enchanting organic playing - human music. Thanks for sharing

Survey Drone 7

Found Memories [part 1]

https://soundcloud.com/gautamkarnik violin solo
unearth noise - udu, guitars, bass, electronics, composition

Mirrors (w/Gautamkarnik)

Excerpt from a series of live improvised tracks focused on synthesizer atmospheres.
https://the-rosen-corporation.bandcamp.com/album/metaphysical-realms

Metaphysical Realms (Excerpt)

On Earth (preview)

keys and snare

TList: NoAgenda side b

1	White Noiz - Akira Yamaoka (Silent Hill 2)
2	Without You (D-Bridge Revoice) - King Midas Sound
3	Tellaman - Tubby Isiah
4	Amo Bishop Roden - Boards Of Canada
5	Out In The Desert - Illyah & Ltd.
6	Courage - Jon Hassell
7	True Creators - Disrupt
8	Foggy Road - Burning Spear
9	Friend Version - Rhythm & Sound
10	Untitled - The Gerogerigegege
11	Addis Ababa Children (Well Dread Version 3) - The Upsetters	
12	Love Version - The Soul Syndicate	
13	Babylon Gone Again (Skruff Remix V2) - Dubothesis
14	sea of apathy - scopeotaku	
15	Amir Dub - Another Channel
16	Ghosts - Om Unit
17	Engine Room - Metal Gear Solid 2 
18	Walkabout - Throbbing Gristle

No Agenda mixtAPE side B

Off the upcoming album "Scuba Through the Neural Reservoir" coming soon to digital and cassette.

Pink Fantasia- Planet Teardrops

Ebow guitar improvisation by Daniel Diaz over an original track by Marco Lucchi, treated and transformed with real time fx and some editing.
Recorded November 10th 2021.

Original track here:
https://soundcloud.com/marcolucchi/20210929a
Ὁ Γὰρ Καιρὸς Ἐγγύς
Marco Lucchi : synthesizer, 5 ottobre 2021

@marcolucchi

photo by dd

A Litany From Patmos

The Butterfly's Burden

Kelebek Evrimi – Ragnarok

I hear the planet sing as it plummets into a sonorous darkness, a strange uncertainty laced with interferences; white noise, brown noise, red noise, all the noises, in a tangible distortion, like every sound I have ever heard pushed through one hundred distortion pedals at once. 

The stars hum in a low mussitation, distinguishable against the rhoncus rattle of people, places and things in a rising and falling glissando of sleepy and awake. The muffled cacophony of breath against breath, whistling, singing, mirrored in the whispering trees. These eolian instruments invoke a doppler effect as we rotate around each other, my binaural perception altered by every movement, becoming boomy, then tinny, then zing. I never knew I could orchestrate with trees. Then just as I am wrapped entirely in a sonic envelope of frequencies, I locate a rhythm of heartbeats and hoofbeats, the pulsing paradiddle of further resounding aliveness. 

I feel the compression closing in all around me, attenuating, boosting, clamping, I grasp for some dynamic headroom to make sense, to find closure, to resolve, to normalise. But there is nothing but the tintinnabulation of bells, beautiful shimmering chimes, in the distance somewhere over there, as they have always been. 

And in the fury and clamour I realise that when it goes dark the lights come on. This is the essence of ‘Glowball,’ a three track sonic pilgrimage on meditations with a Microkorg in times of global weirdness. 
credits
released November 22, 2020

Voice sample taken from Paul Stamets Lecture, Chicago Green Festival, 2009 

Title: Mushrooms Can Save the World 

Upload Date: August 13th 2012 

Author/Archivist: Monte Barry 

Source: Archive.org 

License: creativecommons.org/publicdomain/zero/1.0/

from Glowball, released November 22, 2020  available for download at: 

https://skyhighdiamonds.bandcamp.com/album/glowball

Kelebek Evrimi – Ragnarok

Silent Flow

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