combination of image and sound challenges emotional responses to extreme visual and auditory stimuli.

https://signalweltfunk.bandcamp.com/album/der-ekel
https://linktr.ee/signalweltfunk

DER EKEL

Huong Federkeil - UNGEZIEFER (AV Alicia Brunner)

DER EKEL – SCHIMMEL

– an audio-visual project by Alicia Brunner with sound works by Signal Weltfunk.
https://www.instagram.com/alicia.brnr/
https://www.instagram.com/signalweltfunk/

This is the second part entitled ‘SCHIMMEL’ (engl. mould) with audio by Light Leak and the visual work by Alicia Brunner.
https://www.instagram.com/iamlightleak/

About ‘DER EKEL’ (engl. the disgust)

Divided into three acts, the project explores specific parameters of disgust.
The first act focuses on wounds and injuries, the second on mould and rotting materials, and the third on parasites, micro-organisms and vermin.

Viewers are invited to examine their own perceptions in relation to the psychological processes behind our aesthetic judgements. The combination of image and sound challenges emotional responses to extreme visual and auditory stimuli.

https://signalweltfunk.bandcamp.com/album/der-ekel
https://linktr.ee/signalweltfunk

Light Leak - SCHIMMEL (AV Alicia Brunner)

DER EKEL – WUNDEN

– an audio-visual project by Alicia Brunner with sound works by Signal Weltfunk.
https://www.instagram.com/alicia.brnr/
https://www.instagram.com/signalweltfunk/

This is the first part entitled ‘WUNDEN’ (engl. wounds) with audio by Maurice Schirm & Huong Federkeil and the visual work by Alicia Brunner.
https://www.instagram.com/maurice.schirm/
https://www.instagram.com/huongfederkeil01/

About ‘DER EKEL’ (engl. the disgust)

Divided into three acts, the project explores specific parameters of disgust.
The first act focuses on wounds and injuries, the second on mould and rotting materials, and the third on parasites, micro-organisms and vermin.

Viewers are invited to examine their own perceptions in relation to the psychological processes behind our aesthetic judgements. The combination of image and sound challenges emotional responses to extreme visual and auditory stimuli.

https://signalweltfunk.bandcamp.com/album/der-ekel
https://linktr.ee/signalweltfunk

Maurice Schirm & Huong Federkeil - WUNDEN (AV Alicia Brunner)

Eora’s dub-techno tastemaker Command D and Naarm’s harmoniser of the emotive and abstract Zara combine for Gravity Reset, a collaborative four-tracker on Butter Sessions.

Both producers are equally nestled with love into Australia’s underground, with releases on beloved labels like Animalia and Pure Space. Command D also boasts refined live sets heaving in sub-bass, while Zara's celebrated for boundary-blurring productions and her Kinesis imprint championing the local scene. On Gravity Reset, they meet in lockstep, delivering trance-inducing offerings rooted in a shared love of rhythm, space and subtlety seeded with dub minimalism and introspective, tech-driven sound design.The titular track 'Gravity Reset' sets the tone with a deep, persistent kick, reverberated snares, and a low-end that twists and lifts. 'Cascadia' introduces pad warmth and light percussion, where laughter weaves into the mix, adding a human touch to the dub-soaked cut. '2Pulse' brings expressive congas and dubby psychedelia into dialogue with the wubs, before The Fog closes in a haze of phasing hats and musky bass.

A collaboration for the ages. What they mean when they say #deep.
credits
releases July 18, 2025

Mastered by Corey Kikos
Artwork by Maryos Syawish
Words by Margarita Bassova

Command D & Zara - Gravity Reset (BSD08)

The third episode in our new series (and our 40th podcast!) comes from Lyon based Comic Sans Records label-head and lyl radio resident, sleek fata. 

@sleek-fata

We've been a fan of sleek fata for a while now, often tuning into his exquisitely put together "Cremation of Care" shows - which explore a wide spectrum of experimental music focused on tracks with an high sound design profile going from psychedelic electronics to jazz with a touch of punk and trip hop between.

This mix beautifully showcases the variety of his tastes and skills of mixing it all together, from dub to dubstep, techno to half time & masterfully jumping tempo’s - sleek fata’s got it covered.

𝗻𝗮𝗺𝗲 / 𝗽𝗿𝗼𝗻𝗼𝘂𝗻𝘀 / 𝘄𝗵𝗲𝗿𝗲 𝗱𝗼 𝘆𝗼𝘂 𝗹𝗶𝘃𝗲?
Sleek fata / he him / Lyon

𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗰𝗼𝗻𝗰𝗲𝗽𝘁 𝗼𝗳 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅
I wanted to build a thematic journey that could bring together different types of music and tempos, while still feeling coherent as a whole. I found a strong inspiration in the icy textures of dub techno, it sparked the whole idea. So this is essentially a cold journey through the dub techno continuum (dub techno in the broad sense): half-time, dubstep, dub techno, footwork, downtempo… each track shares a similar colour palette, sonically speaking. Think light blue, white, and grey tones. I imagined a dancer trapped in a cold room with a perfect sound system, moving and reacting to these glacial sounds. But "glacial" doesn’t mean emotionless—on the contrary. Despite the chill, there's a lot of soul embedded in each track.

