After a single release on Endless Concrete Walls in spring of this year, iarna’s aa3e4755i project continues with „decay process“, uniting fast noisy electro with deconstructed ambient-gabber-donk, dystopian halftime and industrial footwork, compromised into 4 abstract tracks packed with relentless energy. 

www.instagram.com/aa3e4755i/ 
www.instagram.com/iarna____virtuala/ 
www.instagram.com/_ecw_________/ 
www.instagram.com/signalweltfunk/

aa3e4755i - decay-process

Tangerine live on Refuge Radio x Patterns of Perception 15.07.23

aa3e4755i - c0005 living-together 178bpm

aa3e4755i - c0004 enviously-painfully 172bpm

aa3e4755i - c0003 running-away-from 184bpm

aa3e4755i - c0001 decay-process 166bpm

Recording of Toumba's set at Dekmantel Ten

Pre-register for Dekmantel Festival 2025 here: bit.ly/4fyWKXc

Toumba at Dekmantel Ten

Al Wootton plays outsider cult rhythms from Ø, Muslimgauze, SPK, Los Niños Del Parque, Hocine Chaoui, Stephen Mallinder, O! Kult, Cut Hands, Mosquitoes, Vox Populi, Youmna Saba, Mixman, Serpente, and loads more.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: TRULE w/ Al Wootton @ Kiosk Radio 20.04.2025

Kate's debut EP 'Sprint' celebrates and cements a genre-fluid ethos with four tracks where texture and atmosphere take precedence over convention.

The EP’s opener ‘Harpan’ is a bold ambient statement, brimming with otherworldly, bell-like piano riffs, humming pads, long, gliding sweeps and sparse percussion. Written in the stillness of winter, ‘Harpan’ captures the quiet beauty of solitude and anonymity amid movement. The title track ‘Sprint’ shifts gears. A synth-surge launches the track before a slow release into breakdowns, trading the opener’s introspection for unbridled motion. ‘Hoover’ deepens the momentum with lurching rhythms, a drunken bassline, and tangled, footwork-inspired snares. Finally, ‘The Embrace’ delivers the most club-focused moment, rattling congas and panning djembes ride a punchy kick, giving way to a dramatic, techno-infused finale.

Intentional in its construction and unbound by genre, Sprint marks a powerful new chapter for Kate Miller.

Mastering by Corey Kikos
Artwork by Maryos Syawish
Copy by Margarita Bassova


Sprint

Kate Miller - Sprint (BSD07)

instagram.com/3saggila

Fragments from the opening hours of our annual NE night which took place at our much beloved Tresor in May.

Many thanks to all the Tresor personell and appreciation to everyone in attendance for making this happen.

Trailcam's debut album 'Drumlin Loop' is out on CD June 27th

northernelectronics.bandcamp.com


Trailcam aka E-Saggila at Tresor, Berlin May 30th 2025

One half of DJ duo Hagva and a key member in the Evolvere Crew, Not Mass's approach to DJing focusses on deep textures, layered sounds, and intricate drum patterns, which help build immersive atmospheres and keep the journey engaging.  

@notmass

𝘛𝘩𝘪𝘴 𝘪𝘴 𝘵𝘩𝘦 𝘴𝘦𝘤𝘰𝘯𝘥 𝘮𝘪𝘹 𝘧𝘳𝘰𝘮 𝘰𝘶𝘳 𝘯𝘦𝘸 𝘴𝘦𝘳𝘪𝘦𝘴 𝘷𝘪𝘴𝘶𝘢𝘭𝘪𝘴𝘦𝘥 𝘣𝘺 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘦𝘳 𝘑𝘰𝘳𝘪𝘴 𝘝𝘢𝘯 𝘋𝘦𝘯 𝘌𝘪𝘯𝘥𝘦𝘯. 

