Prog_Mleg

Aftersun (Original Motion Picture Soundtrack)

One Without

VIDEO:
https://youtu.be/Fn5utiT9Jrs?si=7GGG0ZbOaH9A7nx_

LYRICS:
Don't fall,
and fade away.

Don't fall,
and fade away.

Light fading,
view blurry,
grip loosens,
all surreal.

Bones aching,
forced breathing,
drift backward,
Ooo.

The more we taste, igniting 
fear dense as coal.
The more we reign, aligning 
failure with control.

Carve your name in the dying sky,
Ahh,
Ohh

Build your wings with prayers that cannot fly,
Ahh,
Ohh

Don't fall,
and fade away.

Don't fall,
and fade away.

Eyes hollow,
veins burning.
Hopes fractured,
truth concealed.

Dreams swallowed,
will fleeting.
Fall back and
spin the wheel.

The more we take, we're signing 
notes chained to souls.
The more we gain, strip mining 
what remains post war.

Carve your name in the dying sky,
Ahh,
Ohh

Build your wings with prayers that cannot fly,
Ahh,
Ohh

Don't fall,
and fade away.

Don't fall,
and fade away.

Just fall,
and fade away.

Just fall,
and fade away.

Legacy

Music inspired by the dystopian futures of Blade Runner, I Robot and all the wonderful Science Fiction of the Past and Future.

NEXUS 39 THE CRYSTAL MACHINES

Drop the Lead

Grace For Drowning’ is the second album released under Wilson’s own name, and builds on the artistic inroads he forged with 2009’s exceptionally well-received ‘Insurgentes.’

A double album ('two 40-45 minute albums in the same package') Wilson has described it as "my biggest project to date".

He continues, “’Insurgentes’ was an important step for me into something new. This record takes that as a starting point, but it’s more experimental and more eclectic. For me the golden period for music was the late sixties and early seventies, when the album became the primary means of artistic expression, when musicians liberated themselves from the 3 minute pop song format, and started to draw on jazz and classical music especially, combining it with the spirit of psychedelia to create “journeys in sound” I guess you could call them. So without being retro, my album is a kind of homage to that spirit. There’s everything from [Ennio] Morricone-esque film themes to choral music to piano ballads to a 23 minute progressive jazz–inspired piece. I’ve actually used a few jazz musicians this time, which is something I picked up from my work remixing the King Crimson records.”

The full tracklist is as follows;

CD1:
1. Grace For Drowning (2.00)
2. Sectarian (8.00)
3. Deform to Form a Star (8.00)
4. No Part of Me (5.45)
5. Postcard (4.30)
6. Raider Prelude (2.30)
7. Remainder the Black Dog (9.15)

CD2:
1. Belle de Jour (3.00)
2. Index (4.45)
3. Track One (4.15)
4. Raider II (23.15)
5. Like Dust I Have Cleared From My Eye (8.00)

gracefordrowning.com

Video by Lasse Hoile lassehoile.com

Steven Wilson - Raider (edit) (full track from Grace for Drowning)

Beyond The Black Rainbow - Original Soundtrack

Elena's Sound-World

Kveikur

Brennisteinn

DEFORM TO FORM A STAR (live in London)

INDEX (live in London)

SECTARIAN (live in London)

Download Lúppulagið from Inni, in exchange for your email address: http://bit.ly/luppulagid-mp3

Valtari

Varðeldur

"lighthouse (live)" taken from no-man's "love and endings" album (available from Burning Shed now). 

"love and endings" sees no-man's core duo of Tim Bowness and Steven Wilson joined by respected classical violinist Steve Bingham and regular collaborators Michael Bearpark, Andrew Booker, Stephen Bennett and Pete Morgan.

Visit http://www.no-man.co.uk for details of the album.

Brennisteinn

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