𝗵𝗼𝘄 𝗵𝗮𝘀 𝘆𝗼𝘂𝗿 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁 𝗽𝗮𝘀𝘁 𝗮𝗻𝗱 𝗽𝗿𝗲𝘀𝗲𝗻𝘁 𝗶𝗻𝗳𝗹𝘂𝗲𝗻𝗰𝗲𝗱 𝘆𝗼𝘂𝗿 𝘀𝗼𝘂𝗻𝗱 𝗮𝗻𝗱 𝗮𝗽𝗽𝗿𝗼𝗮𝗰𝗵 𝘁𝗼 𝗺𝘂𝘀𝗶𝗰?
I grew up listening to rap while living in the suburbs of Lyon as a kid. Later, when I moved into the city centre for university, I discovered electronic music. So yes, my environment has always shaped my musical taste—just like it does for everyone, I believe. Our preferences are influenced by sociological data: age, ethnicity, the country we grow up in, our parents' professions, and so on.

But beyond that, my uncle, who I lived with when I was younger, had a big impact. During the peak of the Emule era, he downloaded every US rap album he could find and burned them onto blank CDs. When I came home from school, I would pick one at random and discover a new album every day. That routine really shaped my digging habit. These days, the Bandcamp community is a big influence for me.

𝘄𝗵𝗮𝘁’𝘀 𝗻𝗲𝘅𝘁 𝗳𝗼𝗿 𝘆𝗼𝘂 / 𝗰𝗼𝗺𝗶𝗰 𝘀𝗮𝗻𝘀? 𝗔𝗻𝘆 𝗰𝗼𝗼𝗹 𝗴𝗶𝗴𝘀 𝗼𝗿 𝗰𝘂𝗿𝗮𝘁𝗶𝗼𝗻𝘀 𝗰𝗼𝗺𝗶𝗻𝗴 𝘂𝗽?
I’m working on Vision Pro Dubs, a various artists project that started as a special episode of my Cremation of Care radio show. It brings together contemporary and cutting-edge smooth dub sounds. Besides that, Malesa is working on their second album, and we’re putting together a remix EP of Seta Loto’s last release. I’m also collaborating with Cortex of Light on something exciting!

𝘀𝘂𝗺𝗺𝗮𝗿𝗶𝘀𝗲 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅 𝗶𝗻 𝘁𝗵𝗿𝗲𝗲 𝘄𝗼𝗿𝗱𝘀
Hypothermic sound system

full interview here:

kinetic mix 040: sleek fata "the cold room dancer and other frozen tales"

“this mix is about friction and flow—the way things can grate and soothe at the same time. i wanted to explore tension without necessarily offering a resolution. there’s a subtle narrative running through it, more like a shifting dream you move through rather than a straightforward story. it also reflects a place i’m in right now: caught in between, questioning a lot.”

read interview here: https://untitled909.substack.com/p/untitled-909-podcast-228-soreab

@soreabuk

Untitled 909 Podcast 228: Soreab

Mika Oki at The Swirl, Horst Arts & Music 2025

✧ Hyperterranean presents a 60-minute excursion through the fractured borderlands between granular amen splinters, sub-bass pressure and footwork futurism by @djstrawberrymusic ✧

✧ Aired 10.07.2025 on @lyl_radio ✧

www.lyl.live

Hyperterranean #030 with DJ Strawberry

ABSORBED on LYL Radio, aired July 24 2025

The label welcomes Special Guest DJ to its mix series, the Berlin-based American producer, label boss, promoter and DJ. Think 3XL, think uon, shy, Caveman LSD, Ghostride the Drift, Hoodie, crimeboys, virtualdemonlaxative and/or Cypher. Here is a recording taken from the Sunday afternoon at the ABSORBED festival just gone 💍

If you were there, you'll remember it well. For all others, play it loudly and enjoy!

@specialguest-dj @triplexlarge
@lyl_radio

Mastered by Sachin de Silva

E27 - Special Guest DJ: Live at ABSORBED

It is not easy to find Saphira, and it is even harder to leave. If it so chooses, the city will appear first as a quivering mirage on the horizon, second as a blinding stone mirror, and third as a sprawling maze whose sounds and sensations embrace the traveler in a slow and languid frenzy. Quite famously, it is home to countless locked eyes and spellbound hearts. It is a place whose deep currents of longing, like the sound of its ocean shore, seem to rumble and hiss under the surface of every word and gesture, in every bead of sweat that blooms from the glimmering skin of its people.

Saphira is at all times caught between a low-lying sun to the west and a glowing moon to the east. They hang above the skyline with an eerie stillness, watching the city’s tireless creatures writhe together in tenderness and sin, casting upon them a pale, silvery gold light that hangs heavy in the humid air. It is in the tension of this peculiar light and its slender, tangled shadows that Saphira’s longing grows dense and time thickens within its walls. Traveler and resident alike are suspended in an endless eros, caught tightly between pain and pleasure, between the sting of saltwater in one’s eyes and the sticky sweetness of ripe fruit on one’s lips. 

Perhaps this is why Saphira’s radios and televisions stutter with phrases and images so ghostly yet so intimately familiar, why its dusty buildings seem always to crumble so gloriously yet never collapse, why around every corner there is a street that so closely resembles one of a distant and loving memory, and why the curling flakes of paint on its walls and facades will reach out against the heat without fading or falling. It is a city inside of want and outside of time.

Text by Devon Hansen, Photo by CCL

Invisible Cities Ⅰ: 𝓼𝓪𝓹𝓱𝓲𝓻𝓪

Socials: @dj__wiggles / @carre__carre / @rroxymore / @livwutang / @ema_jg_ / @soa42o__ / @_sharnie / @beatricem._bait / @nldc140

23 x BAIT: Wiggles 0.00 /  Carré 0.52 / rRoxy 1.45 / Liv 2.46 / EMA 3.48 / Soa 4.55 / Sharnie 5.56

@kk_shucko and @fallenmatter present a haunting slow burn for the latest episode of EEL Automaton.

Panksovic - Choler

Signal Weltfunk

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