---

𝗻𝗮𝗺𝗲 / 𝗽𝗿𝗼𝗻𝗼𝘂𝗻𝘀 / 𝘄𝗵𝗲𝗿𝗲 𝗱𝗼 𝘆𝗼𝘂 𝗹𝗶𝘃𝗲?
Antonio, He/Him , Milan (Italy)

𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗰𝗼𝗻𝗰𝗲𝗽𝘁 𝗼𝗳 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅
This mix explores weird and experimental drum patterns. I wanted to create a journey through dark and weird rhythms that challenge the usual beat structures and that typically characterise my DJ sets. The drums are always different, sometimes off the beaten path, creating varied dynamics—moments that are upbeat as well as static, trippy moments—giving the entire set a mysterious and intense atmosphere. In my DJ sets, I like to bring together all the music and genres that have influenced and shaped my musical path over time.

So, thanks to Dj wiggles for the invite :)

𝗵𝗼𝘄 𝗵𝗮𝘀 𝘆𝗼𝘂𝗿 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁 𝗽𝗮𝘀𝘁 𝗮𝗻𝗱 𝗽𝗿𝗲𝘀𝗲𝗻𝘁 𝗶𝗻𝗳𝗹𝘂𝗲𝗻𝗰𝗲𝗱 𝘆𝗼𝘂𝗿 𝘀𝗼𝘂𝗻𝗱 𝗮𝗻𝗱 𝗮𝗽𝗽𝗿𝗼𝗮𝗰𝗵 𝘁𝗼 𝗺𝘂𝘀𝗶𝗰?
I was lucky to grow up in a family where music has always been a priority. I’m grateful to my parents for passing down this passion to me. My first approach to music was through acoustic drums—my father is a drummer and my mother took singing lessons. For me, playing drums was a moment of freedom, a way to vent, but also a love-hate relationship. I remember that at some point, I couldn’t express myself the way I wanted or with the people I wanted. 
Over the years, I got closer to the clubs in my area, and my love for the DJ figure was immediate. For several years, I lived in Puglia, my hometown, where I took my first steps as a DJ. Those were beautiful years, full of learning and hard work and research, all to start playing in clubs and illegal parties eheh

𝗰𝗮𝗻 𝘆𝗼𝘂 𝘁𝗲𝗹𝗹 𝘂𝘀 𝗮 𝗹𝗶𝘁𝘁𝗹𝗲 𝗯𝗶𝘁 𝗮𝗯𝗼𝘂𝘁 𝘁𝗵𝗲 𝗺𝗶𝗹𝗮𝗻 𝗺𝘂𝘀𝗶𝗰 𝘀𝗰𝗲𝗻𝗲?
Right now, I think the music scene in Milan is one of the most prolific and solid in Europe. There are so many high-level artists, each with their own background and unique sound. Moving here was a turning point for me since the beginning, I’ve felt motivated and inspired by all the artists I’ve connected with. I believe growing in an environment where the scene is this strong and innovative is essential for any artist.
That said, one of the biggest issues in the city right now is the lack of spaces to play, perform, and organize parties. Prices are also insanely high, which makes it really hard to access and self-fund events. What we’re doing is a form of resistance..we have a mission, and we need to keep it alive.

𝘀𝘂𝗺𝗺𝗮𝗿𝗶𝘀𝗲 𝘁𝗵𝗶𝘀 𝗺𝗶𝘅 𝗶𝗻 𝘁𝗵𝗿𝗲𝗲 𝘄𝗼𝗿𝗱𝘀
Textured - Percussive – Trippy

Full interview available via our substack: https://allmovingobjects.substack.com/p/kinetic-mix-039-not-mass-weirdscape

kinetic mix 039: not mass "weirdscape drums"

For CoziMix 21 we welcome Brooklyn based DJ, Maharam. Maharam is an American DJ and co-organizer of Final Passage, a Brooklyn-based event series emphasizing leftfield curation across both club and deep listening environments. Maharam's affinity for deeper sound is rooted in the melancholic landscapes of his Pacific Northwest upbringing, as well as his background as a guitarist and jazz vocalist. After moving to New York seven years ago, Brooklyn's rich DIY scene has been central to his life, acting as a constant source of inspiration and connection. During this mix he takes us on an atmospheric journey which he recorded spontaneously at 6am on a snowy Sunday dawn at his friend's apartment in the lower east side. 'I wanted to play in my collection of emotive moody trip hop, ambient, and dubby sounds for the cold season.'

