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March of the Inanimate – Repossessed
Release Date: August 24, 2016
© 2016 Keith Richie

March of the Inanimate – Repossessed is a dark, cinematic soundscape that delves into obsession, mortality, and the supernatural. This reimagined and remastered edition of the original 2014 release expands the sonic narrative with new tracks and enhanced production—immersing the listener in a chilling audio experience.

A man, obsessed with defying death, steps into a long-abandoned home to retrieve a rumored artifact said to hold the key to immortality. But what he finds is not salvation… it is something far more sinister. As ancient forces awaken, his soul teeters on the edge of annihilation, pursued by horrors that march without mercy or sight.

This definitive edition draws inspiration from the atmospheric dread of classic horror soundtracks, particularly the works of John Carpenter and Alan Howarth. Through dark-electro pulses, suspenseful piano motifs, and immersive textures, Repossessed captures the mood of unearthed terror and psychological descent.

Now featuring three additional tracks and a fully remastered mix, March of the Inanimate – Repossessed stands as both a love letter to vintage horror scores and an original journey into the heart of sonic fear.

Critical Praise:

“Musically menacing, to say the very least. This opus incorporates haunting piano melodies and a deep intensity through its pulsing rhythms… it fits right into the gritty underworld of horror-movie-mania.”
— Jer@SBS, Sleeping Bag Studios

“Keith Richie has a way with electronic music—it rarely sounds synthetic. Here, he explores sonic storytelling beyond the confines of pop structure… an invitation to imagine films that don’t yet exist.”
— Robbie Tee, Jamsphere

Forbidden Cottage

Ovheda - ALL BY YOURSELF X31

im not a perfect person

Veteran Erased Tapes recording artist Peter Broderick set to release new studio album 'Partners' on 19th August 2016.

Order it on LP/CD/DL here: www.erasedtapes.com/store/index/ERATP088

In an email to Robert on February 3rd 2016: 

Dear Robert.

There’s a lot I’d love to tell you about this music.

The inspiration really came when I decided to learn to play John Cage’s In A Landscape on the piano . . . I listened to a recording I had over and over again, five seconds or so at a time, picking out every single note. Then cross referencing what I’d learned with other versions of the piece as well as the original score. The feeling of playing this piece really brought me close to the piano again, and brought new life to my own piano songs.

Beyond Cage’s music, his life and practice have interested me more and more, after having read about his love for foraging wild foods and using chance operations to compose music, in a sense taking his ‘self’ out of the music. I love his so-called ‘mesostics’ and began to write several poems using that method, around this phrase:

I    
N

A

L
A
N
D
S
C
A
P
E

When it came time to record in the studio, I rolled two dice to decide how many poems to read. I rolled 5. Then I assigned a number to each poem and rolled the dice to see which five poems would be read and in which order. That’s the first track Partners, which is also the last word of the last poem I selected through this chance-based process. Track two is my version of In A Landscape. I love playing that piece so much. Carried  is a piece I wrote in Berlin which I’ve played live from time to time. There was a soft vocal loop playing out through an amplifier in the room while I played the piano.

Under The Bridge is my first ever chance-based composition, written by assigning different numbers to different notes and then rolling dice to decide in which order to play those notes. Conspiraling is another piece I’ve been playing for a while. Actually a version of this was recorded in the session that became ‘How They Are’, but it didn’t quite feel right. I like to pretend my voice is like a synthesizer in this song. Then there’s Up Niek Mountain which is a piece I finished composing while in residence at a farm in the Netherlands back in 2010, and is named after one of the family farmers there, Niek, who passed away shorty after I was there. We miss you Niek. The last song is a cover of Brigid’s Sometimes. Brigid to whom I dedicate this recording.

And then there’s Tucker, Mr. Martine, who agreed to record this album without me ever hearing the mixes. We talked about all the sounds and he set up several devices with which to manipulate the sound live, as it was being recorded and mixed down to tape. Francesco also agreed to master the record without me hearing it. I like to imagine maybe one day, five or ten years from now, I’ll walk into a café or roadside diner and hear it for the first time, playing as background music while people eat.

OK surely that’s enough for now! Sorry for blabbing, Robert. Your support has really meant a lot to me. I’ve loved having you in mind while working on this project, knowing it could very well have a home on your sweeeeeet label. Hope all is well.

With love,
Peter

Partners

Sometimes

Buy LP/CD/DL

Peter Broderick - Sometimes

Buy: http://po.st/HolmesLNT // Apple: http://geni.us/LNTdavidholmes // Bandcamp: http://po.st/HolmesBC // Spotify: http://po.st/HolmesSpotify

V/A ‘Late Night Tales: David Holmes’
Release Date: 21st October 2016 
Format: 2xLP // CD // Digital 

“I walk a lot. It’s amazing for listening to music: your phone or your emails aren’t going and you’re just in the forest listening to music. It’s so intimate. Anyway, I was listening to the KLF’s Chill Out album, which still sounds amazing, but it triggered an idea with concrete sounds through travelling and movement. And one of the things I was trying to do was to use this idea not just to break up the moods, but also as a metaphor for moving through life and arriving in different destinations or arriving at different stages in different parts of your life. Memory, Love, Living, Family, Friendship, Healing, Death, and The Afterworld are some of the themes I wanted to explore within this record. Although these strong themes and tracks are personal to me, I also wanted it to be a great listen that was unpredictable yet had a seamless flow - a journey that was personal to me yet to the listener a great compilation of music that they may or may not have heard before. I hope I’ve succeeded in the latter.” - David Holmes, 2016 

Tracklisting: 
1. Barry Woolnough - Great Father Spirit In The Sky 
2. David Holmes & Steve Jones – The Reiki Healer From County Down (Exclusive Track) 
3. The Children Of Sunshine – It’s A Long Way To Heaven 
4. Spark Sparkle – Slythtovery (Exclusive Track) 
5. Alain Maclean – Talking Judgement Day Blues 
6. David Crosby – Orleans 
7. Buddy Holly – Love Is Strange 
8. After Dinner – Paradise of Replica 
9. Lullaby Movement – Ru-Ru (Sleep Little Baby) (Exclusive Track)
10. Jeff Bridges & Keefus Ciancia –It’s In Every One Of Us (Exclusive Track) 
11. Song Sung – I’m Not In Love (Exclusive 10cc Cover Version - Produced by David Holmes) 
12. Neo Maya – I Won’t Hurt You 
13. BP Fallon & David Holmes – Henry McCullough (Exclusive Track) 
14. Documenta – Love As A Ghost (Produced by David Holmes) 
15. Keith Fullerton Whitman - Stereo Music For Acoustic Guitar, Buchla Music Box 100, Hewlett Packard Model 236 Oscillator, Electric Guitar And Computer – Part 1 
16. Eat Lights Become Lights – Into Forever 
17. Geese – Andrew Parsnip (Exclusive Track) 
18. DIE HEXEN – Gloomy Sunday (Exclusive Track) 
19. David Holmes & Jon Hopkins ft. Stephen Rea – Elsewhere Anchises (Exclusive Track) 

Follow Late Night Tales:

Web: http://latenighttales.co.uk
Facebook: http://www.facebook.com/latenighttales1
Twitter: http://twitter.com/LateNightTales
SoundCloud: http://soundcloud.com/latenighttales
YouTube: http://youtube.com/latenighttalestv
Instagram: http://instagram.com/latenighttalesofficial
Spotify: http://goo.gl/Q98T7d
Apple Music: https://music.apple.com/us/curator/late-night-tales/1233898093
Bandcamp: https://latenighttales.bandcamp.com/

Sleep 9

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