CoziMix Questions : 

1. How and why did you get into dj’ing?
Living in Brooklyn, I feel very spoiled by the talent that comes through the city, and I've been very fortunate to have friends with great taste that have led me to some beautiful events. I had been going out for many years before I ever considered DJing, and picking it up after so long was very natural. I had set aside a lot of my musical life after moving to NY in 2018, but rediscovering it through DJing in the context of the scene has been very inspiring. 

2. Who, What/where was your most coziest gig you've been to or experienced and why?
I went to an event at one of my favorite DIY spaces in the fall of 2024 put on by Ballet (shoutout 320 and Blessing). It was a cozy deep listening vibe, where people were lying on mats on the floor. I was really blown away by Significant Other, who played a set spanning shoegaze, folk, and dub, but with a feeling of tender loneliness that left some of the audience in tears. Its not often I experience sets that hold you in the way that one did. 

3. Do you consider yourself an introvert or extrovert in the scene?
I'm probably more of an extrovert, I really enjoy being out and running into people that I've been connected with through music.

4. If you had to choose 1 track to vibe out too forever, what would it be?
Takeo.K - 時々

5. What is your routine when preparing for a gig? Do you have any special remedies/ mental/physical prep/ places to go to? :)
I usually just spend time at home digging, mixing, and playing around in rekordbox, regardless of whether I have a gig or not. I have a pretty intense organizational system that I rely on quite a bit. I've also put a lot of work into my apartment lately, so I enjoy spending a lot of time at home :) 



CoziMix 21 : Maharam

Polar Phase

A2 Polar Phase

"this mix is a late summer, abstract downtempo selection. It is a fairly restrained and delicate flow, with luminous and hazy qualities."

berlin-based, italy-born dj & producer notte infinita graces the 909 series this week with a session that glistens and glows. starting with the dreamy downtempo soundscapes of kincaid, konduku, and joe caven, the mix leans on insect-like drums and synths that sound like mating calls in the night before moving into more introspective and darker moods. it’s a session made to soundtrack hazy early mornings whilst you melt away in your surroundings, soaking everything in. 

notte infinita is one of my go to producers. his remix of big hand’s ‘girde maye / astere’ has been on repeat ever since it was released ~ it’s a challenge in of itself to not include it in every set or mix i play. it has that dreamy, hazy quality that you will find in his 909 mix with a loopy vocal to get lost in. with a strong affinity to soundsystem culture and sound design, notte infinita’s productions can go from the slippery dancehall mutations that are found on his manila killer float / slippery ruff ep to epic world building as found on hi-tech roller remix of priori’s pareidolia. there’s also further notable releases on in:dex and oscilla sound.  

_melt away, melt away, melt away_

interview: https://untitled909.substack.com/p/untitled-909-podcast-233-notte-infinita

@notteinfinita

⋆˚࿔ untitled 909 podcast 233: notte infinita ⋆˚࿔

the 11th entry in our series come from a dear friend and label regular, Toronto based musician and DJ - @ciel_dj

Words from the artist :

"little sounds in huge expansive spaces"

This mix was my musical extrapolation of this quote. As I put together the tracks in the mix, the idea of small sounds in big spaces became more metaphysical, as a metaphor for memory and nostalgia. Small, seemingly insignificant events in our past can expand in significance over time, informed by our experiences later on in life, and with our emotions acting as a tool of reverberation, extending their presence in our lives far past their time of occurrence. What begun as a process of selecting tracks that quite literally feature "small sounds in big spaces" soon morphed into a dig into my distant past, to nearly 20 years ago when I first started learning to DJ. I pulled from the mnml tracks that had an important influence on my formative years, their impact can still be heard in the contemporary tracks I play today, all of them bouncing next to each other in this nearly 2hr musical collage.

naffcast011 ⦾  *̣̥☆·͙̥‧‧̩̥·‧•̥̩̥͙‧·‧̩̥˟͙ Ciel ˟͙‧̩̥·‧•̥̩̥͙‧·‧̩̥‧·͙̥̣☆*̣̥

collective music label and creative outlet

aa3e4755i - c0004 enviously-painfully 172bpm

Signal Weltfunk

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